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This book challenges the presupposition among professional philosophers that René Descartes is the Father of Modern Philosophy. It demonstrates by intensive textual analysis of Descartes's Discourse and Meditations that he inaugurated a new type of sophistry rather than a new way of conducting philosophy. Transcendental Sophistry is a synthesis of Renaissance humanism and Christian theology, especially the theology of creation. This striking re-evaluation of the achievement of Descartes opens the history of Western philosophy to radical reinterpretation.
The 2007 Agha Shahid Ali Prize in Poetry recipient selected by judge Cole Swenson of the Iowa Writers' Workshop.
Through extensive textual analysis, this book concludes that the prevailing opinion about the nature of modern and contemporary philosophy is wrong. It maintains that almost all modern and contemporary philosophy is deconstructed, secularized, Augustinian theology, not philosophy. The work is divided into eight chapters, a guest Foreword by Herbert I. London (President of the Hudson Institute and Olin Professor of Humanities at New York University) notes, bibliography, and an index. Chapter 1 (Protagoras Sees the Ghost of Hippo) considers Cartesian thought, Hobbes, and Newton. Chapter 2 (I Feel the Spirit Move Me) examines Locke, Berkeley, and Hume. Chapter 3 (The Urge to Emerge) investigates Lessing and Rousseau. Chapters 4 (To Dream the Impossible Dream) and 5 (Wake Up, Wake Up, You Sleepyhead) treat Kant. Chapters 6 (I Am Music) and 7 (Looking for God in All The Wrong Places) deal with Hegel. Chapter 8 (Dirty Dancing: Higher Education as Enlightened Swindling) concludes that a lack of philosophical and historical experience coupled with a widespread inability to read philosophical texts according to the intention of the author (1) causes us to mistake secularized theology for philosophy and (2) is a main cause for the decline of contemporary universities.
In his autobiography Speak, Memory, Vladimir Nabokov compared his life to a spiral, in which “twirl follows twirl, and every synthesis is the thesis of the next series.” The first four arcs of the spiral of Nabokov’s life—his youth in Russia, voluntary exile in Europe, two decades spent in the United States, and the final years of his life in Switzerland—are now followed by a fifth arc, his continuing life in literary history, which this volume both explores and symbolizes. This is the first collection of essays to examine all five arcs of Nabokov’s creative life through close analyses of representative works. The essays cast new light on works both famous and neglected and place these works against the backgrounds of Nabokov’s career as a whole and modern literature in general. Nabokov analyzes his own artistry in his “Postscript to the Russian Edition of Lolita,” presented here in its first English translation, and in his little-known “Notes to Ada by Vivian Darkbloom,” published now for the first time in America and keyed to the standard U.S. editions of the novel. In addition to a defense of his father’s work by Dmitri Nabokov and a portrait-interview by Alfred Appel, Jr., the volume presents a vast spectrum of critical analyses covering all Nabokov’s major novels and several important short stories. The highly original structure of the book and the fresh and often startling revelations of the essays dramatize as never before the unity and richness of Nabokov’s unique literary achievement.
This volume is a collection of original essays dealing with Cartesian themes and problems, especially as these arise in connection with Cartesian natural science and the theory of perception, agency, mentality, divinity, and the passions. It focuses in particular on Desmond Clarke's important contributions to these aspects of Descartes's writings. Stephen Gaukroger and Catherine Wilson split the volume into four distinct parts; Cartesian Science, Mind and Perception, Actions and Passions, and Cartesian Woman. The contributors are internationally known and respected scholars of 17th century philosophy writing on a number of their favourite Cartesian topics.
This book establishes that the ancient Greeks had a prevailing method of doing philosophy which was rooted in philosophical realism. Through extensive historical and philosophical analysis, it demonstrates that this method was challenged in ancient times by an apocryphal notion of philosophy which eventually became confused with philosophical reasoning, and was passed on to posterity through the work of Christian theologians until it was called into question by leading thinkers of the thirteenth century. It shows how this thirteenth-century challenge influenced the growth of the Renaissance humanist movement and how this movement, in turn, passed on to modernity the same apocryphal notion of philosophy as a rhetorical theology of allegorical prefiguration.
Tim Button explores the relationship between words and world; between semantics and scepticism. A certain kind of philosopherthe external realistworries that appearances might be radically deceptive; we might all, for example, be brains in vats, stimulated by an infernal machine. But anyone who entertains the possibility of radical deception must also entertain a further worry: that all of our thoughts are totally contentless. That worry is just incoherent. We cannot, then, be external realists, who worry about the possibility of radical deception. Equally, though, we cannot be internal realists, who reject all possibility of deception. We must position ourselves somewhere between internal realism and external realism, but we cannot hope to say exactly where. We must be realists, for what that is worth, and realists within limits. In establishing these claims, Button critically explores and develops several themes from Hilary Putnam's work: the model-theoretic arguments; the connection between truth and justification; the brain-in-vat argument; semantic externalism; and conceptual relativity. The Limits of Realism establishes the continued significance of these topics for all philosophers interested in mind, logic, language, or the possibility of metaphysics.
Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.
The contributors to Postmodernism and Christian Philosophy bring a wealth of philosophical insights and methodological approaches to bear on a common concern, namely, the possibility and extent of a fruitful dialogue between Christian philosophy and postmodern thought. They tackle the timely question of how realism ought to respond to the threat to what Gilson called "the Western Creed" posed by modernity's heir apparent. Enriched and invigorated by the insights of St. Thomas, Jacques Maritain, Yves R. Simon, and others, the articles assembled in this volume offer a provocative vision of the way in which a world bearing the imprint of modernity can nevertheless avoid succumbing to the false alternative proposed by postmodernism. Contributors include: Benedict M. Ashley, O.P., Don T. Asselin, Michael Baur, David B. Burrell, C.S.C., John Deely, Curtis L. Hancock, Thomas S. Hibbs, Gregory J. Kerr, John F.X. Knasas, Joseph W. Koterski, S.J., James L. Marsh, Matthew S. Pugh, Gregory M. Reichberg, Robert Royal, James V. Schall, S.J., Rosalind Smith Edman, Brendan Sweetman, Joseph M. de Torre, Merold Westphal, and Robert E. Wood. ABOUT THE EDITOR: Roman T. Ciapalo is associate professor of philosophy at Loras College in Dubuque, Iowa.
Many of the contributions offer personal reflections on those events and experiences that helped shape their response to the general issue of faith seeking understanding."--BOOK JACKET.