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"Carter G. Woodson didn't just read history. He changed it." As the father of Black History Month, he spent his life introducing others to the history of his people. Carter G. Woodson was born to two formerly enslaved people ten years after the end of the Civil War. Though his father could not read, he believed in being an informed citizen, so he asked Carter to read the newspaper to him every day. As a teenager, Carter went to work in the coal mines, and there he met Oliver Jones, who did something important: he asked Carter not only to read to him and the other miners, but also research and find more information on the subjects that interested them. "My interest in penetrating the past of my people was deepened," Carter wrote. His journey would take him many more years, traveling around the world and transforming the way people thought about history. From an award-winning team of author Deborah Hopkinson and illustrator Don Tate, this first-ever picture book biography of Carter G. Woodson emphasizes the importance of pursuing curiosity and encouraging a hunger for knowledge of stories and histories that have not been told. Back matter includes author and illustrator notes and brief biological sketches of important figures from African and African American history.
The edited, annotated New York Times bestselling diary of President Jimmy Carter--filled with insights into his presidency, his relationships with friends and foes, and his lasting impact on issues that still preoccupy America and the world. Each day during his presidency, Jimmy Carter made several entries in a private diary, recording his thoughts, impressions, delights, and frustrations. He offered unvarnished assessments of cabinet members, congressmen, and foreign leaders; he narrated the progress of secret negotiations such as those that led to the Camp David Accords. When his four-year term came to an end in early 1981, the diary amounted to more than five thousand pages. But this extraordinary document has never been made public--until now. By carefully selecting the most illuminating and relevant entries, Carter has provided us with an astonishingly intimate view of his presidency. Day by day, we see his forceful advocacy for nuclear containment, sustainable energy, human rights, and peace in the Middle East. We witness his interactions with such complex personalities as Ted Kennedy, Henry Kissinger, Joe Biden, Anwar Sadat, and Menachem Begin. We get the inside story of his so-called "malaise speech," his bruising battle for the 1980 Democratic nomination, and the Iranian hostage crisis. Remarkably, we also get Carter's retrospective comments on these topics and more: thirty years after the fact, he has annotated the diary with his candid reflections on the people and events that shaped his presidency, and on the many lessons learned. Carter is now widely seen as one of the truly wise men of our time. Offering an unprecedented look at both the man and his tenure, White House Diary is a fascinating book that stands as a unique contribution to the history of the American presidency.
The Bern Book is a travelogue, a memoir, a “diary of an isolated soul” (Darryl Pinckney), and a meditation on the myth and reality of race in midcentury Europe and America. In 1953, having left the US and settled in Bern, Switzerland, Vincent O. Carter, a struggling writer, set about composing a “record of a voyage of the mind.” The voyage begins with Carter’s furiously good-humored description of how, every time he leaves the house, he must face the possibility of being asked “the hated question” (namely, Why did you, a black man born in America, come to Bern?). It continues with stories of travel, war, financial struggle, the pleasure of walking, the pain of self-loathing, and, through it all, various experiments in what Carter calls “lacerating subjective sociology.” Now this long-neglected volume is back in print for the first time since 1973.
EW's 50 Most Anticipated Books of 2020 - O Magazine's "31 LGBTQ Books That'll Change the Literary Landscape in 2020" - BookRiot's "Most Anticipated LGBTQ Books of 2020" - Lambda Literary's "Most Anticipated LGBTQ Books of May 2020" - Salon's "Best and boldest new must-read books for May" - BookPage's "19 can't-miss reads from independent publishers" - Garden & Gun's "Best Books of May" - Logo NewNowNext's "11 Queer Books We Can't Wait to Read This Spring" A stunning novel about the bounds of family and redemption, shines light on an overlooked part of the AIDs epidemic when men returned to their rural communities to die, by Lambda Literary Emerging Writer Award-winning author Carter Sickels. Small-town Appalachia doesn't have a lot going for it, but it's where Brian is from, where his family is, and where he's chosen to return to die. Set in 1986, a year after Rock Hudson's death brought the news of AIDS into living rooms and kitchens across America, Lambda Literary award-winning author Carter Sickels's second novel shines light on an overlooked part of the epidemic, those men who returned to the rural communities and families who'd rejected them. Six short years after Brian Jackson moved to New York City in search of freedom and acceptance, AIDS has claimed his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape. The Prettiest Star is told in a chorus of voices: Brian's mother Sharon; his fourteen-year-old sister, Jess, as she grapples with her brother's mysterious return; and the video diaries Brian makes to document his final summer. This is an urgent story about the politics and fragility of the body, of sex and shame. Above all, Carter Sickels's stunning novel explores the bounds of family and redemption. It is written at the far reaches of love and understanding, centering on the moments where those two forces stretch toward each other and sometimes touch.
From bestselling author Ally Carter, the definitive guide to writing a novel for the NaNoRiMo generation, including helpful tips from other YA stars. Have you always wanted to write a book, but don't know where to start? Or maybe you're really great at writing the first few chapters . . . but you never quite make it to the end? Or do you finally have a finished manuscript, but you're not sure what to do next? Fear not -- if you have writing-related questions, this book has answers! Whether you're writing for fun or to build a career, bestselling author Ally Carter is ready to help you make your work shine. With honesty, encouragement, and humor, Ally's ready here to answer the questions that writers struggle with the most.Filled with practical tips and helpful advice, Dear Ally is a treasure for aspiring writers at any stage of their careers. It offers a behind-the-scenes look at how books get made, from idea to publication, and gives you insight into the writing processes of some of the biggest and most talented YA authors writing today.
"What does it take to make a hero? Junior doctor Kerry Smith is addicted to rescuing others. Eighteen years ago, on the eve of the millennium, she saved the life of teenage footballer Joel Greenaway who 'died' for eighteen minutes. But life after death doesn't guarantee a happy ending"--
In June 1867, the San Francisco Elevator -one of the nation\'s premier black weekly newspapers during Reconstruction-began publishing articles by a Californian calling herself \Ann J. Trask\ and later \Semper Fidelis.\ Her name was Jennie Carter (1830-1881), and the Elevator would print her essays, columns, and poems for seven years. Carter probably spent her early life in New Orleans, New York, and Wisconsin, but by the time she wrote her \Always Faithful\ columns for the newspaper, she was in Nevada County, California. Her work considers California and national politics, race and racism, women\'s rights and suffrage, temperance, morality, education, and a host of other issues, all from the point of view of an unabashedly strong-minded African American woman. Recovering Carter\'s work from obscurity, this volume re-presents one of the most exciting bodies of extant work by an African American journalist before the twentieth century. Editor Eric Gardner provides an introduction that documents as much of Carter\'s life in California as can be known and places her work in historical and lite-rary context. Eric Gardner is chair and professor of English at Saginaw Valley State University. He is the editor of Major Voices: The Drama of Slavery, and his work has appeared in African American Review, the African American National Biography, and Legacy .
Teased by his friends because of his inability to walk, young Jeremy is abandoned at the seashore when everyone flees the approach of a terrible sea monster, but Jeremy soon discovers a kindred soul--and a secret friend--in the monster, little baby Snoogle-Fleejer. 50,000 first printing.
Fans of Wendy Mass and Lisa Greenwald are sure to fall head-over-heels for this sweet story about first crushes, friendship drama, and finding the courage to stand up for yourself. Seventh grade is supposed to be a game changer. And Keiko thinks she's got it covered, especially with Audrey and Jenna by her side to shop for a new look, pick out a prime lunch spot, and even hit up that cute new bubble tea place after school. Her trio is ready to tackle life as they always have... together.But when Audrey decides they need boyfriends before Fall Ball, it looks like things may be changing in all the wrong ways. Jenna is sick of caving in to Audrey's demands, and soon Keiko's besties are barely talking, leaving her caught in the middle. While she's been dreaming about triple-dates, first kisses, and a boy she really shouldn't have a crush on, the friendship she's always thought was rock-solid is beginning to crumble.Keiko feels pulled in two directions. Should she try to help her friends -- even if it means losing one of them -- or follow her heart? When it comes to flirting, friendships, and fallouts, how is Keiko supposed to keep it all together?
This study reveals how historian Carter G. Woodson (1875-1950) used the black press and modern public relations techniques to popularize black history during the first half of the twentieth century. Explanations for Woodson's success with the modern black history movement usually include his training, deep-rooted principles, and single-minded determination. Often overlooked, however, is Woodson's skillful use of newspapers in developing and executing a public education campaign built on truth, accuracy, fairness, and education. Burnis R. Morris explains how Woodson attracted mostly favorable news coverage for his history movement due to his deep understanding of the newspapers' business and editorial models as well as his public relations skills, which helped him merge the interests of the black press with his cause. Woodson's publicity tactics, combined with access to the audiences granted him by the press, enabled him to drive the black history movement--particularly observance of Negro History Week and fundraising activities. Morris analyzes Woodson's periodicals, newspaper articles, letters, and other archived documents describing Woodson's partnership with the black press and his role as a publicist. This rarely explored side of Woodson, who was often called the "Father of Black History," reintroduces Woodson's lost image as a leading cultural icon who used his celebrity in multiple roles as an opinion journalist, newsmaker, and publicist of black history to bring veneration to a disrespected subject. During his active professional career, 1915-1950, Woodson merged his interests and the interests of the black newspapers. His cause became their cause.