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A heartwarming story about embracing big who you are. A child's first words of confidence and pride.
This book is filled with all the things little brown boys love.
In this powerful and personal New York Times bestseller, President Jimmy Carter contemplates how faith has sustained him in happiness and disappointment and considers how we may find it in our own lives. All his life, President Jimmy Carter has been a courageous exemplar of faith. Now he shares the lessons he learned. He writes, “The issue of faith arises in almost every area of human existence, so it is important to understand its multiple meanings. In this book, my primary goal is to explore the broader meaning of faith, its far-reaching effect on our lives, and its relationship to past, present, and future events in America and around the world. The religious aspects of faith are also covered, since this is how the word is most often used, and I have included a description of the ways my faith has guided and sustained me, as well as how it has challenged and driven me to seek a closer and better relationship with people and with God.” Quoting eminent Protestant theologians, in Faith President Carter describes his belief in religious freedom, moral politics, and the place of prayer in his daily life. He examines faith’s many meanings, he describes how to accept it, live it, how to doubt and find faith again. This is a serious and moving reflection from one of America’s most admired and respected citizens.
In this autobiography, Jimmy Carter details the youth and experiences that led him to seek the highest office in the land. He describes his idyllic childhood, his naval career, his strong Christian underpinnings, and the values of his mother and father.
In the executive offices of the four major networks, sweeping changes are taking place and billions of dollars are at stake. Now Bill Carter, bestselling author of The Late Shift, goes behind the scenes to reveal the inner workings of the television industry, capturing the true portraits of the larger-than-life moguls and stars who make it such a cutthroat business. In a time of sweeping media change, the four major networks struggle for the attention of American viewers increasingly distracted by cable, video games, and the Internet. Behind boardroom doors, tempers flare in the search for hit shows, which often get on the air purely by accident. The fierce competition creates a pressure-cooker environment where anything can happen . . . NBC’s fall from grace—Once the undisputed king of prime time, NBC plunged from first place to last place in the ratings in the course of a single season. What will be the price of that collapse—and who will pay it? CBS’s slow and steady race to the top—Unlike NBC, CBS, under the leadership of CEO, Leslie Moonves, engineered one of the most spectacular turnarounds in television history. But in this ruthless world, you’re only as good as last week’s ratings . . . . ABC’s surprising resurrection—Lost and Desperate Housewives—have brought ABC the kind of success it could only dream of in the past. So why don’t the executives responsible for those hits work there any more? The End of the News As We Know It—In a stunningly short period of time, all three of the major network news anchors—Dan Rather, Tom Brokaw, and Peter Jennings—signed off, leaving executives scrambling for a way to keep network news relevant in an era of 24/7 information. Crazy Like Fox—They’re outrageous, unconventional, and occasionally off-putting, but more and more people are watching Fox shows. Most of all they keep watching American Idol. How did Simon Cowell snooker himself into a huge payday? Stay tuned . . .
Problem Child is a heart-wrenching story that will take you on an emotional rollercoaster ride that makes the Twilight Zone look like Disneyland. Problem Child is the unbelievably true story of Terrell Carter, an American musician and actor who grew up in Buffalo, New York, in a dysfunctional family, each member crazier than the next. And the Problem Child is the only one in the story who may, or may not, actually have a problem. An emotional journey of trials and revelations, with a huge secret at its core, this story may force you to laugh—just to keep from crying. “Terrell, we’re still feeling the goosebumps.”—Quincy Jones “My beautiful baby boy, even more beautiful on the inside, and he sings even better than that. Now Ms. Patti is giving him his wings to fly among the greats.”—Patti LaBelle
Famously adapted into the iconic film starring Michael Caine, Get Carter—originally published as Jack’s Return Home—ranks among the most canonical of crime novels. With a special Foreword by Mike Hodges, director of Get Carter It’s a rainy night in the mill town of Scunthorpe when a London fixer named Jack Carter steps off a northbound train. He’s left the neon lights and mod lifestyle of Soho behind to come north to his hometown for a funeral—his brother Frank’s. Frank was very drunk when he drove his car off a cliff and that doesn’t sit well with Jack. Mild-mannered Frank never touched the stuff. Jack and Frank didn’t exactly like one another. They hadn’t spoken in years and Jack is far from the sentimental type. So it takes more than a few people by surprise when Jack starts plying his trade in order to get to the bottom of his brother’s death. Then again, Frank’s last name was Carter, and that’s Jack’s name too. Sometimes that’s enough. Set in the late 1960s amidst the smokestacks and hardcases of the industrial north of England, Get Carter redefined British crime fiction and cinema alike. Along with the other two novels in the Jack Carter Trilogy, it is one of the most important crime novels of all time.
Abandoned by his father, neglected by his mother, shuttled between foster homes and a boys ranch for most of his formative years, a young man refuses to succumb to the fate that the world says should be his. Early on, Alton decides he wants a "nor­mal life"--even if that means standing up to abusive relatives and being teased by his siblings and their friends. Along the way, he keeps an eye out for those who might help lighten the load, never losing hope that such people exist.
This is the centerpiece of the Ron Carter Library. (He refers to it as "THE book" when talking to his students) While other bass lesson books teach you arco techniques and how to audition for a classical orchestra, this book is completely different. It shows you how the bass functions, and the hand positions and locations on the instrument so you can find those beautiful notes too. And it has QR codes that link to video demos so you can watch the Maestro play the exercises himself. With this book you can do what Carter does every night. Play rhythm changes all the time, make wonderful blues choruses, or in the Maestro's case, play Little Waltz for 25 years. And have it be new and fresh every time.