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Widely known for his vibrant paintings that employ a variety of styles--including abstraction, figuration, pop, and cartoon--Carroll Dunham (b. 1949) is also one of the most prolific printmakers of his generation. An integral part of his artistic process, Dunham's prints combine the spontaneity and drama of his paintings with the careful premeditation demanded of the medium. His imagery--which shares the wickedly cartoony semi-abstractions of his paintings--is transformed, refined, and often intensified in his graphic work. Carroll Dunham Printsdocuments the artist's entire print archive--which includes nearly 300 lithographs, etchings, drypoints, linocuts, wood engravings, screenprints, digital prints, and most recently, monotypes--the majority of which have never before been published. The authors examine the significance of printmaking to Dunham's overall oeuvre, his innate sensitivity toward the systematic materials and procedures of printmaking, his inventive approach to this process, and the evolution of his imagery. It also features an insightful essay by Dunham that discusses his journey as a printmaker and his discoveries of the medium.
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Artist Carroll Dunham (b. 1949) is one of the most acclaimed and innovative painters of his generation. But he is also an astute writer who has engaged with a wide variety of artists in the form of reviews, catalog essays, and interviews. Collected here for the first time, Into Words reveals the true depth of Dunham's writing. From reviews of Pablo Picasso and Jasper Johns to a gonzo Peter Saul interview, to an appreciation of Kara Walker's films and reflections on his own practice, Dunham writes about what is made and why it matters with real wit and candor. Into Words is an invaluable reader for anyone interested in contemporary art and culture. With an introduction by Scott Rothkopf, chief curator of the Whitney Museum of American Art, and a publisher's foreword by Paul Chan.