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The exquisite sound of a lone chorister singing Once in Royal David’s City amid the candlelit chapel of King’s College, Cambridge, marks the start of the Christmas festivities for millions of people round the globe. Broadcast at 3pm on Christmas Eve, A Festival of Nine Lessons and Carols provides a precious moment of tranquillity amongst the bustle of the festive season. Take a journey through the fascinating history of carols, from the very first - sung by the angels to the shepherds at Bethlehem - to anecdotes from contemporary King's choristers. Learn how carols have evolved from pagan songs to become one of our nation's most sacred treasures. Accompanied by lyrics and music and compiled in conjunction with Radio 4 and King’s College Chapel, Carols From King’s is the official companion for fans of Christmas and carols alike.
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Reprint of the original, first published in 1883.
The Choir of Kingâe(tm)s College, Cambridge, is world-famous. Through radio, television and recordings its unique sound has been heard in countless homes on every continent. When King Henry VI founded the College Chapel in 1446, the statutes provided for six clerks (singing men) and 16 choristers. Who could have foreseen that the Chapel would become one of the architectural glories; or that its Choir would be singing to many thousands of visitors each year? The text follows the activities of the Choir through a typical year, featuring the preparations for events.
The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.
A Collection of over 150 Christmas Carols arranged for voice or piano. MIDI files for each song, as well as a PDF of the entire manuscript is available here:http://acollectionofchristmascarols.comThe entire list of carols is as follows:Ad cantus lætitiæAdeste FidelesAll my heart this night rejoicesAlma Redemptoris MaterAlthough at Yule it Bloweth CoolThe Angel GabrielAngels from the Realms of GloryAngels We Have Heard on HighAngelus ad VirginemAs Lately We WatchedAs With Gladness Men of OldAuld Lang SyneAve Jesu DeusAway in a MangerThe Babe of BethlehemBlessed be that Maid MarieThe Boar's Head CarolBring a Torch, Jeannette, Isabella!Carol for Christmas DayCarol for Christmas EveA Carol for Christmas EveCarol of the BellsCarol of the BirdsCarol of the ShepherdsA Child this day is bornChrist Was Born on Christmas DayChristians, Awake, Salute the Happy MornChristmas BellsChristmas DayChristmas is ComingA Christmas RoundChristmas SongChristmas Time is Come AgainChrystmasse of OldeCome Thou Long Expected JesusCome, tune your heartCome, ye loftyConditor alme siderumCongaudeat turba fideliumCorde NatusThe Coventry CarolA Cradle-Song of the Blessed VirginCreator alme siderumA day, a day of gloryDeck the HallDing Dong Merrily on HighEarth today rejoicesEs Ist Ein Ros EntsprungenThe First NoëlFlos de radice JesseThe Friendly BeastsFrom Church to ChurchFrom far awayFrom Heaven High I Come to YouFum Fum FumGaudeteGlad Christmas BellsGlorious, beauteous, golden-brightGloucestershire WassailGod loved the worldGod Rest You Merry, GentlemenGod's dear SonThe Golden CarolGood Christian Men, RejoiceGood King WenceslasHacia Belén va una burraHail! Holy Child, Lain In An Oxen MangerHark! A Herald Voice is CallingHark! The Herald Angels SingHo! Steward Bid my servantsThe Holly and the IvyHow Great Our JoyHymn for Christmas DayI Heard the Bells on Christmas DayI Saw Three ShipsIl est né le divin EnfantIn Bethlehem, that noble placeIn Dulci JubiloIn natali DominiIn terra PaxIn The Bleak Midwinter (both Darke and Holst)The IncarnationInfant Holy Infant LowlyIt Came Upon the Midnight ClearJacob's LadderJesu, hail! O God most holyJesus in the MangerJesus the Light of the WorldJingle BellsJolly Old Saint NicholasJoseph, O Dear Joseph MineJoy to the WorldKling GlöckchenLætentur CoeliLo, How a Rose E'er BloomingMake we joy now in this festThe Manger ThroneMasters in This HallMilfordMyn LykingNew Prince, New PompeNoel NouveletO Christmas TreeO Come Divine MessiahO Come, All Ye FaithfulO Come, Little ChildrenO Come, O Come, EmmanuelO Du FrohlicheO Holy NightO Little Town of BethlehemO Magnum MysteriumO TannenbaumOf the Father's Love BegottenOn Jordan's BankOn the Birthday of the LordOnce in Royal David's CityOrientis PartibusPast Three A ClockPat-a-PanPersonent HodiePuer Natus in BethlehemPuer nobis nasciturQuem PastoresRing out Wild BellsRise Up, Shepherds, And FollowRiu Riu ChiuThe Sans Day CarolThe Seven Joys of MaryShepherds! Shake Off Your Drowsy SleepShilohSilent NightSleep, Holy BabeThe Son of God is born for allStill Still StillStille NachtThe Story of the ShepherdThe Stranger StarSussex CarolSweet was the song the Virgin sungThere's a Song in the AirThis Endris NightTo us is born a little ChildTo Us This Morn a Child is BornTollite HostiasThe Truth from AboveTwas in a Cave on Christmas MornTwas in the winter coldThe Twelve Days of ChristmasUnto us is born a SonUp Good Christen Folk and ListenVeni, Veni, EmmanuelThe Virgin and ChildA Virgin UnspottedWachet AufThe Waits' SongThe Wassail SongWatchman, Tell Us of the NightWe Three Kings of Orient AreWe Wish You a Merry ChristmasThe Wexford CarolWhat Child is This?When Angelick Host EntunedWhen Christ Was Born of Mary FreeWhile Shepherds Watched Their Flocks
Here, beautifully presented in 3-D pop-ups, are five familiar and much-loved carols: O Christmas Tree, Silent Night, We Three Kings, Hark the Herald Angels Sing and Ding Dong Merrily on High. Complemented by the melody line and guitar chords, these carols evoke the traditional spirit of Christmas. Angels climb up to decorate a swirling Christmas tree; a seraphic sphere mysteriously appears in the silent night above a miniature, glowing, Nativity; the Three King's star slowly turns into a rose-window kaleidoscope; hosts of angels wing in flight across the sky; and, in a rousing finale, ranks of small choirboys watch as two choristers take turns to ring the great cathedral bell. This beautiful and ingenious pop-up treasury makes a perfect Christmas gift.
(Instrumental). Everyone's favorite folio for caroling and virtually any holiday gathering! The flexible instrumentation of these arrangements has made them the top choice of school and community ensembles since their first printing in 1941. Though titled "for band or brass choir," the arrangements can be played by any combination of wind and percussion instruments. A full set is still economical with parts priced at $3.95 ($5.95 for conductor) - or if you need replacement copies for the well-worn set in your library.
Edited by early music experts Hugh Keyte and Andrew Parrott, this anthology of Christmas carols is the most comprehensive collection ever made, spanning seven centuries of caroling in Britain, continental Europe, and North America. Containing music and text of 201 carols, many in more than one setting, the book is organized in two sections: composed carols, ranging from medieval Gregorian chants to modern compositions, and folk carols, including not only traditional Anglo-American songs but Irish, Welsh, German, Czech, Polish, French, Basque, Catalan, Sicilian, and West Indian songs as well. Each carol is set in four-part harmony, with lyrics in both the original language and English. Accompanying each song are detailed scholarly notes on the history of the carol and on performance of the setting presented. The introduction to the volume offers a general history of carols and caroling, and appendices provide scholarly essays on such topics as fifteenth-century pronunciation, English country and United States primitive traditions, and the revival of the English folk carol. The Oxford Book of Carols, published in 1928, is still one of Oxford's best-loved books among scholars, church choristers, and the vast number of people who enjoy singing carols. This volume is not intended to replace this classic but to supplement it. Reflecting significant developments in musicology over the past sixty years, it embodies a radical reappraisal of the repertory and a fresh approach to it. The wealth of information it contains will make it essential for musicologists and other scholars, while the beauty of the carols themselves will enchant general readers and amateur songsters alike.