Download Free Caroline Bowles Southey Book in PDF and EPUB Free Download. You can read online Caroline Bowles Southey and write the review.

First published in 1998, this volume combines a bio-critical account of Caroline Bowles Southey’s career with a general selection of her works, both poetry and prose, with the latter drawing attention on her remarkable talent as a letter writer. It will appeal to scholars of Romanticism and the Victorian person as well as women’s studies specialists and historians of autobiography.
Features the full text of "His Books," a poem written by English author Robert Southey (1774-1843). The poem is provided online by Bibliomania.com Ltd. from the print version of "The Oxford Book of English Verse 1900."
Written in celebration of her daughter's birthday, Southey's poem is steeped in maternal love and gentle humor. This charming work showcases Southey's poetic talent and offers a delightful glimpse into the life of a nineteenth-century English family. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.
Dennis Low's re-evaluation of the Lake Poets as mentors begins with the controversial premise that Robert Southey was one of the nineteenth-century's greatest champions of women's writing. Together with Wordsworth and Coleridge, Low argues, Southey tried to end what he perceived to be the cultural decline of literature by nurturing the creative talents of many exceptional women writers. Drawing on 3,000 unpublished manuscripts in England, Scotland and the United States, Low examines the lives and works of four of the Lake Poets' literary protégées: Caroline Bowles, Maria Gowen Brooks, Sara Coleridge and Maria Jane Jewsbury. Though diverse in terms of their literary production, these women were united in their defiant efforts to write against an increasingly stagnant cultural milieu and their negotiation, wholeheartedly encouraged by their mentors, of contemporary publishing mores. This scrupulously researched book is a valuable contribution to the study of little-known women writers and to our understanding of the literary and publishing environment of Britain in the 1820s and 1830s.
Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the "Lake Poets." Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade. Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler. He was great friends with Coleridge, indeed in 1795, in a plan they soon abandoned, they thought to found a utopian commune-like society, called Pantisocracy, in the wilds of Pennsylvania. However, that same year, the two friends married sisters Sarah and Edith Fricker. Southey's marriage was successful but Coleridge's was not. In 1810 he abandoned his wife and three children to Southey's care in the Lake District. Although his income was small and those dependent upon him growing in number he continued to write and burnish his reputation with a wider public. In 1813 on the refusal of Walter Scott he was offered by George II the post of Poet Laureate, a post Southey accepted and kept till his death 30 years later. Southey was also a prolific letter writer, literary scholar, essay writer, historian and biographer. His biographies included those of John Bunyan, John Wesley, William Cowper, Oliver Cromwell and Horatio Nelson. He was a renowned scholar of Portuguese and Spanish literature and history, and translated works from those two languages into English and wrote a History of Brazil (part of his planned but un-completed History of Portugal) and a History of the Peninsular War. Perhaps his most enduring contribution is the children's classic The Story of the Three Bears, the original Goldilocks story, first published in Southey's prose collection The Doctor. In 1838, Edith died and Southey married Caroline Anne Bowles, also a poet, on 4 June 1839. Robert Southey died on the 21st of March, 1843 and is buried in Crosthwaite Church in Keswick.