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Claiming the "ordinary" and "extra-ordinary" as critical categories, contributors to this volume explore the philosophical and literary import of Carol Shields's writing, its complex play with genre and narrative technique, its re-valuing of domesticity and gendered perspective, and the social critique implicit in its gentle satirical impulses.
“Unless you’re lucky, unless you’re healthy, fertile, unless you’re loved and fed, unless you’re offered what others are offered, you go down in the darkness, down to despair.” Reta Winters has many reasons to be happy: Her three almost grown daughters. Her twenty-year relationship with their father. Her work translating the larger-than-life French intellectual and feminist Danielle Westerman. Her modest success with a novel of her own, and the clamour of her American publisher for a sequel. Then in the spring of her forty-fourth year, all the quiet satisfactions of her well-lived life disappear in a moment: her eldest daughter Norah suddenly runs from the family and ends up mute and begging on a Toronto street corner, with a hand-lettered sign reading GOODNESS around her neck. GOODNESS. With the inconceivable loss of her daughter like a lump in her throat, Reta tackles the mystery of this message. What in this world has broken Norah, and what could bring her back to the provisional safety of home? Reta’s wit is the weapon she most often brandishes as she kicks against the pricks that have brought her daughter down: Carol Shields brings us Reta’s voice in all its poignancy, outrage and droll humour. Piercing and sad, astute and evocative, full of tenderness and laughter, Unless will stand with The Stone Diaries in the canon of Carol Shields’s fiction.
Carol Shields and the Extra-Ordinary begins with a previously unpublished article by Shields. In the essays that follow, international scholars employ a variety of theories and methodologies in their analyses of her work, including narrative theory, cultural criticism, feminist analysis, psychoanalytic approaches, tropological explication, theories of authorship, and ficto-criticism to demonstrate how Shields's writing represents a genuine revision of literary realism in which the ordinary is subject to contemplation and not just celebration.
The Stone Diaries marked a new phase in a literary career already ablaze with achievement. As well as the many international awards it received, including the Pulitzer Prize, the National Book Critics Circle Award and the Governor General's Award, the book also met with universal critical acclaim and topped bestseller lists around the world. "Carol Shields," raved Maclean's, "has crafted a small miracle of a novel." "The Stone Diaries," said the New York Times Book Review, "reminds us again why literature matters." The San Diego Tribune called The Stone Diaries "a universal study of what makes women tick." Now, in Larry's Party, Carol Shields does the same for men. Larry Weller, born in 1950, is an ordinary guy made extraordinary by his creator's perception, irony and tenderness. Larry's Party gives us, as it were, a CAT scan of his life, in episodes between 1977 and 1997 that flash backward and forward seamlessly. As Larry journeys toward the new millennium, adapting to society's changing expectations of men, Shields' elegant prose transforms the trivial into the momentous. We follow this young floral designer through two marriages and divorces, his interactions with parents, friends and a son. And throughout, we witness his deepening passion for garden mazes -- so like life, with their teasing treachery and promise of reward. Among all the paradoxes and accidents of his existence, Larry moves through the spontaneity of the seventies, the blind enchantment of the eighties and the lean, mean nineties, completing at last his quiet, stubborn search for self. Larry's odyssey mirrors the male condition at the end of our century with targeted wit, unerring poignancy and faultless wisdom.
Carol Shields's award-winning and critically acclaimed "literary mystery," first published in 1987. Swann is the story of four individuals who become entwined in the life of Mary Swann, a rural Canadian poet whose authentic and unique voice is discovered only hours before her husband hacks her to pieces.Who is Mary Swann? And how could she have produced these works of genius in almost complete isolation? Mysteriously, all traces of Swann's existence — her notebook, the first draft of her work, even her photograph — gradually vanish as the characters in this engrossing novel become caught up in their own concepts of who Mary Swann was.
Shimmering with her unique style, sense, humour, vision and wit, Startle and Illuminate is a book of advice and reflections on writing by Pulitzer Prize-winning author Carol Shields that is destined to become as valued and essential as Stephen King's On Writing: A Memoir of the Craft and Anne Lamott's Bird by Bird: Some Instructions on Writing and Life. An essential work from one of Canada's finest writers, Startle and Illuminate stands as a reflection of Carol Shields' devotion to the writer's craft. Drawn together by her daughter and grandson from decades of correspondence with other writers, essays, notes, comments, criticism and lectures, Startle and Illuminate helps answer some of the most fundamental questions about the craft: Why do we write at all? Can writing be taught? What keeps a reader turning the pages? How is a writer to know when a work is done? In her own words, Shields reveals her thoughts on why we read, and more importantly, why we write: for the joy of the making, to reimagine our world, to discover patterns and uncover forms that echo our realities as well as interrogate them.
A story collection from the Pulitzer Prize winning author of Stone Diaries In Dressing Up for the Carnival, Carol Shields distills her characteristic wisdom, elegance, and insouciant humor in twenty-two luminous stories. A wealth of surprises and contrasts, this collection ranges from the lyricism of "Weather," in which a couple's life is thrown into chaos when the National Association of Meteorologists goes on strike, to the swampy sexuality of "Eros," in which a room in a Parisian hotel on the verge of ruin is the catalyst for passion, to the brave confidence of "A Scarf"-new for this collection-which chronicles the realities of a fledging author's book tour. Playful, graceful, acutely observed, and generous of spirit, these stories will delight her devoted fans and win her new converts as well.
"Carol was a very fine writer and a remarkable human being, a wonderful person whose work I closely followed for more than 20 years. I interviewed her frequently over those years, with virtually every work she produced —novel, radio drama, play, book of stories. So I had a good sense of the span of her work and also her evolution as a stylist. But the key reason I wanted to make a book focusing on her life and work is that we were friends." —Eleanor Wachtel This book strikes the right balance between intimate accounts and literary analysis. It opens with reminiscences by close friend Eleanor Wachtel, which are followed by a study of Shields’ poetry by her daughter and grandson, then by various aspects of her fiction, including a detailed examination of her plays. It closes with reminiscences by four close friends: Jane Urquhart, Joan Clark, Wayson Choy and Martin Levin. The 23 contributors offer new insights, new theories, and new perspectives about Shields’ illuminating career. Only one piece—her obituary written by Margaret Atwood—has been previously published.
Carol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career. The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries. The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.
This collection of essays explores celebrated Canadian author Carol Shields’s experimentation with the essay genre in relation to her fiction. Shields’s essays clarify her iconoclastic approach to rules of narrative and illuminate her revisionist policies, elucidating the development of her fiction, both novels and stories, as her writing gradually becomes more explicitly feminist, as well as more daringly postmodernist. The dozen essays by the eminent Canadianists included in this edition throw fresh light on Shields’s writing, inviting us to read it with new eyes by revealing how her essays reflect and refract the brilliance of her fiction. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction.