Download Free Caro The Fatal Passion Book in PDF and EPUB Free Download. You can read online Caro The Fatal Passion and write the review.

Lady Caroline Lamb , among Lord Byron's many lovers, stands out - vilified, portrayed as a self-destructive nymphomaniac - her true story has never been told. Now, Paul Douglass provides the first unbiased treatment of a woman whose passions and independence were incompatible with the age in which she lived. Taking into account a traumatic childhood, Douglass explores Lamb's so-called 'erotomania' and tendency towards drug abuse and madness - problems she and Byron had in common. In this portrait, she emerges as a person who sacrificed much for the welfare of a sick child, and became an artist in her own right. Douglass illuminates her novels and poetry, her literary friendships, and the lifelong support of her husband and her publisher, John Murray.
Offers the works of Lady Caroline Lamb (1785-1828), the late Romantic-era novelist most famous for her affair with Lord Byron. Presenting Lamb's works in a scholarly format, this book situates her literary achievements within the context of her Whig allegiances, her sense of noblesse oblige and her promotion of aristocratic reform.
English Fiction of the Romantic Period 1789-1830 is the first comprehensive historical survey of fiction from that period for many decades. It combines a clear awareness of the period's social history with recent developments in literary criticism, theory and history, and explains the astounding variety of forms in Romantic fiction in terms of the various cultural, political, social, regional and gender conflicts of the time. It provides a broad-ranging survey from the major authors and works through to the sub-genres of the period. Jan Austin and Sir Alter Scott are discussed alongside the Gothic Romance, political and feminist fiction, social satire and regional, rural and historical novels. It also provides a comparison of the methods of distribution and marketing and the availability of books then and now; examines cheap popular fiction and children's fiction, and considers the recent debate about the place of prose fiction in a Romantic literature hitherto dominated by poetry.
The selections from 132 authors in this anthology represent gender, social class, and racial and national origin as inclusively as possible, providing both greater context for canonical works and a sense of the era’s richness and diversity. In terms of genre, poetry, non-fiction prose, philosophy, educational writing, and prose fiction are included. Geographically, America, Canada, Australia, India, and Africa are represented along with Britain, emphasizing Romantic literature as a world literature. Biographical headnotes, explanatory footnotes, and an extensive bibliography clarify and illuminate the texts for readers.
'I agree with Lord David [Cecil] that Melbourne as a friend or relative must have been one of the most delightful, wise and entertaining of men, but in public life I believe him also to have been ambitious, cynical and almost wholly without political principle. He was, in short, much less of a carefree amateur, much more of a politician.' Philip Ziegler, from his Preface First published in 1976, Philip Ziegler's Melbourne drew on hitherto unused material and made an unprecedently searching assessment of the eminent Whig statesman of the 1830s/40s. It is extraordinary enough that Queen Victoria's first Prime Minister should have been dragged through the courts by an aggrieved husband not once but twice. Yet Melbourne's 'problematic' personal life is only one reason why Ziegler, even-handed and scrupulous, was compelled to test the validity of Victoria's famous final judgement that Melbourne was 'not a good or firm minister'.
The vivid and dramatic life of Lady Caroline Lamb, whose scandalous love affair with Lord Byron overshadowed her own creativity and desire to break free from society's constraints. From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb's siblings and mother-in-law detesting her and referring to her as "the little beast." In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26. Her phrase "mad, bad and dangerous to know" became his lasting epitaph. When he broke things off, Caroline made increasingly public attempts to reunite. Her obsession came to define much of her later life, as well as influencing her own writing - most notably the Gothic novel Glenarvon - and Byron's. Antonia Fraser's vividly compelling biography animates the life of 'a free spirit' who was far more than mad, bad and dangerous to know.
Offers the works of Lady Caroline Lamb (1785-1828), the late Romantic-era novelist most famous for her affair with Lord Byron. Presenting Lamb's works in a scholarly format, this book situates her literary achievements within the context of her Whig allegiances, her sense of noblesse oblige and her promotion of aristocratic reform.