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When Ben tries to hide from bullies at a carnival, he is drawn into a sideshow that promises to make his dreams of popularity and good grades come true, if only he signs a contract agreeing to give up a few minutes of his time.
Enjoy the fun of the carnival in this fantastic interactive play book. With sliders, spinners, flaps, and tabs, plus early learning elements, this is the perfect addition to your child's playtime.
A heist by the Serenity crew goes badly wrong in a captivating original Firefly tie-in novel from the award-winning series by Titan Books. City of sin Neapolis: a desert city on planet Bethel where all manner of entertainment can be found: high-stakes gambling, luxurious hotels, exclusive clubs and any form of diversion imaginable may be had for a price. It’s the eve of the annual carnival: three days of decadent revelry, and Serenity arrives to take a security job, guarding a costly shipment. An unattainable ransom Tragedy strikes: the shipment is stolen, and the wealthy owner kidnaps Zoë and Book, holding them to ransom for the lost shipment’s value. If Mal can’t find the enormous sum of five hundred platinum by the next evening, both of them will be killed. A race against time As the carnival begins the crew must attempt the impossible, calling on contacts, calling in favours, and revealing hidden talents to save their crewmates’ lives. Meanwhile, the hostages have their own plans…
Martin Gardner's Mathematical Games columns in Scientific American inspired and entertained several generations of mathematicians and scientists. Gardner in his crystal-clear prose illuminated corners of mathematics, especially recreational mathematics, that most people had no idea existed. His playful spirit and inquisitive nature invite the reader into an exploration of beautiful mathematical ideas along with him. These columns were both a revelation and a gift when he wrote them; no one--before Gardner--had written about mathematics like this. They continue to be a marvel. This volume, first published in 1975, contains columns published in the magazine from 1965-1967. This 1989 MAA edition contains a foreword by John H. Conway and a postscript and extended bibliography added by Gardner for this edition.
A sudden loss in Haverhill leaves an old family friend behind, 18-year-olds Augustus and Allister Biggs have just the thing to get Bud Persly's mind off of his mother's death - the mysterious, yet charming, J.Q. Lazarus and his band of quirky carnies. With the ring leader in need of land for his upcoming two-week carnival, the Biggs twins persuade Bud to let J.Q. use his newly-inherited property. But when Augustus starts to question the ring leader's true intentions, he discovers a secret too horrifying to imagine. In a race against time, Augustus must act quickly to save his friends and Haverhill before they are changed forever.
This beautifully illustrated volume featuring leading writers and experts on carnival, presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival, its traditions, history, music and politics
An exploration of the meanings of the Andalusian carnival, focusing in particular on the songs, or coplas. The author offers translations of many of these carnival productions, and contends that they are less about revolution or politics, than about the ambivalence of all human feeling.
With a riotous mix of saints and devils, street theater and dancing, and music and fireworks, Christian festivals are some of the most lively and colorful spectacles that occur in Spain and its former European and American possessions. That these folk celebrations, with roots reaching back to medieval times, remain vibrant in the high-tech culture of the twenty-first century strongly suggests that they also provide an indispensable vehicle for expressing hopes, fears, and desires that people can articulate in no other way. In this book, Max Harris explores and develops principles for understanding the folk theology underlying patronal saints' day festivals, feasts of Corpus Christi, and Carnivals through a series of vivid, first-hand accounts of these festivities throughout Spain and in Puerto Rico, Mexico, Peru, Trinidad, Bolivia, and Belgium. Paying close attention to the signs encoded in folk performances, he finds in these festivals a folk theology of social justice that—however obscured by official rhetoric, by distracting theories of archaic origin, or by the performers' own need to mask their resistance to authority—is often in articulate and complex dialogue with the power structures that surround it. This discovery sheds important new light on the meanings of religious festivals celebrated from Belgium to Peru and on the sophisticated theatrical performances they embody.
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.