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Carnival for the Dead is a suspenseful spin-off from the Nic Costa series, David Hewson's detective novels of love and death in Italy. In Venice the past was more reticent. Beyond the tourist sights, San Marco and the Rialto, it lurked in the shadows, seeping out of the cracked stones like blood from ancient wounds, as if death itself was one more sly performance captured beneath the bright all-seeing light of the lagoon. It’s February, and Carnival time in Venice. Forensic pathologist Teresa Lupo visits the city to investigate the mysterious disappearance of her beloved bohemian Aunt Sofia. But from the moment she is greeted off the vaporetto by a masked man dressed in the costume of The Plague Doctor, Teresa starts to suspect that all is not well. The puzzle deepens when a letter reveals a piece of fiction in which both Sofia and Teresa appear. Even more strange, are the links to the past which gradually begin to surface. Are the messages being sent by Sofia herself? Her abductor? Or a third party seeking to help her unravel the mystery? The revelation is as surprising and shocking as Sofia’s fate. And Teresa herself comes to depend upon the unravelling of a mystery wrapped deep inside the art and culture of Venice itself.
A mad fairground Impresario and Illusionist, Maximillian La Fayette, is obsessed with the infamous Carnival of the Dead.He has made it his life's work to recreate this spectacle of horror, using Voodoo to Raise the Dead and encourage them to cavort in a gruesome Masked parade.He has chosen the Island of Los, with its deserted Fairground and convenient ancient Plague Pit, as the perfect venue.It falls to Ben, who's quite handy at stage illusions himself, to prevent this from happening.
For one charismatic kid, the dangerous world of the Forest of the Dead becomes the setting for the ultimate escape trick in this exciting debut novel. Jack Carr has been shuttled from foster home to group home to foster home his entire life. The only constant has been his interest in magic, especially handcuff escapes like those mastered by his hero, Harry Houdini. When he’s placed with the Professor, however, he feels like he’s finally found a home—but his new guardian is hiding a dangerous secret. Years ago the Professor bartered his soul to the undead magician Mussini, and when the payment is due, he sends Jack in his place. Jack must travel with Mussini to the Forest of the Dead, a place in between the real world and the afterlife, where he’s forced to perform in Mussini’s traveling magic show. If he stays in the Forest long enough, he’ll die himself. To find his way home, he’ll have the help of Mussini’s other “minions”—kids stolen just like Jack—and his wits, nothing more. Can he follow the example of his hero, Houdini, and escape the inescapable?
Reader beware--you choose the scare! GIVE YOURSELF GOOSEBUMPS! Late one night you and your friends visit the old fairgrounds. They're putting up rides and booths for the annual carnival. But this year things look really different. Really odd. Really scary. The place is lit up by a hundred fiery torches. And spooky music is coming from the main tent. Then you meeting Big Al, the creepy carnival manager. He's invited you in to test some of the rides. Will you brave the terrifying Supersonic Space Coaster? Risk the horrors of the Reptile Petting Zoo? Slice through the oily waters of Booger Bog? Or confront the evil Snake Lady? The choice is yours in this scary GOOSEBUMPS adventure that's packed with over 20 super-spooky endings!
Cadenza is the City of Words, a city run by poets, its skyline dominated by the steepled towers of its libraries, its heart beating to the stamp and thrum of the printing presses in the Printing Quarter. Carlo Mazzoni, a young wordsmith arrives at the city gates intent on making his name as the bells ring out with the news of the death of the city’s poet-leader. Instead, he finds himself embroiled with the intrigues of a city in turmoil, the looming prospect of war with their rival Venice ever-present. A war that threatens not only to destroy Cadenza but remove it from history altogether…
It's October 31, the first of the Days of the Dead in Mexico, and Maria Molina and her family are in the graveyard to honor her baby brother Pablo, who died when he was just a few months old. A candle flickers in the dark night, and on Pablo's grave they have placed his favorite toys, some chocolate, a sugar skull, and even a small 'Bread of the Dead.'Throughout Mexico, other families are doing exactly the same thing, for the threeday festival of The Days of the Dead is one of Mexico's most important holidays.
Decadence and murder found on the dark side of the big city pales in comparison to the freak show found by undercover US narcotics agent Bob Clark in The Carnival of Death. Clark's investigation begins with cocaine and leads to cold-blooded murder--the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions--bright lights and beautiful girls--but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. Also includes the mystery "The Death Flyer," in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash ... unless they can find a way to derail fate and cheat death--on the fly. Experience the spinning wheels, the pleasure-seeking crowds and the screams of horror as the The Carnival of Death takes you on a roller-coaster ride of suspense. "Highly recommended." --Midwest Book Review "Roars to life." --Library Journal
'Let us now praise Ray Bradbury' THE TIMES
Ramlochan's poems take the reader through a series of imaginative narratives that are at once emotionally familiar and compelling, even as the characters evoked and the happenings they describe are heavily symbolic. Her poems reference the language and structural patterns of the genres of fantasy or speculative fiction, though with her own distinctive features, including the presence of such folkloric Trinidadian figures as the Duenne, those wandering lost spirits whose feet point backwards.