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Carlos Souza, Worldwide Brand Ambassador for Valentino, is constantly traveling. From New York to São Paolo to Shanghai, he shares a colorful guide to his favorite destinations overflowing with food, fashion, art, and life. Much more than simply an address book, Curious is framed by Souza's personal experience and wanderlust, and offers an exclusive insider's look at some of the world's chicest cities, complete with recommendations for old favorites and new classics. Curious is an effervescent handbook for the seasoned globetrotter in search of a lively travel companion.
Every community has a growing population of young people with neurological differences. Too often, youth with conditions such as autism, Tourette's syndrome, and bipolar disorder find themselves left out of parish religious education and youth ministry programs. In the pages of this book you will find the following: Information about many of the neurological differences that affect young people Tips for educating the entire community about these differences Advice on how to reach out to youth with special needs Practical steps to modify your facilities to meet the needs of youth with neurological differences Training tools for empowering volunteers to work with special needs youth A Place for All opens a window into the challenging lives of children with neurological differences, the difficulties faced by the adults who work with them, and the shift in philosophy and methodology required for religious education professionals and volunteers to be able honestly to say, "There is a place for all in our community!"
Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders. Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.
Out of Place & Time, Volume 1, is an anthology of plays by five members of the Women's Project Playwrights Lab. It's a snapshot of some of the most ambitious work incubating right now in New York and a diverse compilation of plays for directors and actors seeking exciting contemporary work to explore. Featuring a hilarious and biting preface by Theresa Rebeck that challenges the American theater to celebrate and produce its women playwrights, Volume 1 showcases writers that engage our troubled times with wit, passion and daring. Lynn Rosen's Back From The Front and Christine Evans' Weightless both take comic approaches to shattering subjects-respectively, war and the future of a crumbling 21st century Manhattan. Crystal Skillman's provocative The Vigil or The Guided Cradle interrogates torture across six centuries. Charity Henson-Ballard's lyrical and sweeping The Quiver of Children and Laura Eason's tautly focused Rewind each chart the attempt to outwit fate through artful means.
A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.
Carlos': Contemporary French Cuisine is written with all the spirit and charm of the restaurant itself, and is true to the gracious hospitality of its owners. Carlos' offers exquisite recipes for Amuse-Bouches, Appetizers, Soups, Salads, Entrees, Carlos' Specials, Staff Meals, Desserts, and more. Carlos' also offers expert wine notes that accompany many of the dishes, provided by the restaurant's sommelier, Marcello Cancelli, highlighting Carlos' award-winning wine collection (including the Grand Award from The Wine Spectator).
Speaking Out of Place helps us find value and inspiration in others who have made change in the world where such things were not supposed to be possible. From protests in sports arenas to sonic transgressions of racist boundaries, to protest camps and covert collaborations with imprisoned people, and environmental activism based on Indigenous notions of justice. We learn how to “re-place” education, circumvent pundits, and recall judges. And we learn to defend our home—the planet. Speaking Out of Place asks us to reconceptualize both what we think “politics” is, and our relationship to it. Especially at this historical moment, when it is all too possible we will move from Trump’s fascistic regime to Biden’s anti-progressive centrism, we need ways to build off the tremendous growth we have seen in democratic socialism, and to gather strength and courage for the challenges, and opportunities that lie ahead.
Carlos Fuentes is a master of modern world literature. With the translation of his major works into English and other languages, his reputation has surpassed the boundaries of his native Mexico and of Hispanic literature and has become international. Now each new novel stimulates popular and scholarly reviews in periodicals from Mexico City and Buenos Aires to Paris and New York. Carlos Fuentes: A Critical View is the first full-scale examination in English of this major writer's work. The range and diversity of this critical view are remarkable and reflect similar characteristics in the creative work of Carlos Fuentes, a man of formidable intellectual energy and curiosity. The whole of Fuentes' work is encompassed by Luis Leal as he explores history and myth in the writer's narrative. Insightful new views of single works are provided by other well-known scholars, such as Roberto González Echevarría, writing on Fuentes' extraordinary Terra Nostra, and Margaret Sayers Peden, exploring Distant Relations, for which she served as authorized translator. Here too are fresh approaches to Fuentes' other novels, among them Where the Air Is Clear, Aura, and The Hydra Head, as well as an examination by John Brushwood of the writer's short fiction and a look by Merlin Forster at Fuentes the playwright. Lanin Gyurko reaches outside Fuentes' canon for his fascinating study of the influence of Orson Welles' Citizen Kane on The Death of Artemio Cruz. Manuel Durán and George Wing consider Fuentes in his role as critic of both literature and art. Carlos Fuentes: A Critical View has been prepared with the writer's many English-speaking readers in mind. Quotations are most frequently from standard, readily available English translations of Fuentes' works. A valuable chronology of the writer's life rounds off the volume.
As eclectic and paradoxical as its subject, this is the first and only book about Carlos Santana that reveals the full sweep of his musical odyssey. Carlos Santana: A Biography explores the life and music of this extraordinary guitarist, ranging from his professional beginnings—his first regular gig was at a Tijuana strip club—and early success in San Francisco to the definitive songs and albums of the 1970s, the commercial resurgence with 1999's Supernatural, his induction into the Rock and Roll Hall of Fame, and his current work with producer Bill Laswell. Unlike other biographies, this book offers a comprehensive look at Santana's transitions through a variety of musical styles beyond rock, including blues, salsa, jazz, and world music. It also portrays Santana as very much a child of the eclectic musical culture of the 1960s, as well as showing the profound influence of the New Age movement on Santana's life and music.
Carlos Castaneda burst onto the academic and cultural scene in 1968 when he published the first of four books detailing his supposed apprenticeship with a Yaqui Indian sorcerer named Don Juan. While academic critics contend Castaneda invented Don Juan, believers say the fog surrounding his existence express the very ideals that Castaneda attributed to his apprenticeship. Little is known of the Peruvian claiming to be Don Juan's apprentice, but in addition to leading a generation into a mystical otherworld, Carlos Castaneda was also a man. Married to him for thirteen years was Margaret Runyan Castaneda. A Magical Journey with Carlos Castaneda reads partly like a love story, partly like a tell-all account of a celebrity writer. Margaret Castaneda concentrates on the years leading up to her marriage in 1960. It was then Margaret and Carlos explored many of the ideas -- from controlling dreams to using hallucinogenic mushrooms -- that he claims to have learned from Don Juan. Nevertheless, Margaret Castenada believes her husband was indeed a sorcerer, and she still loves him. She insists Castaneda's academic critics miss the point. "I'm willing to accept Don Juan as a spiritual teacher, and it really doesn't matter if he's not real." But the role she claims -- in developing the ideas Carlos purports to be Don Juan's -- ought to be recognized, she says, so she wrote this book.