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Carlos Luna, one of the foremost contemporary Cuban award-winning painters is part of a generation of Cuban artists who embrace their strong heritage and traditions but have reinvented themselves along the way. Thrumming with the spirit of Afro-Cuban tradition, Luna's works range from jacquard tapestries, works on metal sheets, and Talavera ceramic plates to mixed media on wood and largescale oil paintings. This monograph illustrates Luna's blend of influences from living and working in Cuba until 1991, then in Mexico for thirteen years, and now in Miami, since 2002. This book, lavishly illustrated, will take the reader through the artist's amazing world of bright colors and will show, by a selection of plates and details, some unpublished works as well as his renowned masterpieces. Carlos makes visible the invisible, conveying messages and lessons from his past to offer to the present and future. His work is not on the surface, it is filled with subtle embedded messages. One must know the issues to decode. Often these messages are hidden in plain sight, lessons to be learned through reflection. His towering centerpiece, El Gran Mambo, a massive six-panel painting, which stood on display at the Museum of Latin American Art in 2008, serves as a focal point for 2015's Green Machine: The Art of Carlos Luna at The Frost Art Museum in Carlos's adopted home of Miami. Text in English and French.
Carlos Luna is one of Miami's most well-known Cuban-American artists who has been creating stunning, colorful paintings recalling the art of Picasso with a strong resemblance to traditional Cuban and Mexican art. In this exhibition, he pays homage to the women in his past as well as womankind worldwide in animated, exuberant works in oil, tapestry, ceramic and paper-based mediums. Inviting the viewer to the Dance that is life, the works in Ladies First: The Art of Carlos Luna refer to family anecdotes and memories with a fondness familiar to all of us. This is the first major exhibition of Carlos Luna's work in many years and many of his important collectors helped make this exhibition possible as well as the contributions of his wife, Claudia Luna and Curator, Carol Damian.
This five-part collection of poems ranges from highly political to gently playful and personal.
Although the compression ignition (C.I.) engine, invented by Rudolf Diesel, was originally intended to work with pure vegetable oils as fuel, more than a century ago, it was adapted to be used with a fuel of fossil origin, obtained from oil. Therefore, there would be no technical difficulties in returning to the primitive design of using biofuels of renewable origin, such as vegetable oils. The main drawback is found in the one billion C.I. engines which are currently in use, which would have to undergo a modification in the injection system in order to adapt them to the higher viscosity of vegetable oils in comparison to that of fossil fuels. Thus, the gradual incorporation of biofuels as substitutes of fossil fuels is mandatory.
This book explores the different types of police misconduct including the use of excessive force. It also explores what types of officers become involved in illegal misconduct, steps jurisdictions may take to prevent such problems, and discusses who should police the police. Also included is a historical analysis of police misconduct, discussions on the legal restrictions designed to prevent police misconduct, and steps that the jurisdiction may take to limit their liability. Ancillary material is available with course adoption.
Showing informants in a variety of contexts provides a broader picture of them, and highlights the potential pitfalls associated with their use within our criminal justice system. Police depend on insiders to prosecute the perpetrators of many of the so-called victimless crimes like drug dealing, money laundering and political corruption. As victimless crimes have grown, so has the use of informants. Providing insights into law enforcement techniques as well as the Court's response to them, Bloom illuminates the pernicious legal ramifications that can result from the justice system's relationship to and use of informers. Law professors, criminologists, and law enforcement scholars will find Bloom's account of this much used and abused but under-reported aspect of America's law enforcement efforts both edifying and sobering. There are different kinds of informants. Some are used to infiltrate and destroy organized crime operations, and others, such as Linda Tripp, are used to investigate government officials. Informants are motivated by a variety of reasons, including financial gain, political power, elimination of competition, and avoiding criminal punishment. Some are even imaginary, fabricated by police to justify their activity. Bloom discusses each type of informer, grounding his commentary in real cases, some well known, others obscure. He then concludes by suggesting how potential and real abuses of the informant system can be curbed.