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In this richly illustrated book, MacDonald analyzes the original design and construction of one of the grand architectural statements of all ages, discusses the technology that made it possible, and explores its metaphorical meaning.
Relatively little is known about the engineer, architect, and publisher named Carlo Fontana. Having moved to Rome at the age of twelve, there is not much to be said about those first years of his life. We do know that shortly after coming to Rome, he began studying under Giovanni Maria Bolino, an independent master mason. From this point, the young Fontana maintained a consistent trajectory in his architectural and engineering education by working beneath Pietro da Cortona and Gian Lorenzo Bernini. Both capomaestri may have inspired Fontana to transition from his role as engineer and architect, focused on the more technical aspects of building, in particular an early form of hydraulic engineering, to publisher-architect, by focusing on the more aesthetic aspect of architecture and the ability to publish his unique scenographic conceptions. Specifically, this is seen in a growing trend in what would become known as the architectural monograph in the 20th century. It is important that we define what exactly an architectural monograph is, and how it differs from other architectural publications of this period, before we begin looking at Carlo Fontana's publications.
Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700-1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural education at the newly founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides readers with new insights into the cultural history of early modern Spain.
Not Built in a Day: Exploring the Architecture of Rome is a unique, unconventional guide and a deeply felt homage to Rome and its extraordinary 2,500-year history. Moving beyond the names, dates, and statistics of ordinary guidebooks, George Sullivan's eye-opening essays celebrate the special character of Rome's buildings, fountains, piazzas, streets, and ruins. From the largest landmark down to the smallest hidden gem, Not Built in a Day explores the city in comprehensive detail, offering detailed visual and historical analyses that enable readers to see and understand exactly what makes the architecture of Rome so important, influential, and fascinating. Not Built in a Day is supported by a companion website (NotBuiltInADay.com) that offers, among other features, detailed illustrative photographs for readers who want to experience the book's walking tours at home and large printable maps for readers using small electronic devices on-site in Rome.
Architects and artists have always acknowledged over the centuries that Rome is rightly called the 'eternal city'. Rome is eternal above all because it was always young, always 'in its prime'. Here the buildings that defined the West appeared over more than 2000 years, here the history of European architecture was written. The foundations were laid even in ancient Roman times, when the first attempts were made to design interiors and thus make space open to experience as something physical. And at that time the Roman architects also started to develop building types that are still valid today, thus creating the cornerstone of later Western architecture. In it Rome's primacy remained unbroken -- whether it was with old St Peter's as the first medieval basilica or new St. Peter's as the building in which Bramante and Michelangelo developed the High Renaissance, or with works by Bernini and Borromini whose rich and lucid spatial forms were to shape Baroque as far as Vienna, Bohemia and Lower Franconia, and also with Modern buildings, of which there are many unexpected pearls to be found in Rome. All this is comprehensible only if it is presented historically, i. e. in chronological sequence, and so the guide has not been arranged topographically as usual but chronologically.This means that one is not led in random sequence from a Baroque building to an ancient or a modern one, but the historical development is followed successively. Every epoch is preceded by an introduction that identifies its key features. This produces a continuous, lavishly illustrated history of the architecture of Rome -- and thus at the same time of the whole of the West. Practical handling is guaranteed by an alphabetical index and detailed maps, whose information does not just immediately illustrate the historical picture, but also makes it possible to choose a personal route through history.
· Sketches from prominent architects, drawn from an international selection · A unique insight into how architects use sketches to develop and transfer complex concepts into physical form, enabling readers to improve the connection between their own ideas and designs · Reveals the secrets of the most successful sketching techniques used by architects for today's designers