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Carlo quits his job and travels to Spain and Morocco where he falls in love and meets beautiful women in pursuit of his perfect love. But as Carlo continues this pursuit he changes and becomes a master of seduction while playing a dangerous game of love which leaves the loser heartbroken while the winner craves for more. Carlo learns the gratification of the game of love and is intent on becoming the greatest libertine of all time as he comes to the realization that he has the unique talent to read women's emotional vulnerabilities....and the heart required to win this dangerous game. Carlo also tells raw and compelling stories that are based on fictional and real life events that range from the Los Angeles juvenile justice system to travel in Spain And Morocco that will leave the reader shocked, fascinated, and grasping for more.
In 1968 University of California Press published an unusual manuscript by an anthropology student named Carlos Castaneda.ÊThe Teachings of Don Juan enthralled a generation of seekers dissatisfied with the limitations of the Western worldview. Castaneda's now classic book remains controversial for the alternative way of seeing that it presents and the revolution in cognition it demands. Whether read as ethnographic fact or creative fiction, it is the story of a remarkable journey that has left an indelible impression on the life of more than a million readers around the world.
Carlos Castaneda takes the reader into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is "natural" and "logical." Back from the abyss, Castaneda encounter his greatest test on the journey towards impeccability and freedom: to outwit and overpower the sorcery of Doña Soledad, herself transformed from a defeated and meaningless life to a warrior, a hunter and a "stalker of power." Now the combat will begin. Now the journey will continue. Till the last danger is faced...the final paradox embraced.
Carlos Castaneda burst onto the academic and cultural scene in 1968 when he published the first of four books detailing his supposed apprenticeship with a Yaqui Indian sorcerer named Don Juan. While academic critics contend Castaneda invented Don Juan, believers say the fog surrounding his existence express the very ideals that Castaneda attributed to his apprenticeship. Little is known of the Peruvian claiming to be Don Juan's apprentice, but in addition to leading a generation into a mystical otherworld, Carlos Castaneda was also a man. Married to him for thirteen years was Margaret Runyan Castaneda. A Magical Journey with Carlos Castaneda reads partly like a love story, partly like a tell-all account of a celebrity writer. Margaret Castaneda concentrates on the years leading up to her marriage in 1960. It was then Margaret and Carlos explored many of the ideas -- from controlling dreams to using hallucinogenic mushrooms -- that he claims to have learned from Don Juan. Nevertheless, Margaret Castenada believes her husband was indeed a sorcerer, and she still loves him. She insists Castaneda's academic critics miss the point. "I'm willing to accept Don Juan as a spiritual teacher, and it really doesn't matter if he's not real." But the role she claims -- in developing the ideas Carlos purports to be Don Juan's -- ought to be recognized, she says, so she wrote this book.
• The secret sexual energy practices of Toltec-Mayan shamans revealed at last. • The author studied with don Juan Matus and the same circle of Nagual sorcerers who taught Carlos Castenada. • Offers specific step-by-step instructions for mastering the ancient sexual techniques that lead to spiritual transformation. Readers of Carlos Casteneda have often complained that his work in ancient Meso-american shamanism never covered sexual practices beyond celibacy. With his death in 1998 it seemed that these practices might never be revealed, but fortunately Merilyn Tunneshende has stepped in. Set against the backdrop of the golden deserts of Sonora, Mexico, Don Juan and the Art of Sexual Energy recounts Tunneshende's initiation into the ancient sexual energy practices of the Toltec-Mayan tradition. Under the tutelage of don Juan Matus, Chon Yakil (whom Castenada referred to as Don Genaro), and dona Celestina de la Soledad, she learns to reclaim her feminine power and balance the masculine and feminine forces within herself. At the heart of the book is the mythical Rainbow Serpent: the phallic energy within women, the creative power within men. Each chapter focuses on a particular technique for awakening the serpent and connecting with its energy. Twenty-two sequential practices are covered, providing a powerful program for serious spiritual transformation.
"This is the classical study of the background of the Mexican and American Indian ritual based on the plant that produces profound but temporary sensory and psychic derangements. Acid-heads and mind-blowing cultists will find much thought-food in this careful anthropological work, and in the author's new preface, with its penetrating appraisal of the use of artificial psychedelic drugs as instruments of revolt... The study started when the author was twenty-four; he participated in the rites of fifteen tribes using Lophophora williamsii (Lemaire), a small, spineless, carrot-shaped cactus growing in the Rio Grande Valley and southward. The original study has been supplemented by two essays that bring the account up to 1964, including a report of the Timothy Leary-Richard Alpert "débacle" at Harvard in 1963."-- Back cover.
The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.
"Many good things are provided for our instruction and delight in this handsome volume. Chief among them perhaps, and most keenly wanted in a collection of this sort . . . are sanity and wit."?The Romanic Review "A most interesting literary history of the Don Juan theme with the plays or works themselves serving as illustrations. Professor Mandel's general introduction and his shorter introductions and commentaries throughout the book are solid, wise, and engaging."?Robert E. Taylor, Renaissance News "This anthology is exhaustive and informative, expertly translated, and, by virtue of its subject, damned exciting."?Quarterly Journal of Speech "[The translations] are lively and . . . quite faithful to the originals. . . . The long introduction could well stand alone: fruitful in original observations on the nature of Don Juan, spirited, argu-mentative, and quite personal."?Armand F. Singer, Hispania The eternal Don Juan, the creation more than 350 years ago of a monk and dramatist known as Tirso de Molina, has appeared on the boards as a thinker and fool, hero and villain, but never as anything less than a great lover. Oscar Mandel's Theatre of Don Juan presents different aspects of the Don's spectacular progress through a half-dozen countries, epochs, and intellectual climates. Here are full-length plays by Molina, Moli_re, Shadwell, Da Ponte, Grabbe, Moncrieff, Zorrilla, and Rostand; excerpts from plays by Shaw, Montherlant, and Frisch; plus a dozen critical and interpretative essays. In his introduction, Mandel examines the legend of Don Juan.
Have you heard rumors about the mysterious deaths in Disneyland? Or that occult ritual magic is behind the appearance of UFO's? Was mind control the hidden trigger that blew JFK away? Is Tuesday Weld a high priestess of the Bavarian Illuminati? These and many other strange spectres inhabit the pages of The Beast of Adam Gorightly: Collected Rantings 1992-2004. Mr. Gorightly, a certified 'crackpot historian' and 33rd degree Mason, has over the last decade chronicled such unwieldy subjects in his many articles and books. The Beast of Adam Gorightly is the culmination of these arcane journeys into the hinterlands of high weirdness, delving into the darkness, and unraveling the mummy folds that await his readers there. Proceed at your own possible ruin!