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In the battles to determine the destiny of the United States in the middle decades of the nineteenth century, St. Louis, then at the hinge between North, South, and West, was ideally placed to bring these sections together. At least, this was the hope of a coterie of influential St. Louisans. But their visions of re-orienting the nation's politics with Westerners at the top and St. Louis as a cultural, commercial, and national capital crashed as the country was tom apart by convulsions over slavery, emancipation, and Manifest Destiny. While standard accounts frame the coming of the Civil War as strictly a conflict between the North and the South who were competing to expand their way of life, Arenson shifts the focus to the distinctive culture and politics of the American West, recovering the region’s importance for understanding the Civil War and examining the vision of western advocates themselves, and the importance of their distinct agenda for shaping the political, economic, and cultural future of the nation.
"This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In this book, Barton Barbour presents the first comprehensive history of Fort Union, the nineteenth century's most important and longest-lived Upper Missouri River fur trading post. Barbour explores the economic, social, legal, cultural, and political significance of the fort which was the brainchild of Kenneth McKenzie and Pierre Chouteau, Jr., and a part of John Jacob Astor's fur trade empire. From 1830 to 1867, Fort Union symbolized the power of New York and St. Louis, and later, St. Paul merchants' capital in the West. The most lucrative post on the northern plains, Fort Union affected national relations with a number of native tribes, such as the Assiniboine, Cree, Crow, Sioux, and Blackfeet. It also influenced American interactions with Great Britain, whose powerful Hudson's Bay Company competed for Upper Missouri furs. Barbour shows how Indians, mixed-bloods, Hispanic-, African-, Anglo-, and other Euro-Americans living at Fort Union created a system of community law that helped maintain their unique frontier society. Many visiting artists and scientists produced a magnificent graphic and verbal record of events and people at the post, but the old-time world of fur traders and Indians collapsed during the Civil War when political winds shifted in favor of Lincoln's Republican Party. In 1865 Chouteau lost his trade license and sold Fort Union to new operators, who had little interest in maintaining the post's former culture. Barton H. Barbour is Professor of History at Boise State University and author of Jedidiah Smith: No Ordinary Mountain Man, also published by the University of Oklahoma Press.
This first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana’s famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier’s glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country’s ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own. Taliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. The author also explores Russell’s controversial partnership with his fiery young wife, Nancy, whose ambition and business savvy helped establish Russell as one of America’s most popular artists.