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This book offers the first English-language translation of the finest soldier’s memoir to emerge from the Franco-Prussian War, titled With my Rucksack: The Unvarnished Campaign Memoirs of an Infantryman from the Year 1870 by Carl Rückert. Lasting from 1870–1871, this was the war that made the modern German nation and set Europe on the path to World War I, and Carl Rückert offers an unrivalled worm’s eye view of the experiences of common soldiers who fought in it. A Hessian lance corporal in the German army, he was a close observer of daily hardships, class tensions, the influence of nationalism, and the terrors of combat. He was gravely wounded in the war’s decisive battle at Gravelotte, where he was among the first Europeans to face the horrors of breech-loading rifles, machine guns, and accurate artillery. Accompanied by an insightful translator’s introduction and a wealth of footnotes, this book is an invaluable link to the everyday realities of the Franco-Prussian War.
'McLellan...has skillfully edited an extremely useful, enlightening, and entertaining collection of sketches of Marx by colleagues, acquaintances, and interviewers. This volume successfully fills a real void...these recollections serve as a rewarding and pleasurable entree into Marx's personal world.'
General George S. Patton Jr, an inspirational leader and outstanding tactician, has intrigued and confounded his biographers. Utilising untapped archival materials in both the USA and UK, government documents, family papers, and oral histories, Hirshson creates the most balanced portrait of Patton ever written. It reveals Patton as a complex soldier capable of brilliant military manoeuvres but also of inspiring his troops with fiery speeches that resulted in horrendous acts, such as the massacres of Italian civilians. It explains Patton's belief in a soldier's Valhalla, connects the family's wealth to one of America's bitterest labour strikes, and disputes the usual interpretation of Patton's relief from command of the Third Army. In investigating this complex man, Hirshson has uncovered surprising material about a series of civilian massacres in Sicily, about the two slapping incidents, about attempts to exploit Patton's diary after his death, and about Patton's relations with top Allied generals. Patton emerges as a soldier of great imagination and courage, and his military campaigns make for edge–of–the–seat reading. All the drama of Patton's life comes alive in this meticulously documented volume.
Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.
Reproduction of the original: A Complete History of Music by W.J Baltzell
W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
Bolivia witnessed a left-indigenous insurrectionary cycle between 2000 and 2005 that overthrew two neoliberal presidents and laid the foundation for Evo Morales’ successful bid to become the country’s first indigenous head of state in 2006. Building on the theoretical traditions of revolutionary Marxism and indigenous liberation, this book provides an analytical framework for understanding the fine-grained sociological and political nuances of twenty-first century Bolivian class-struggle, state-repression, and indigenous resistance, as well the deeply historical roots of today’s oppositional traditions. Drawing on extensive ethnographic fieldwork, including more than 80 in-depth interviews with social-movement and trade-union activists, Red October is a ground-breaking intervention in the study of contemporary Bolivia and the wider Latin American turn to the left over the last decade.
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.