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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Carl Maria Von Weber, Vol. 1 of 2: The Life of an Artist With Weber's painful position at the court Of Saxony, his son, now a high government Official in the same country, had necessarily to deal with a certain degree of delicacy; but there is no doubt, at the same time, that he has painted with a bold and firm hand the period of his father's unmerited and humiliating treatment by a portion of the Saxon court. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1865 edition. Excerpt: ... CHAPTER XV. A PEKIOD OF CHANGE. That portion of Germany, which was the most remote from the scenes of the late wars, was naturally the one the best adapted for an artistic tour; and Weber, consequently, on quitting Prague, turned his face in the direction of Bavaria. He had many friends there, whose companionship he was anxious to enjoy. So, on the 18th June, he found himself once more in Munich, where he was received with open arms by his faithful Barmann, and lodged in his house. His former pleasant intercourse in the Bavarian capital was quickly resumed in friendly families. It was one of the characteristics of Weber's affectionate and sympathetic nature, that, when separated from those he loved, he strove by every means to connect them as intimately as possible in his daily life. He had parted from the object of his devoted attachment "more in sorrow than in anger;" and one of the strongest evidences of this peculiar characteristic may be found in the pains he took in his letters to Caroline Brandt to describe to her every detail of the chamber in which he was lodged, and thus to associate her with every object around him. "I am so charmed to find," he wrote to her, "that we generally write to each other on the very same day. It is so pleasant to think that at the same moment as myself, perhaps, you are occupied at your well-known table. In future let me know the very hour, as well as the day, on which you write. But you cannot tell where I am sitting. Call your fancy to aid, whilst I make you a plan of the little room I occupy." Following these words comes a plan of his chamber, in which every window and door, every article of furniture, "the chair on which I sit, the table at which I write," were marked with scrupulous exactitude....
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.