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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Excerpt from Carl Maria Von Weber, Ein Lebensbild, Vol. 2 Qiber bei aiiehem, 10e11be1 llnteritbieh maltete 3wi1eben hem $01 ein111111e in 6ad11en nnh her 1a1t 31eieb3e1113e11 (c)0ftbrannei eineb finig %riehriib in $3flrtem6113! Bier her 1'11111ere $1111! Cince 3e11111b1e1en 'fyfirfien, her hie 91ecbte1eine6 $011e6 he6110111cb ignorirte unh 1einen $01, 1eine 11m3eb11113a16 eine 3101n3111113 11111011111 52331111111 or3a1111111e, hort in einem patriard111111cb ahmi11ifirirten 61am her bansfianh 0011611e11nh= Inber, moblmofleuher fifirften, hie, 311meilen aufieflid) unh fibei beratben, ibre (c)11n11 an 11n111111hi3e oer1cble11herte11, aber 111 heren $iinhe freunhlicb haé $011 1eine srecbte 1e31e, 100111 iibe13e1131, hag efi 10111e111= (id) 0011 ibrem Tsi'm'ten 1111111 an ib11e11 3e1111n11 10erhe11 mfirhe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The first edition of John Warrack's study of Weber was published in 1968 and quickly became recognized as the standard 'life and works' - indeed the best book on Weber in any language. The second edition was produced in 1976 to mark the 150th anniversary of Weber's death in London, and is reissued here. John Warrack's study gives a detailed account of the life in which the music is discussed (with analysis and music examples) in chronological order. It is a scholarly study based on first-hand research in German and other archives, but it is also elegantly written, and fully alive to general cultural and historical implications. It is a book for the music-lover as well as the scholar. This second edition contains a new concluding chapter, an important select bibliography of over 100 entries, and a useful family tree which was not in the first edition.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.