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The first edition of John Warrack's study of Weber was published in 1968 and quickly became recognized as the standard 'life and works' - indeed the best book on Weber in any language. The second edition was produced in 1976 to mark the 150th anniversary of Weber's death in London, and is reissued here. John Warrack's study gives a detailed account of the life in which the music is discussed (with analysis and music examples) in chronological order. It is a scholarly study based on first-hand research in German and other archives, but it is also elegantly written, and fully alive to general cultural and historical implications. It is a book for the music-lover as well as the scholar. This second edition contains a new concluding chapter, an important select bibliography of over 100 entries, and a useful family tree which was not in the first edition.
In Carl Maria von Weber: Oberon and the Cosmopolitanism in the Early German Romantic, Joseph E. Morgan tracks the development of Weber's musical style across his career, within the cultural context of Germany's romantic period. This discussion with analyses features multiple musical examples and culminates with Weber's last and long-misunderstood work.
Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.
Rick Bogart lists the operas and stage music written by the German composer Carl Maria von Weber (1786-1826), as part of the Opera Glass resource. Bogart notes the dates and locations of the premieres and includes a portrait of Weber.
Reprint of the original, first published in 1865. The Life of an Artist. From the German of his son Baron Max Maria von Weber. In two Volumes.
Bonded Leather binding