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Caribbean Women Writers is a collection of scholarly articles on the fiction of selected Caribbean women writers from Antigua, Barbados, Belize, Dominica, Grenada, Guyana, Jamaica and Trinidad. It includes not only close critical analysis of texts by Erna Brodber, Dionne Brand, Zee Edgell, Jamaica Kincaid, Paule Marshall, Pauline Melville, Jean Rhys and Olive Senior, but also personal statements from the writers Merle Collins, Beryl Gilroy, Vernella Fuller and Velma Pollard.
This collection is an invaluable academic selection and will provide a fine introduction for the general reader interested in the lyricism of Caribbean poetry.
In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism.
Even when available elsewhere, information on these 50 English-language authors is sparse; the in-depth treatment here includes biography, description of major works and themes, summary of critical reception, and an exhaustive bibliography of works by and about each author. Both academic and public libraries will want to accept this invitation to another world. Library Journal
A classic in West Indian literature, Stone Haven covers the years up to and including Jamaican independence, as reflected by the life of a family.
31 women writers from throughout the Caribbean express the loss and the longing, the pride and passion of the Caribbean identity.
In 1831, three years before England abolished slavery in the British Caribbean, the narrative of Mary Prince was published in London. It was the first account written by a Caribbean slave to be published. Although narratives and stories of Caribbean women have appeared sporadically in subsequent years, it is only since 1970 that a wave of women's writing has innudated the field, thereby changing the horizons of Caribbean literature.
For nearly four decades, Maryse Condé, best known for her novels Segu and Windward Heights, has been at the forefront of French Caribbean literature. In this collection of essays and lectures, written over many years and in response to the challenges posed by a changing world, she reflects on the ideas and histories that have moved her. From the use of French as her literary language--despite its colonial history--to the agonies of the Middle Passage, at the horrors of African dictatorship, and the politically induced poverty of the Caribbean to migration under globalization, Condé casts her unflinching eye over the world which is her inheritance, her burden, and her future. Even while paying homage to her intellectual and literary influences--including Frantz Fanon, Leopold Sedar Senghor, and Aimé Césaire--Condé establishes in these pages the singularity of her vision and the reason for the enormous admiration that her writing has garnered from readers and critics alike.
An anthology of stories by Caribbean women writers explores such themes as residency in a tourist environment that invites visitors to make the area their own, the sexual exploitation of Caribbean women, and the region's tragic colonial history, in a volume that includes contributions by such authors as Edwidge Danticat, Jamaica Kincaid, and Dionne Brand. Reprint.