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Offers a thorough examination of Afro-Barbadian migration to Liberia during the mid- to late nineteenth century.
This text is an examination of the social evolution of the colonial Caribbean, from the formal end of slavery to the middle of the 20th century. It focuses on social and ethnic groups, classes, gender interrelations, and the development of cultural and intellectual traditions.
The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.
In this collaborative work, three leading historians explore one of the most significant areas of inquiry in modern historiography--the transition from slavery to freedom and what this transition meant for former slaves, former slaveowners, and the societies in which they lived. Their contributions take us beyond the familiar portrait of emancipation as the end of an evil system to consider the questions and the struggles that emerged in freedom's wake. Thomas Holt focuses on emancipation in Jamaica and the contested meaning of citizenship in defining and redefining the concept of freedom; Rebecca Scott investigates the complex struggles and cross-racial alliances that evolved in southern Louisiana and Cuba after the end of slavery; and Frederick Cooper examines the intersection of emancipation and imperialism in French West Africa. In their introduction, the authors address issues of citizenship, labor, and race, in the post-emancipation period and they point the way toward a fuller understanding of the meanings of freedom.
"When Emancipation came in 1938, Blacks in Barbados imagined that the terms of their everyday lives would undergo radical change. Instead, an unrelenting landless freedom would be violently imposed upon a community whose conditions of life and work remained largely unchanged, on plantations that produced more sugar with less labour for below subsistence wages. It was the rule of the Great House that subverted the promise of Emancipation. This is the story of the post-Emancipation betrayal of 83, 000 Blacks in Barbados; it is also a narration of how these Blacks prepared for persistent resistance and civil war as the only means to effectively break the rule of the Great House and establish preconditions for genuine Emancipation. The battles over progress were fought on the plantations, in the streets, in the courts, in the Legislative Councils and wherever Blacks recognised sites to effect change. This chain of organised rebellion was linked to produce the 1876 rebellion. Against this background of 19th century popular protest and workers agitation, the modern labour movement, the anti-colonial campaign and the agitation for democratic governance came to maturity by the 1920s. The final breach in the walls of the structure of white supremacy was achieved in 1937 when, under the ideological leadership of Clement Payne, workers took to the streets and fields with arms. Professor Beckles argues that this unbroken chain of protest and political activity from 1838 to the 1937 Riots constitute the Hundred Year War against Great House Rules. It had taken a full century of struggle after emancipation to see, even at a distance, the freedom that was promised by the abolition of slavery legislation. Written in a clear, discourse style, the author succeeds in presenting the text as an accessible document for public consumption, rather than a dense academic work. "
This groundbreaking collection provides the first comparative history of gender and emancipation in the Atlantic world. Bringing together essays on the United States, Brazil, Cuba, Puerto Rico, West Africa and South Africa, and the Francophone and Anglophone Caribbean, it shows that emancipation was a profoundly gendered process, produced through connections between race, gender, sexuality, and class. Contributors from the United States, Canada, Europe, the Caribbean, and Brazil explore how the processes of emancipation involved the re-creation of gender identities—the production of freedmen and freedwomen with different rights, responsibilities, and access to citizenship. Offering detailed analyses of slave emancipation in specific societies, the contributors discuss all of the diverse actors in emancipation: slaves, abolitionists, free people of color, state officials, and slave owners. Whether considering the construction of a postslavery masculine subjectivity in Jamaica, the work of two white U.S. abolitionist women with the Freedmen’s Bureau after the Civil War, freedwomen’s negotiations of labor rights in Puerto Rico, slave women’s contributions to the slow unraveling of slavery in French West Africa, or the ways that Brazilian abolitionists deployed representations of femininity as virtuous and moral, these essays demonstrate the gains that a gendered approach offers to understanding the complex processes of emancipation. Some chapters also explore theories and methodologies that enable a gendered reading of postslavery archives. The editors’ substantial introduction traces the reasons for and patterns of women’s and men’s different experiences of emancipation throughout the Atlantic world. Contributors. Martha Abreu, Sheena Boa, Bridget Brereton, Carol Faulkner, Roger Kittleson, Martin Klein, Melanie Newton, Diana Paton, Sue Peabody, Richard Roberts, Ileana M. Rodriguez-Silva, Hannah Rosen, Pamela Scully, Mimi Sheller, Marek Steedman, Michael Zeuske
In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.
Following the abolition of slavery in the Caribbean, a concerted effort was made to replace enslaved labour with indentured Indian labour. This is the story of one Indian woman's tragic experience in trying to immigrate to the Caribbean in the 19th century.
A series of penetrating, original, and authoritative essays on the history and historiography of the institution of slavery in the New World, written by a team of leading international contributors.
The first comprehensive, comparative account of nineteenth-century America's efforts to resettle African Americans outside the United States.