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Demarco Young is a party-loving, handsome black Jamaican who has women tourists falling for his rugged charm. He is brash, confident and a master in the bedroom. April James is the white, spoiled, beautiful, enchanting heiress to a major New York advertising empire, who is used to doing things her way. A chance meeting in a Jamaican night club during her vacation transforms into a steamy, sizzling romance that moves from the island's shores to the heart of the Big Apple, where passions escalate amid a sea of intrigue, as April's father, the rich and powerful Francisco James, is hell-bent on removing his daughter from what he perceives to be the clutches of a Caribbean gigolo. Caribbean Passion is a sexy love story of two individuals drawn from diverse backgrounds and their fight to forge a meaningful relationship. From the reggae laced island of Jamaica to the pulsating streets of New York, theirs is a story filled with passion.
A distinguished Stanford law professor examines the steep decline in marriage rates among the African American middle class, and offers a paradoxical-nearly incendiary-solution. Black women are three times as likely as white women to never marry. That sobering statistic reflects a broader reality: African Americans are the most unmarried people in our nation, and contrary to public perception the racial gap in marriage is not confined to women or the poor. Black men, particularly the most successful and affluent, are less likely to marry than their white counterparts. College educated black women are twice as likely as their white peers never to marry. Is Marriage for White People? is the first book to illuminate the many facets of the African American marriage decline and its implications for American society. The book explains the social and economic forces that have undermined marriage for African Americans and that shape everyone's lives. It distills the best available research to trace the black marriage decline's far reaching consequences, including the disproportionate likelihood of abortion, sexually transmitted diseases, single parenthood, same sex relationships, polygamous relationships, and celibacy among black women. This book centers on the experiences not of men or of the poor but of those black women who have surged ahead, even as black men have fallen behind. Theirs is a story that has not been told. Empirical evidence documents its social significance, but its meaning emerges through stories drawn from the lives of women across the nation. Is Marriage for White People? frames the stark predicament that millions of black women now face: marry down or marry out. At the core of the inquiry is a paradox substantiated by evidence and experience alike: If more black women married white men, then more black men and women would marry each other. This book not only sits at the intersection of two large and well- established markets-race and marriage-it responds to yearnings that are widespread and deep in American society. The African American marriage decline is a secret in plain view about which people want to know more, intertwining as it does two of the most vexing issues in contemporary society. The fact that the most prominent family in our nation is now an African American couple only intensifies the interest, and the market. A book that entertains as it informs, Is Marriage for White People? will be the definitive guide to one of the most monumental social developments of the past half century.
She wants a little comfort... At thirty–eight, Brooklyn Douglas has her hands full raising a teenage son and running her own business. What she doesn't need is everybody and their mother trying to hook her up with a "good man." The last "good man" Brooklyn was with turned into a no–good husband, who left her for another woman. Can't she just have a mind–blowing love affair with no strings attached? Somebody like the handsome, broad–shouldered brother at the bar.... He's looking for a lot more As a successful businessman, Isaiah Washington is used to going after what he wants, and what he wants is Brooklyn. Too bad the lady isn't extending any invitations. But when fate lands Isaiah in Atlanta for the summer, he's ready to do whatever it takes–from slow kisses to showing up when it counts–in order to melt her heart. Because when it comes to real love, there's no such thing as a perfect man. But there is such a thing as the right one...
This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.
"Profound, funny ... wild and moving ... heartbreaking accounts of a lonely black childhood.... Brown sees racial oppression in national and global context; every political word she writes pounds home a lesson about commerce, money, racism, communism, you name it ... A glowing achievement.” —Los Angeles Times Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery. Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself.
Alisa Valdés-Rodríguez's vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love. Las sucias are: --Lauren, the resident "caliente" columnist for the local paper, which advertises her work with the line "her casa is su casa, Boston," but whose own home life has recently involved hiding in her boyfriend's closet to catch him in the act --Sara, the perfect wife and mother who always knew exactly the life she wanted and got it, right down to the McMansion in the suburbs and two boisterious boys, but who is paying a hefty price --Amber, the most idealistic and artistic member of the club, who was raised a valley girl without a word of Spanish and whose increasing attachment to her Mexica roots coincides with a major record label's interest in her rock 'n' roll --Elizabeth, the stunning black Latina whose high profile job as a morning television anchor conflicts with her intensely private personal life, which would explain why the dates the other dirty girls set her up on never work out --Rebecca, intense and highly controlled, who flawlessly runs Ella, the magazine she created for Latinas, but who can't explain why she didn't understand the man she married and now doesn't even share a room with; and --Usnavys, irrepressible and larger than life, whose agenda to land the kind of man who can keep her in Manolo Blahniks and platanos almost prevents her seeing true love when it lands in her lap. There's a lot of catching up to do.
Thanks to her recent adventures in Dying for Chocolate, Goldy Bear, the premier caterer of Aspen Meadow, Colorado, is no stranger to violence--or sudden death. But when she agrees to cater the first College Advisory Dinner for Seniors and Parents at the exclusive Elk Park Preparatory School, the last thing she expects to find at the end of the evening is the battered body of the school valedictorian. Who could have killed Keith Andrews, and why? Goldy's hungry for some answers--and not just because she found the corpse. Her young son, Arch, a student at Elk Park Prep, has become a target for some not-so-funny pranks, while her eighteen-year-old live-in helper, Julian, has become a prime suspect in the Andrews boy's murder. As her investigation intensifies, Goldy's anxiety level rises faster than homemade doughnuts. . .as she turns up evidence that suggests that Keith knew more than enough to blow the lid off some very unscholarly secrets. And then, as her search rattles one skeleton too many, Goldy learns a crucial fact: a little knowledge about a killer can be a deadly thing.
Throughout the centuries, frustration, disappointment, and despair on both sides has created a great divide between black women and black men. In the world of relationships, it has become increasingly difficult for black women to make an emotional, spiritual, and psychological connection with black men. For many women, they don't even know how to begin to put on a different "hat" and often find themselves saying, "Why can't I find a good black man?" The truth of the matter is, many black women are sinking and drowning, according to many black men. On the other side of the spectrum there are black men who also have a considerable amount of scar tissue to deal with, not the least of which has been black women who are deceitful, disrespectful, high maintenance, materialistic gold diggers with "get paid" mentalities. The end result is that many black men have become frustrated with black women and have also chosen to cross color lines in unbelievably large numbers. For those black men, having a strong Nubian queen by their side has become nothing more than a pipe dream they used to have. For them, dating outside their race is no longer taboo and no longer creates the innate feeling of betraying black women. Sadly, a lot of black men all over the country have lost love and respect for many black women. A lot of black men feel many black women have no idea how to love them, care for them, or nurture their men. They no longer believe that black women are good homemakers nor can they keep a peaceful home. This is an epidemic that has spread all over America. It is my sincere belief that the thoughts and ideas outlined in my book will help answer numerous questions with which black women continue to struggle regarding their relationships with men--particularly black American men, such as: Why will he bed me but not wed me? Why have many black women lost the love and respect of black men? Why are black men continuing to cross the fence in alarming numbers? Why are black men becoming more hesitant to approach black women? Are black men really intimidated by successful black women? Why are so many black men disappointed, discouraged, and frustrated with many black women? Why do many black men see black women as too difficult and too complicated to deal with? Why are some black men making a vow to never date or marry another black woman ever again? Why are many black women hitting home runs in their careers but striking out in their relationships and marriages? These are some of the questions that are answered in this book. This is why it was so important for me to write this book. I want to inform black women in America what they need to do to help restore the faith of good-quality black men. I want black women to understand that I am writing this book as a wake-up call. If I do my job well, perhaps these words will sufficiently energize the mind, heart, and soul of the amazing creation God called woman to stimulate positive behavioral change in her--or at least provoke a little thought. Now, I know I'm treading on thin ice here, but trust me when I say this book is not about bashing black women in America. It's a book about reality and truth. More often than not, most of us do not like to hear the truth because it forces us to take a good look at ourselves, blemishes and all. The old adage, "The truth hurts," could certainly apply here. However, another old adage is also applicable: "The truth shall set you free." By writing this book, I truly hope to make it easier for black men and woman to come together as one. I want black women to understand that just because many black men have lost faith doesn't mean that we have given up on you. The reality is that sometimes we need to be challenged, and this book will definitely challenge many black women in America to take an introspective look at themselves. Keywords: African American Women, Black Women, Woman, Black Men, Relationship, Dating, Marriage, Sex, Self-Help
Guiding readers through key writers and genres, historical contexts and major theoretical approaches, this is a comprehensive introduction to the study of popular fiction. Charting the rise of commercial fiction from the 19th century to today, The Bloomsbury Introduction to Popular Fiction includes introductory surveys, written by leading scholars, to a wide range of popular genres, including: Science Fiction Crime Writing Romance and Chick Lit Adventure Stories and Lad Lit Horror Graphic Novels Children's Literature Part II of the book also includes case-study readings of key writers and texts, from the work of HG Wells, Ian Fleming and Raymond Chandler to more recent books such as Pride and Prejudice and Zombies. The book also includes a chapter covering "The Writer's Perspective" on popular publishing, while annotated guides to further reading and online resources throughout give students the tools they need to pursue independent study on their courses.
After a botched African military campaign results in a humiliating defeat for the British, astonishing and unprecedented terms of surrender are imposed. For Captain Sam Cooke, however, it's more personal. After gloating about his model wife back home the warlord has taken a vow of abstinence until such time as he can seduce the stunning blonde who's captivated him from thousands of miles away. If that wasn't bad enough, Sam has made yet another terrible mistake and as punishment, the warlord has planned the most humiliating act of retribution imaginable. Sure enough, following a nationwide propaganda campaign, it's not long before the first victorious Congolese warriors arrive in the villages and hamlets of England. One of those warriors goes by the name Mambo Malonga, he's the warlord, and there's only one English woman he wants. And as a prisoner of war back in the Congo, there's not a thing Sam can do to stop him. Warning: This book contains themes of interracial adultery, specifically white wives breeding with black men. Please don't read if these topics cause offense.