Download Free Carib Art Book in PDF and EPUB Free Download. You can read online Carib Art and write the review.

Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Rock Art of the Caribbean focuses on the nature of Caribbean rock art or rock graphics and makes clear the region's substantial and distinctive rock art tradition.
Unprecedented in scope, this book examines the modern history of the Caribbean through its artistic culture. Acknowledging the individuality of various islands, the richness of the coastal regions, and the reach of the Diaspora, Caribbean looks at the vital visual and cultural links that exist among these diverse constituencies. The authors examine how the Caribbean has been imagined and pictures, and the role of art in the development of national identity.
A to Z of Caribbean Art is a visual overview of Caribbean art, from the beginning of the 20th century to now, and serves as a resource of information on some of the greatest artists of the region. Sequenced alphabetically, it mixes genres including drawing, painting, sculpture, photography, installation and performance. Each artist is represented by a page that shows a definitive work along with related specs, biographical details and a short text on their oeuvre. The artists come from the English-, Dutch-, French- and Spanish-speaking Caribbean; they include Hurvin Anderson, Sybil Atteck, Frank Bowling, Carlisle Chang, Renee Cox, Blue Curry, Annalee Davis, Peter Doig, John Dunkley, Embah, Joscelyn Gardner, Marlon Griffith, Nadia Huggins, Remy Jungerman, Wifredo Lam, Donald Locke, Hew Locke, Edna Manley, Tirzo Martha, Peter Minshall, Petrona Morrison, Chris Ofili, Karyn Olivier, Marcel Pinas, Sheena Rose, Jasmine Thomas-Girvan, Stacey Tyrell, Nari Ward, Barrington Watson and Aubrey Williams.
Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.
An updated and expanded edition of this classic, illustrated survey of Caribbean art, featuring the work of over 100 artists from the period of colonialism to the present day. The Caribbean is made up of more than twenty countries, each with its own identity. Yet fascinatingly, there are significant cultural commonalities despite geographic, ethnic, linguistic, and political diversity. A mixture of African, Amerindian, Asian, and European origins define the remarkable Caribbean culture, which, from the period of colonialism to the present, has also witnessed a massive diaspora. Caribbean Art examines the diverse and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or “high” culture, rural or urban based, politically radical or religious. This expanded edition with a new preface has been updated to reflect and address fundamental challenges to traditional art-historical practice and its foundational connections to histories of colonialism, Eurocentricity, and race. This is explored further in two new chapters focused on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Caribbean Art features the work of internationally recognized artists such as Jean-Michel Basquiat, Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than one hundred others, working across a variety of media including performance, photography, and film. This new edition makes an important contribution to the understanding of Caribbean and postcolonial art and its context, in ways that invite productive conversation and encourage further explorations on the subject.
This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Arte del Mar explores the diverse, interconnected history of the indigenous peoples of the Caribbean, where the sea was a vital source of cultural exchange. Before the arrival of Europeans, Caribbean societies formed a vast, multilingual network characterized by complex relationships among neighbors and distant contacts alike. Colonization and the subsequent forced mass migration of enslaved peoples from Africa later contributed to the heterogeneous culture of the region. Providing the first holistic look at Caribbean art, this Bulletin features masterworks from the early first millennium to the present, including works by celebrated Taíno artists from the Greater Antilles, as well as fascinating objects from lesser-known societies such as the Tairona from Colombia; the diverse kingdoms in Veraguas, Panama; and the communities in the Ulúa Valley, Honduras. A brief exploration of more contemporary artistic practice yields further insight into this unique ancestral legacy. Whether ancient or modern, the artworks presented here share a formal grammar linking politics, mythology, and ritual performance, revealing a distinctly Caribbean approach to creativity.