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That bogus postman brought Dan Turner a splendid solid whack with a blackjack and it was a highly special delivery—thereby involving the ace movietown hawkshaw with low killery and high finance and dangerous bafflement! . . . .
Mike Shayne battles blackmailers to recover a valuable missing bracelet The picture in the paper shows one of the most beautiful women in Miami wearing nothing more than a negligee. She’s in her boudoir, posing for police photographers, pointing to where her emerald bracelet used to be. The bauble is worth $110,000, and whoever took it is either brave, crazy, or stupid, because Laura Peralta’s husband is the second most dangerous man in Miami. The most dangerous, of course, is Miami’s toughest private detective, Mike Shayne. After 3 weeks, the police have gotten nowhere, and Julio Peralta turns to Shayne. But there’s more at stake than a missing bracelet. And for the sake of the lovely Laura, Shayne will have to brave blackmailers, burglars, and a killer with a sense of style. The Careless Corpse is the 40th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.
Mike Shayne finds strange secrets hidden beneath the cover of a grisly double suicide It’s 10:30 pm, and Mike Shayne is sipping cognac, ruminating on the perfection of Lucy Hamilton’s fried chicken, when a shotgun fires upstairs. Following the acrid stench of gunpowder to a locked door halfway down the hall, Shayne has no choice but to batter it down, tumbling face first into the scene of a particularly ugly double suicide. The woman lies on the floor in the middle of the sitting room, her face twisted by the deadly kiss of cyanide. A few feet beyond her body is what remains of a man, his head obliterated by the shotgun’s blast. The woman’s father is one of Miami’s power brokers, and he refuses to believe that his daughter would end her life over a silly affair. Isn’t it possible, he asks, that she was murdered? Convinced or not, Shayne is the only man ruthless enough to find out. The Corpse That Never Was is the 45th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.
Mike Shayne is accused of homicide after a dying man stumbles into his office When an old friend calls begging to see him immediately, Mike Shayne is surprised to say the least. He hasn’t set eyes on Jim Lacy in ten years, and time has not been kind. Jim’s face is deeply wrinkled, and his eyes are glazed. His skin is gray—and there is blood seeping through his shirt. Jim mutters a few last words as he collapses on Shayne’s office floor. His stomach is filled with lead and he is dead before he hits the ground. Shayne reaches into Lacy’s pocket and pulls out his wallet. Emptying it, he finds $200—enough for a retainer fee. Mike Shayne has never let a client’s murder go unpunished, and he will not rest until he catches the men who shot Jim Lacy and sent him to die. But first he will have to convince the police that he was not the man who pulled the trigger. The Corpse Came Calling is the 6th book in the Mike Shayne Mysteries, but you may enjoy reading the series in any order.
This is a reading of physical obsession in O'Connor through linguistic and literary techniques. central struggle between spirit and matter in O'Connor through a close quantitative examination of the interactions of grammatical voice and physical bodies in her texts. Bridging literary theory and linguistics, Hardy demonstrates that the many constructions in which the body parts of O'Connor's characters are foregrounded, either as subjects or objects, are grammatical manipulations of semantic variations on what linguists deem the middle voice - roughly indicating that the subject is acting upon himself or herself. productive approach to understanding O'Connor's use of the body and its parts in her explorations of the sacramental and the grotesque. Linguistic analysis of grammatical middle voice is coupled with quantitative analysis of body-part words and the collocations in which they appear to present a new point of entrance to understanding O'Connor's stylistic manipulations of the body as central to the rift between spirit and matter. Through this method of reading O'Connor, Hardy makes a valuable contribution to the growing body of work that is introducing linguistic terminology and concepts into literary studies.
Meticulously detailed indexes to the Eerie Publications horror comics, the dreadful bad-boys of black and white horror mags! THERE ARE NO STORIES REPRINTED HERE!!! Just hard-core, pure information.
Fourteen impossible crimes from the American masters of the form For devotees of the Golden Age mystery, the impossible crime story represents the period’s purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues, and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day. Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works—authors including Fredric Brown, MacKinlay Kantor, Craig Rice, and Cornell Woolrich. All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.
to lead you into a humorous, yet frightening, story...
His fans include Stephen King, Michael Connelly, Tess Gerritsen, Ian Rankin, and Louise Penney. He has won acclaim and numerous international prizes and awards, including the Edgar. Now celebrated New York Times bestselling author Peter Robinson, one of the greatest suspense writers of our time, demonstrates his mastery once again in this powerful mystery in which legendary detective superintendent Alan Banks is confronted with a pair of perplexing crimes. Two suspicious deaths challenge DS Alan Banks and his crack investigative team. The body of an attractive young woman dressed in evening attire is found in an abandoned car on a country road. The death looks like suicide, but there are too many open questions for Banks and his team to rule out foul play. The car didn’t belong to her—it was badly damaged in an accident involving the vehicle’s owner a week earlier in the same spot. So how did the dead girl get inside the car? Did someone place her there, and if so, why? Where—and when—did she die? While Banks attends the postmortem, DI Annie Cabot is at the scene of another death. A well-dressed man in his sixties has been found in a gully high up on the wild moorland. His injuries were fatal and consistent with those sustained in a fall. Was it an accident—did the man get too close to the edge and slip? Was he pushed? The man was wearing an expensive suit. What was he doing in a rocky spot popular with hikers? There are no signs of a vehicle near where he fell. How did he get there? Banks’s and Cabot’s cases share a few curious similarities. Both of the dead were found in the same area of the moorlands. Both were elegantly dressed. The timing of their deaths coincided. And neither carried identification. As the police uncover who these people were and begin to look into their lives, inconsistencies multiply and the mysteries surrounding the two cases proliferate. Then a source close to Annie reveals a piece of information that rocks the Eastvale detectives working both investigations. An old enemy has returned in a new guise—a nefarious foe who will stop at nothing, not even murder, to get what he wants. With the stakes raised, the hunt is on. But will Banks and his crack squad be able to find the evidence to stop him in time?