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From the music industry to movies, television, and gaming, audio engineers are responsible for recording, editing, and mixing the sounds all around us, and with careers in tech forming some of the most lucrative employment opportunities out there, audio engineering is a solid choice for audiophiles who excel at STEM. This book introduces young women to the ins-and-outs of audio engineering, including the basics about equipment, software, and the career paths they can pursue. With a crafted blend of career guidance and social guidance for young women in the workforce, this isn't your typical guide to landing the dream job. This volume helps women understand the unique challenges they face in the workforce and how to stand up to them, paving the way for equal pay, respect in the workplace, and a fulfilling career path crafting the soundtracks to our world.
From the music industry to movies, television, and gaming, audio engineers are responsible for recording, editing, and mixing the sounds all around us, and with careers in tech forming some of the most lucrative employment opportunities out there, audio engineering is a solid choice for audiophiles who excel at STEM. This book introduces young women to the ins-and-outs of audio engineering, including the basics about equipment, software, and the career paths they can pursue. With a crafted blend of career guidance and social guidance for young women in the workforce, this isn't your typical guide to landing the dream job. This volume helps women understand the unique challenges they face in the workforce and how to stand up to them, paving the way for equal pay, respect in the workplace, and a fulfilling career path crafting the soundtracks to our world.
Although once considered a field mainly for men, women can look for all kinds of STEM (science, technology, engineering, and mathematics) careers. Engineering has many opportunities for girls who enjoy STEM topics. This book covers many engineering career opportunities, with workplaces ranging from a laboratory to deep space. It also offers suggestions as to how readers can turn their dreams into dream careers, such as which classes to take in school, scholarships available specifically for women, and college majors and classes that will be instructive, interesting, and give girls a step up to feel confident in trying out a cool engineering career.
Women have faced an uphill climb in the male-dominated world of video game development, but that is beginning to change. Young women now make up nearly half of all gamers, and some companies are looking to expand the influence of women in the gaming industry and engage with them as creators, rather than only as consumers. This resource introduces middle and high school girls to the world of video game development, covering the kinds of courses, extracurricular activities, and organizations that can help them get into a career in video game development.
STEM careers are one of the fastest growing job sectors globally today, and yet women are grossly underrepresented in STEM industries. This title seeks to break that trend, presenting young women who have a knack for technology with the various career options available in the tech sector. Four primary career sectors are addressed: communications, aerospace and defense, green technology, and biotechnology. Career essentials are also addressed—including job hunting, writing a solid résumé, mastering an interviewing, and networking—as are the challenges faced by women in the workforce (and how to overcome them!).
Women in Audio features almost 100 profiles and stories of audio engineers who are women and have achieved success throughout the history of the trade. Beginning with a historical view, the book covers the achievements of women in various audio professions and then focuses on organizations that support and train women and girls in the industry. What follows are eight chapters divided by discipline, highlighting accomplished women in various audio fields: radio; sound for film and television; music recording and electronic music; hardware and software design; acoustics; live sound and sound for theater; education; audio for games, virtual reality, augmented reality, and mixed reality, as well as immersive sound. Women in Audio is a valuable resource for professionals, educators, and students looking to gain insight into the careers of trailblazing women in audio-related fields and represents required reading for those looking to add diversity to their music technology programs.
The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today.
Leadership in Music Technology Education examines the pedagogical, sociocultural, and philosophical issues that affect curriculum, research, and decision-making in music technology in higher education. This book considers a range of cutting-edge topics, including the impact of the COVID-19 pandemic, professional development concepts, partnerships between higher education and the creative and cultural industries, and the effects technology has on sustainability. Drawing on Leadership theories, including Transformational, Situational, Servant, and Social Change Model Theory, the book puts forward a new model, Creative Industry Leadership, which considers the sociocultural aspects of Music Technology Education, and interrogates biased ideologies that limit opportunities for a broad range of learners and practitioners in education and beyond. Additionally, Leadership in Music Technology Education examines educators’ informal leadership capacities during the COVID-19 pandemic and how inclusive pedagogy expands the creative boundaries of teaching, learning, and music-making for all. Leadership in Music Technology Education is crucial reading for instructors teaching audio engineering and music technology, as well as researchers in education, music pedagogy and related fields. This is also a valuable read for anyone with an interest in music technology and its many potentialities.
Hispanic Engineer & Information Technology is a publication devoted to science and technology and to promoting opportunities in those fields for Hispanic Americans.
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)