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The second annual Carcinogenic Poetry print anthology, featuring over 90 indie writers from around the world.
Nothing. No One. Nowhere. Startling issue number 3! Featuring poetry by Howie Good, Aaron A. Cotton, Rosemary Iwasa, Amelia Hoff, Dr. A.V. Koshy, Julie Ellinger Hunt (MORE!); fiction by Mario E. Martinez, Joshua Ritter; interview and art spread with artist Justin Jackley; photography by Duncan Hill. Jam packed issue!
A poetic and visual journey to the East through the literary talents of poet, Peter Marti. Photos by Bernard Ries.
Poems of the New Enlightenment. This Reality of Man by poet & artist, Michael Aaron Casares is a collection of poetry that delves into the personal, conscience, conscious, social, and humanistic paradigms of our grand illusion: life. The book gathers new verse, as well as verse previously published in Eviscerator Heaven, Calliope Nerve, Gloom Cupboard, Quib.Nest.Nido., The Dreamcatcher, The San Antonio Express News, Carcinogenic Poetry, The Clockwise Cat, and The Stark Electric Space, among others. This Reality of Man, a new collection of poems bursting from the independent underground; new views coming into light for the evolution of thought and the awakening consciousness. This book also contains additional content including reviews and interviews.
Poetry is fragments of music thrown into the air. The primary job and aim of a poet is to create these musical notes, to play these musical notes, and the wind will take these fragment notes, sounds, musics into the ears of listeners. Zimbolicious Poetry Anthology, Volume 2 is one of those winds among many others. As we all are aware of, when the wind travels it has no boundaries, it collects, it deposits, it mixes things up; you never know where that leaf you see the wind carrying will eventually be deposited, is there another wind, another element that is going to move that leaf to another place... We firmly believe it is a good wind. It will be able to push our poetry making in Zimbabwe into other frontiers. Zimbolicious Poetry Anthology, Volume 2 continues from where we left off with the first Zimbolicious Poetry Anthology we created in 2016. In this Volume 2, we have 77 poems from 30 poets and translators, which include among others; experienced poets, academic poets, street poets, emergent poets, beginning poets, all telling stories associated with what all these poets refer to as home, that is, Zimbabwe. It is an ongoing debate on what is Zimbabwe, what we want our Zimbabwe to be socially, culturally, politically, thus we allowed every opinion space in this anthology, whether us editors agree with them or not. We have poets tackling issues to do with poetry, writing in general, art, place, identity, tradition, struggle, culture, gender, collective understanding, religion, individual, human rights and love, among others.
Poetry is fragments of music thrown into the air. The primary job and aim of a poet is to create these musical notes, to play these musical notes, and the wind will take these fragment notes, sounds, musics into the ears of listeners. Zimbolicious Poetry Anthology, Volume 2 is one of those winds among many others. As we all are aware of, when the wind travels it has no boundaries, it collects, it deposits, it mixes things up; you never know where that leaf you see the wind carrying will eventually be deposited, is there another wind, another element that is going to move that leaf to another place... We firmly believe it is a good wind. It will be able to push our poetry making in Zimbabwe into other frontiers. Zimbolicious Poetry Anthology, Volume 2 continues from where we left off with the first Zimbolicious Poetry Anthology we created in 2016. In this Volume 2, we have 77 poems from 30 poets and translators, which include among others; experienced poets, academic poets, street poets, emergent poets, beginning poets, all telling stories associated with what all these poets refer to as home, that is, Zimbabwe. It is an ongoing debate on what is Zimbabwe, what we want our Zimbabwe to be socially, culturally, politically…, thus we allowed every opinion space in this anthology, whether us editors agree with them or not. We have poets tackling issues to do with poetry, writing in general, art, place, identity, tradition, struggle, culture, gender, collective understanding, religion, individual, human rights and love, among others.
This is the first critical study to offer a sustained analysis of the theme of cancer in contemporary poetry. In discussing works by major poets, including Paul Muldoon, Jo Shapcott and Christopher Reid, Cancer Poetry traces the complex ways in which poets represent cancer, and assesses how poetry can be instrumental to emotional recovery.
Consisting of 214 poems and 79 poets, from over 23 African countries and the Diasporas, Best New African Poets 2015 Anthology: Poetry Progeria contains poems that deal with a panoply of issues, feelings, thoughts, ideas, beliefs..., on identity, Africanness (Blackness, Whiteness, Arabic, Asian...), culture, heritage, place, politics, (mis)governance, corruption, exile, loss, memory, spirituality, sex, gender, love, the individual and many others. It travels from Cape to Cairo, Monrovia to Nairobi, rooms in the beautiful Moroccan Sahara desert, pastoral idyllic Savannas, the rainy equatorial rainforests and then flies into the Diasporas as each poet speaks his/her own story of the Africa that she/he knows, dreams and envisions with protective pride and resolute dedication.
Suzi Kaplan Olmsted returns with a follow up to her 2009 release, Institutional Wallet, with a new collection of poetry redefining the depths the poet goes through in exploring the artistic and literary personifications of the human experience. Included herein is poetry and literary snapshots, prose, that reveal a decored landscape best left to the reader to discover. With Elektra's Mouth, Suzi Kaplan Olmsted pushes the boundaries of her own canon bringing the reader an intelligent and compulsory read. Also included is visual art contributed by Suzi's husband, poet and teacher, Marc Olmsted. -
Nothing. No One. Nowhere. No. 2-- "The Belated" issue features work by James Brush, Michael Mc Aloran, Joe Karmia, Howie Good, David S. Pointer, Peter Magliocco, J.J. Steinfeld, R.L. Raymond, Subhankar Das, and Joshua Baumgarten. This second edition also has reviews of "...Ready or Not, Living in the Break Down Lane." by Paul Richmond and "Colloquy" by Susan Morgan Bosler. Music reviews of Labasheeda, Tori Amos and The Black Angels. Jam packed with an art spread by Michael Mc Aloran. Nothing. No One. Nowhere. not the average magazine. Edited by Amelia Hoff. VG 32.