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Pamela is a witch who fights against black magaic.
In a mystical wood, hidden away from the rest of the world there lives a Coven of Witches. All from different walks of life and yet are all part of a perfect group of friends. If you go into Old Oak Wood you will not see them, they are invisible, you could be just a touch away and you wouldn't know......... Unless of course, if you believe......
Paige Crutcher, author of the “mystical, magical, and wildly original”* The Orphan Witch, weaves a spellbinding tale of contemporary fantasy, romance, and Irish mythology as a woman torn out of time faces a dangerous coven, otherworldly creatures, and a seductive demi-god to save the souls of a cursed island in The Lost Witch. 1922. The town of Evermore off the coast of Ireland is under the protection of a Goddess. She has bestowed power upon village healer Brigid Heron to ensure the heart of magic within the Lough of Brionglóid—the lake of dreams—remains untouched. For the witches of Knight want to absorb its powerful energies and release the Damned from the Otherworld. Brigid has devoted her whole life to being Evermore’s guardian, immersing herself in witchcraft, and sacrificing her own dreams. Until Luc Knightly, a trickster god with his own claim on the lough, offers Brigid her heart’s desire in exchange for betraying her Goddess’s trust. 2022. A century later, Evermore is under siege. The witches of Knight wield chaos magic, opening the rift between the island and the Otherworld wider every day. Beings born from folklore nightmares prey on the villagers, consuming their very humanity. Ophelia Gallagher, Brigid’s descendent, and her fellow witch Finola McEntire do their best to keep the monsters and mayhem at bay. Brigid awakens in this world with no memory of how she traveled into the future, and why Evermore has been cursed. To seal the lough and stop the witches of Knight, she must work with Ophelia and Finola to help her remember the events of a hundred years ago. But the knowledge she seeks lies with Luc Knightly himself--mysterious, handsome, and powerful--and the one who once upon a time granted Brigid her dearest wish—a daughter. To save Evermore, Brigid may have to lose her daughter—again...
Imagine a large, battered old leather folder stuffed full of sheets of paper of various sizes and thicknesses - on the front, "Stories of the Witches of Old Allbyon" in curly letters, underneath there is a face. The hair and beard are made of leaves. Leaves are growing out of its mouth, and nostrils. Inside the folder, the stories - some written in round loopy handwriting on thick paper with wobbly edges. Some had been typed on a mechanical typewriter. Others were printouts from dot matrix printers, and some from more recent computer printers. All these stories were read to me when I was young. I didn't know it then, but the roots of everything that happened to us are in these stories, as the events in "The Last Wizard", grew out of what happened in "The Last Witch" - Maybe all stories begin in other stories. Who I am - who we are - I will leave for now. For now, we start with some of the tales of Old Allbyon.
Which Witch? is a brilliantly witty tale of magic and marriage by Eva Ibbotson, shortlisted for the Carnegie Medal. 'Find me a witch!' cried Arriman the Awful, feared Wizard of the North. Arriman has decided to marry. His wife must be a witch of the darkest powers – but which witch will she be? To find the most fiendish, he holds a spell-casting competition. Glamorous Madame Olympia performs the terrifying Symphony of Death and conjures up a thousand plague-bearing rats. The magic of gentle Belladonna, the white witch, goes hopelessly wrong. She produces perfumed flowers instead of snakes. And bats roost in her golden hair instead of becoming blood-sucking vampires. Poor Belladonna longs to be an evil enchantress – but how? 'This kind of fun will never fail to delight' - Philip Pullman.
Includes an excerpt from the next story in the Dark Rising Sequence, 'The grey king.'
'A profoundly moving, beautifully written and emotional story' Louise Douglas A tale as old as time. A spirit that has never rested. Present day As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. But it isn’t long before Selena hears the past whispering to her. Sloe Cottage is keeping secrets which refuse to stay hidden. 1682 Grace Cotter longs for nothing more than a husband and family of her own. Content enough with her work on the farm, looking after her father, and learning the secrets of her grandmother Bett’s healing hands, nevertheless Grace still hopes for love. But these are dangerous times for dreamers, and rumours and gossip can be deadly. One mis-move and Grace’s fate looks set... Separated by three hundred years, two women are drawn together by a home bathed in blood and magic. Grace Cotter’s spirit needs to rest, and only Selena can help her now. USA Today bestselling author Judy Leigh writing as Elena Collins, brings you this unforgettable, heart-breaking, gripping timeslip novel set in a world when women were hung as witches, and fates could be sealed by a wrong word. Perfect for fans of Barbara Erskine, Diana Gabaldon and Louise Douglas. Praise for Elena Collins: 'A profoundly moving, beautifully written and emotional story that skilfully combines two time frames into one unputdownable book. I was completely immersed in Grace’s story from the beginning: despite it taking place 400 years ago. The modern day storyline was also delightful with some wonderful characters. In short a wonderful book by a fabulous author, very highly recommended' Louise Douglas 'With two storylines beautifully woven together to create a seamless tale of love, loss, betrayal and, above all, hope, it’s a must-read. Collins’s detailed knowledge of the period trickles through the tale wrapping the reader in a vivid shifting world as it moves between the 14th century and present day. Cleverly researched and exquisitely written, The Lady of The Loch is a timeless story of hope, family and love. I loved it' Alexandra Walsh 'Such a lovely story of love, hardship, loss & renewal. Heartbreaking yet comforting. A place where I would love to go to and be lost in its memories' ⭐️⭐️⭐️⭐️⭐️ Reader Review
After ten years resettling the new residents of the Witch of Creation’s Forest, wanderlust strikes Chise again. Itching to embark on a new journey, but weary of her fame, she decides to blow her copious reserves of mana on disguising herself. Forging a new identity as a C-rank adventurer and marginally older girl, she departs with her bestie Teto for the Sunfield Empire. The pair spend their days in leisure until a job gone wildly off-track lands them an invitation to the elves’ great forest, an enigmatic place where outsiders are rarely welcomed. Eager to learn more about elves’ customs and culture, Chise eagerly accepts the invitation. But who knows what awaits them there?
In a village of the frozen north, a child is born possessed by a strange and alien spirit, only to be cast out by her tribe and taken in by the mysterious winter witches of Irrisen, a land locked in permanent magical winter. Farther south, a young mapmaker with a penchant for forgery discovers that his sham treasure maps have begun striking gold. This is the story of Ellasif, a barbarian shield maiden who will stop at nothing to recover her missing sister, and Decclan, the ne'er-do-well young spellcaster-turned-forger who wants only to prove himself to the woman he loves. Together they'll face monsters, magic, and the fury of Ellasif's own cold-hearted warriors in their quest to rescue the lost child. Yet when they finally reach the ice-walled city of Whitethrone, where trolls hold court and wolves roam the streets as men, will it be too late to save the girl from the forces of darkness? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.