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Anthony Collings found himself in his share of difficult situations in his thirty-four years as a newsman. Like being captured by AK-47–toting Syrians in Lebanon in 1981 while looking for missiles that threatened a new outbreak of hostilities with Israel, or being “detained” by the KGB in Moscow in 1967 during his first foreign posting for the Associated Press filing stories about Soviet dissidents. Name a hot spot, and Collings has likely been there. From AP correspondent to Newsweek bureau chief to CNN reporter, he covered the Middle East, Rome, Moscow, London, Paris, and Washington. Now he has gathered stories about his work in a book that is both a journalist’s memoir and a commentary on the current ethical crises in the news media and how to address them. Brimming with entertaining stories about journalism, especially the chaotic early years at CNN when he and his colleagues established the first major cable news network, Collings’s book reveals the dangers and pressures of covering the news and the difficulties of overcoming obstacles to the truth. He recalls smuggling tapes out of Poland after the Communists had imposed martial law; flying dangerously near Libya’s “Line of Death”; interviewing world figures from Brezhnev to Kaddafi and Arafat; and winning awards for covering Iran-Contra and the Oklahoma City bombing. Collings brings fresh insights to the Oliver North affair and examines how the press was suckered in its coverage of the Jessica Lynch prisoner-of-war story in 2003. He voices his concerns regarding oversimplified reporting of complex issues and poses provocative questions about covering terrorism. In this book, Collings presents an insider’s appraisal of the American news media’s failings and accomplishments. Easy to read, informative, and thoughtful, Capturing the News will enlighten general readers interested in how journalists cover current affairs, while offering newsmen food for thought about the craft and ethics of journalism.
Engaged Journalism explores the changing relationship between news producers and audiences and the methods journalists can use to secure the attention of news consumers. Based on Jake Batsell's extensive experience and interaction with more than twenty innovative newsrooms, this book shows that, even as news organizations are losing their agenda-setting power, journalists can still thrive by connecting with audiences through online technology and personal interaction. Batsell conducts interviews with and observes more than two dozen traditional and startup newsrooms across the United States and the United Kingdom. Traveling to Seattle, London, New York City, and Kalamazoo, Michigan, among other locales, he attends newsroom meetings, combs through internal documents, and talks with loyal readers and online users to document the successes and failures of the industry's experiments with paywalls, subscriptions, nonprofit news, live events, and digital tools including social media, data-driven interactives, news games, and comment forums. He ultimately concludes that, for news providers to survive, they must constantly listen to, interact with, and fulfill the specific needs of their audiences, whose attention can no longer be taken for granted. Toward that end, Batsell proposes a set of best practices based on effective, sustainable journalistic engagement.
Changing News Use pulls from empirical research to introduce and describe how changing news user patterns and journalism practices have been mutually disruptive, exploring what journalists and the news media can learn from these changes. Based on 15 years of audience research, the authors provide an in-depth description of what people do with news and how this has diversified over time, from reading, watching, and listening to a broader spectrum of user practices including checking, scrolling, tagging, and avoiding. By emphasizing people’s own experience of journalism, this book also investigates what two prominent audience measurements – clicking and spending time – mean from a user perspective. The book outlines ways to overcome the dilemma of providing what people apparently want (attentiongrabbing news features) and delivering what people apparently need (what journalists see as important information), suggesting alternative ways to investigate and become sensitive to the practices, preferences, and pleasures of audiences and discussing what these research findings might mean for everyday journalism practice. The book is a valuable and timely resource for academics and researchers interested in the fields of journalism studies, sociology, digital media, and communication.
The Voice of America (VOA) is the oldest and largest U.S. government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the organization and curb what Trump saw as the network's overly negative reporting on the U.S. During the seven months that Pack oversaw the agency, more than 30 whistleblowers filed complaints against him, a judge ruled that he had infringed journalists' constitutional right to freedom of speech, and he refused to respond to a subpoena issued by the Senate Committee on Foreign Relations. How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? What were the effects on news output? And what can we learn from this situation about how to protect media freedom in the future? Capturing News, Capturing Democracy puts these events in historical and international context--and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Wright, Scott, and Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA changing its reporting of the Black Lives Matter movement, the presidential election, and its contested aftermath. The authors stress that leaving the VOA unprotected opens it and other public media to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.
Öffentliche Kommunikationsprozesse sind im Zeitalter der Digitalisierung von einer wachsenden Dynamik geprägt. Dies stellt die Kommunikationsforschung vor erhebliche methodische Herausforderungen. Die Methodenentwicklung steckt noch in den Kinderschuhen, wenn es darum geht, die eng getakteten und komplexen Interaktionsmuster menschlicher Akteure und technischer Strukturen der digitalen Öffentlichkeit adäquat abzubilden. Empirische Studien sind dazu gezwungen, die Komplexität der Dynamiken in der sozialen Realität zu reduzieren, um diese fassbar zu machen. Damit geht jedoch stets die Gefahr einher, entscheidende Aspekte zu übersehen. Die in diesem Band versammelten Beiträge widmen sich diesem Dilemma am Beispiel verschiedener Anwendungsfelder, von der Kommunikator- und Medieninhaltsforschung bis zur Rezeptions- und Wirkungsforschung. Die Beiträge liegen auf verschiedenen Stufen des Forschungsprozesses und befassen sich mit einer Vielzahl methodischer Ansätze wie der automatisierten Inhaltsanalyse, der Netzwerkanalyse oder der qualitativen Beobachtung. Sie eint die Suche nach innovativen Lösungen für ein gemeinsames Problem, nämlich die zunehmende Dynamik öffentlicher Kommunikationsprozesse adäquat abzubilden.
A “superb” history of journalism’s most respected tenet—objectivity—and the challenges of achieving it in today’s world (Christian Science Monitor). If American journalism were a religion, as it has been called, then its supreme deity would be “objectivity.” The high priests of the profession worship the concept, while the iconoclasts of advocacy journalism, new journalism, and cyberjournalism consider objectivity a golden calf. Meanwhile, a groundswell of tabloids and talk shows and the increasing infringement of market concerns make a renewed discussion of the validity, possibility, and aim of objectivity a crucial pursuit. Despite its position as the orbital sun of journalistic ethics, objectivity—until now—has had no historian. David T.Z. Mindich reaches back to the nineteenth century to recover the lost history and meaning of this central tenet of American journalism. His book draws on high-profile cases, showing the degree to which journalism and its evolving commitment to objectivity altered—and in some cases limited—the public’s understanding of events and issues. Mindich devotes each chapter to a particular component of this ethic—detachment, nonpartisanship, the inverted pyramid style, facticity, and balance. Through this combination of history and cultural criticism, he provides a profound meditation on the structure, promise, and limits of objectivity in the age of digital media. “There is a growing unhappiness about the direction of news coverage. Readers and viewers want ‘objectivity’ back. The first step toward doing that is to understand where ‘objective’ journalism came from in the first place. Just the Facts is a good place to begin.” —The Washington Monthly
Looks at the emerging phenomenon of online journalism, including Weblogs, Internet chat groups, and email, and how anyone can produce news.
Literary Nonfiction. THE NEWS WE DESERVE: THE TRANSFORMATION OF CANADA'S MEDIA LANDSCAPE documents the most under-reported story in Canadian news: the behind- the-scenes takeovers, mergers, share swaps, regulatory maneuvers, and private ambitions that have reshaped the content and business models of today's print and online newspapers to privilege corporate profits and political influence over the goal of informing citizens. A generation of laissez-faire government attitudes towards media ownership smoothed the way for the stealthy transformation of Canada's mainstream press from its old ideal as fearless expositor of truth, as epitomized by Woodward and Bernstein, to a partisan, activist press that openly advocates certain outcomes.
"Explore the elements of composition, light, and direction that effectively create the illusion of time and motion in a digital image." The author explains how best to create these illusions and guides you through simple yet effective shooting techniques and post processing strategies.--[back cover].