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The poignant and powerful conclusion to the Bradleyville series finds 15-year-old Jackie Delham running the household and playing mommy to her two younger siblings. A year and a half after her mother's funeral, the possibility arises for new love to enter the life of Jackie . . . and that of her father. As love whirls through two generations, the Delham family is buffeted by loss, hope, elation, and tears.
After her mama's death, sixteen-year-old Jackie Delham is left to run the household for her daddy and two younger siblings. When Katherine King breezes into town and tries to steal her daddy's heart, Jackie knows she must put a stop to it.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
Kelly Englewood was raised by her mother Christina Harrison, a news reporter in Afghanistan who is captured by Osama bin Laden. Christina is released from his harem and is brought back to the United States. She discovers that she has become pregnant by Osama. She, then, marries Leonardo Englewood, who Kelly believes to be her father until age 13 when her mother tells her who her real father is. She questions her mother’s validity and still calls Leonardo dad. Kelly tries earnestly to reach Osama by letters. After he writes back to her for her to meet him at the Sacramento State Capitol, Leonardo and Kelly become suspicious that he is planning another terrorist attack. Leonardo and Kelly turn in the letters to the FBI. Osama is captured while he is visiting Kelly by national helicopter and imprisoned by the National Guard. He is executed via President Bush’s order. In the novel, justice is served on the victims of the Septemeber 11, 2001 attacks.
Adrian Piper joins the ranks of writer-artists who have provided much of the basic and most reliable literature on modern and contemporary art. Out of Order, Out of Sight is an artistic and intellectual autobiography and an (occasionally scathing) commentary on mainstream art, art criticism, and American culture of the last twenty-five years. Piper is an internationally recognized conceptual artist and the only African American in the early conceptual art movement of the 1960s. The writings in Out of Order, Out of Sight trace the development of her thinking about her artwork and the art world, and her evolving awareness of herself as a creative, racial, and gendered subject situated in an often limiting and always absurd cultural and social context.
Allan Thomas White, a soldier unable to cope with the atrocities of war becomes a deserter. Along the way on his flight to freedom, he encounters the smallest victims of war: children. Unable to merely abandon them, he strings them along on his journey until he can find a safe and suitable drop-off point. In war-torn Italy, that soon becomes unlikely and he decides to take them with him until he feels he can safely separate from the children. As his journey continues, he finds more displaced children whom he also cannot abandon. They soon total eighteen! Faced with a dilemma not of his choice, he must decide how to handle his growing brood. Read The Shepherd to discover the fate of the children and how he solves his problem of desertion which has come to the attention of the military's upper brass.
Serad is the powerful, handsome pirate whose relentless plundering is the stuff of legend--but only few know that his true identity is Lord Alexander Wakefield. His kidnapping as a child by Barbary pirates changed the course of his life. Now Serad is master of the seas, accustomed to possessing whatever--or whomever--strikes his fancy. . .. He Stole Her Freedom. . . When Serad boards the vessel La Mouette to loot for treasure, he discovers a cargo more precious than any trinket: the heiress Victoria Lawrence. A raven-haired, emerald-eyed beauty, Victoria captivates Serad as no woman ever has before. But the fiery young lady doesn't seem to understand that she is now a captive, expected to honor her new master's wishes and desires without question. . . But He Must Win Her Heart When Victoria set sail from India, she expected the voyage to deliver her into the arms of her betrothed--not a heartless gang of pirates. Now captured, she refuses to bow to any man, even one as commanding as Serad. Sharing his cabin, Victoria can barely resist her overwhelming attraction for her captor. But if she gives in to her desires, Victoria knows Serad will accept nothing less than her total surrender. . .