Download Free Captive Pride Book in PDF and EPUB Free Download. You can read online Captive Pride and write the review.

"New York Times bestselling author Bobbi Smith spins a captivating tale of danger, intrigue--and the fireworks between a man and woman who should be making war, not love. . .
Acclaimed author Jennifer A. Nielsen returns to the beloved world of her New York Times bestseller The False Prince in a highly anticipated fourth book in the Ascendance Series! In a peaceful Carthya, Jaron leads as the Ascendant King with Imogen beside him -- but the peace he fought so long for is not destined to last.On a routine sea voyage, Jaron's ship is brutally attacked, and he is taken hostage. The mysterious captors and their leader, Jane Strick, accuse Jaron of unthinkable acts. They are also in possession of some shocking items -- including the crown and sword that belonged to Jaron's older brother, Darius. The items unearth a past Jaron thought he had put behind him.Though it seems impossible, Jaron must consider: Could Darius be alive? And what does Strick want from Jaron? Against his will, Jaron will be pulled back into a fight for the throne -- and a battle to save his kingdom.Return to Carthya to uncover new secrets, high-stakes action, and Jennifer A. Nielsen's signature breathtaking twists.
Thrown into life in a strange city, Mati, a young village girl, finds herself trapped in a battle between two empires, one thirsting for blood, the other for gold. With nothing to gain from this war, she must fight to survive so that she can escape the city with her life. The longer she stays, the more she learns about a world she knew nothing of. Life is driven by death, and death is driven by the gods. But when the gods are taken away, all that is left is humanities fight for salvation. Only, for Mati, that salvation must be found in the shadows of an enemys crumbling empire.
After Serena Farrar and her family move to a secluded cabin in Maine and Serena meets Brant Parnell, a handsome local, her dreams of becoming a journalist yield to her desire for Brant
"Bessie, the selfless sister of the powerful but stubborn Brunson clan, has sacrificed herself for her family's honor and is at the mercy of the court of King James. Ill-suited to court life, she must confront their mortal enemy, Lord Thomas Carwell, dressed in nothing but borrowed finery and pride. Underneath the relentless gaze of her captor, she's enticed not only by him but also by the opulence of a world far removed from her own. When the furious king demands her brother's head, Carwell is the only one to whom she can turn. But she must pay the ultimate price for his protection"-- P. [4] of cover.
Nominated for the National Book Award and winner of the Francis Parkman Prize. The setting for this haunting and encyclopedically researched work of history is colonial Massachusetts, where English Puritans first endeavoured to "civilize" a "savage" native populace. There, in February 1704, a French and Indian war party descended on the village of Deerfield, abducting a Puritan minister and his children. Although John Williams was eventually released, his daughter horrified the family by staying with her captors and marrying a Mohawk husband. Out of this incident, The Bancroft Prize-winning historian John Devos has constructed a gripping narrative that opens a window into North America where English, French, and Native Americans faced one another across gilfs of culture and belief, and sometimes crossed over.
A narrative history of Hawaii profiles its former existence as a royal kingdom, recounting the wars fought by European powers for control of its position, its adoption of Christianity, and its annexation by the United States.
“Entertainment is the very heartbeat of Sanvar, and we are the blood, and as long as it remains that way, whether we live or die is immaterial.” In the Greco-Roman culture of Sanvar, a tale unfolds that follows the story of two orphans: one incredibly important, the other apparently insignificant. Isla Eliseus is the Iram of Sanvar, and among the most powerful people in the entire empire. Despite the honor and influence of her position, Isla wrestles with a prospect too monstrous to ignore: the exploitation of children, orphaned as she was. Determined to act, Isla agrees to spy for a rebel organization committed to ending the vile practices of the orphanages. Silas Carter's life is wholly different. Raised in obscurity within a state-run orphanage, he was trained to fulfill a single task: to serve Sanvar. Like other orphans, he knows how wrong it is to kill, but has no other choice when he's sent to the regional colosseum as a gladiator, forced to live out his own worst nightmare. Although separated by social class and fortune, Silas and Isla are connected through their past. Spotting each other at a colosseum, they rekindle their friendship, meeting again for the first time since childhood: Isla as Iram, and Silas as gladiator-slave, destined for death. Using her influence in Sanvar and position as spy to the rebellion, Isla promises Silas his freedom, setting in motion a series of terrible and thought-provoking events that promise to change Sanvar forever. "Silas and Isla face internal conflict that will resonate with today’s readers: dealing with hope and betrayal, managing obstacles, facing self-doubt, finding one’s place in the world, and overcoming life circumstances beyond one’s control" - WinterPromise Publishing
An American reporter's chilling account of being kidnapped and imprisoned by the Taliban, in the no-man's-land between Afghanistan and Pakistan Jere Van Dyk was on the wrong side of the border. He and three Afghan guides had crossed into the tribal areas of Pakistan, where no Westerner had ventured for years, hoping to reach the home of a local chieftain by nightfall. But then a dozen armed men in black turbans appeared over the crest of a hill. Captive is Van Dyk's searing account of his forty-five days in a Taliban prison, and it is gripping and terrifying in the tradition of the best prison literature. The main action takes place in a single room, cut off from the outside world, where Van Dyk feels he can trust nobody—not his jailers, not his guides (who he fears may have betrayed him), and certainly not the charismatic Taliban leader whose fleeting appearances carry the hope of redemption as well as the prospect of immediate, violent death. Van Dyk went to the tribal areas to investigate the challenges facing America there. His story is of a deeper, more personal challenge, an unforgettable tale of human endurance.
Why do narratives of Indian captivity emerge in New England between 1682 and 1707 and why are these texts, so centrally concerned with women's experience, supported and even written by a powerful group of Puritan ministers? In The Captive's Position, Teresa Toulouse argues for a new interpretation of the captivity narrative—one that takes into account the profound shifts in political and social authority and legitimacy that occurred in New England at the end of the seventeenth century. While North American narratives of Indian captivity had been written before this period by French priests and other European adventurers, those stories had focused largely on Catholic conversions and martyrdoms or male strategies for survival among the Indians. In contrast, the New England texts represented a colonial Protestant woman who was separated brutally from her family but who demonstrated qualities of religious acceptance, humility, and obedience until she was eventually returned to her own community. Toulouse explores how the female captive's position came to resonate so powerfully for traditional male elites in the second and third generation of the Massachusetts colony. Threatened by ongoing wars with Indians and French as well as by a range of royal English interventions in New England political and cultural life, figures such as Increase Mather, Cotton Mather, and John Williams perceived themselves to be equally challenged by religious and social conflicts within New England. By responding to and employing popular representations of female captivity, they were enabled to express their ambivalence toward the world of their fathers and toward imperial expansion and thereby to negotiate their own complicated sense of personal and cultural identity. Examining the captivity narratives of Mary Rowlandson, Hannah Dustan, Hannah Swarton, and John Williams (who comes to stand in for the female captive), Toulouse asserts the need to read these gendered texts as cultural products that variably engage, shape, and confound colonial attitudes toward both Europe and the local scene in Massachusetts. In doing so, The Captive's Position offers a new story of the rise and breakdown of orthodox Puritan captivities and a meditation on the relationship between dreams of authority and historical change.