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These stories portray people consumed by yearning, but devoid of hope.
Fans of Captain Underpants hold your noses -- here comes Farticus Maximus! Have you ever let one rip and blamed your brother or sister? Your best friend? The dog? Your dad or mom? Have you ever laughed, snorted, blushed, or just smiled at the sound of someone letting one rip? Have you ever broken wind in the bath, in your classroom, on the school bus, or in bed? If you have answered yes to any of the above questions then Farticus Maximus is definitely for you. Farticus Maximus has a gut-busting secret weapon -- the potent strength of his flatulence! His gaseous gift has made him the greatest gladiator of all time. Have a whiff of this hilariously funny Roman tale, plus read other equally stinky stories, including one about a teacher with a deadly gas problem, a mischievous grandpa who won't stop letting rip, and lots more!
In a galaxy of cutthroat companies, shadowy clans and a million agendas, spy agency RIM barely wields enough control to keep order. Maximus Black is RIM’s star cadet. But he has a problem. One of RIM’s best agents, Anneke Longshadow, knows there’s a mole in the organisation. And Maximus has a lot to hide.
The only thing as infinite and expansive as the universe is humanity’s unquestionable ability to make bad decisions. Humankind ventures further into the galaxy than ever before... and immediately causes an intergalactic incident. In their infinite wisdom, the crew of the exploration vessel Magellan, or as she prefers “Maggie,” decides to bring the alienstructure they just found back to Earth. The only problem? The aliens are awfully fond of that structure. A planet full of bumbling, highly evolved primates has just put itself on a collision course with a far wider, and more hostile, galaxy that is stranger than anyone can possibly imagine.
Man Mortimer, "a pimp and casino playboy who resembles dead country singer Conway Twitty", seeks revenge against a small Mississippi community.
A thematic tour of the complete works from this exceptional Southern writer.
In Reconstructing the Native South, Melanie Benson Taylor examines the diverse body of Native American literature in the contemporary U.S. South—literature written by the descendants of tribes who evaded Removal and have maintained ties with their southeastern homelands. In so doing Taylor advances a provocative, even counterintuitive claim: that the U.S. South and its Native American survivors have far more in common than mere geographical proximity. Both cultures have long been haunted by separate histories of loss and nostalgia, Taylor contends, and the moments when those experiences converge in explicit and startling ways have yet to be investigated by scholars. These convergences often bear the scars of protracted colonial antagonism, appropriation, and segregation, and they share preoccupations with land, sovereignty, tradition, dispossession, subjugation, purity, and violence. Taylor poses difficult questions in this work. In the aftermath of Removal and colonial devastation, what remains—for Native and non-Native southerners—to be recovered? Is it acceptable to identify an Indian “lost cause”? Is a deep sense of hybridity and intercultural affiliation the only coherent way forward, both for the New South and for its oldest inhabitants? And in these newly entangled, postcolonial environments, has global capitalism emerged as the new enemy for the twenty-first century? Reconstructing the Native South is a compellingly original work that contributes to conversations in Native American, southern, and transnational American studies.
Between 1972 and 2001, Barry Hannah (1942–2010) published eight novels and four collections of short stories. A master of short fiction, Hannah is considered by many to be one of the most important writers of modern American literature. His writing is often praised more for its unflinching use of language, rich metaphors, and tragically damaged characters than for plot. “I am doomed to be a lengthy fragmentist,” he once claimed. “In my thoughts, I don't ever come on to plot in a straightforward way.” Conversations with Barry Hannah collects interviews published between 1980 and 2010. Within them Hannah engages interviewers in discussions on war and violence, masculinity, religious faith, abandoned and unfinished writing projects, the modern South and his time spent away from it, the South's obsession with defeat, the value of teaching writing, and post-Faulknerian literature. Despite his rejection of the label “southern writer,” Hannah's work has often been compared to that of fellow Mississippian William Faulkner, particularly for each author's use of dark humor and the Southern Gothic tradition in their work. Notwithstanding these comparisons, Hannah's voice is distinctly and undeniably his own, a linguistic tour de force.
The 1968 Planet of the Apes film has inspired generations of authors. Now a who's who of modern writers produces sixteen all-new tales, exclusive to this volume, set in the world of the original films and television series. Dan Abnett • Kevin J. Anderson • Jim Beard • Nancy Collins Greg Cox • Andrew E.C. Gaska • Robert Greenberger Rich Handley • Greg Keyes • Sam Knight • Paul Kupperberg Jonathan Maberry • Bob Mayer • John Jackson Miller Ty Templeton • Will Murray • Dayton Ward Each explores a different drama within the post-apocalyptic world, treating readers to unique visions and nonstop action.
Victory with Honour, is an account of my stewardship whilst I was onboard NNS OKPABANA as the Commanding Officer from 2015 – 2016. The book renders a chronological narrative of my operational and command experience onboard the ship beginning with an opening chapter giving an exposé on the essence of sea power and the concept of navies, a brief historical perspective of the NN in the second, and the third chapter begins with my own story. In between, I also gave my view of the maritime security situation in the Gulf of Guinea and how to address the challenges being experienced therein. The book then continues with a personal account of the various exercises and operations that the ship participated in whilst I was in command. Chapter Eighteen being the last chapter gave some leadership principles, though navy-centric, could apply to almost any sphere of life. Largely esoteric in nature, I believe the readership would be inspired to draw lessons from my experiences and also add to the corporate/institutional knowledge of the Nigerian Navy as a whole. I also believe more needs to be laid out in the public space on how Nigeria as a maritime nation, has potentials to become a sea power state like other nations with access to the seas did in the past.