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Spanning ten periods, this remarkable history features the work of nearly eighty legendary American artists. Annotation. Editor Marchetti is joined by two other art historians, Roberta Bernabei and Stefano Ruzzi, in presenting 400 landmark American paintings. Seventy-seven painters are represented, each with several thoroughly captioned paintings (full- or half-page) and biographical and interpretive text. Arrangement is chronological, beginning with the Anglo-Saxon tradition and continuing with the discovery of the West, the taste for reality, and American impressionists, through abstract expressionism and pop art and graffiti. Each era is briefly overviewed. The book was originally published in Italian.
For nearly 60 years, the tiny Mediterranean nation of Cyprus has taken a disproportionate share of the international spotlight. In The Cyprus Problem, James Ker-Lindsay--recently appointed as expert advisor to the UN Secretary-General's Special Advisor on Cyprus--offers an incisive, even-handed account of the conflict. Ker-Lindsay covers all aspects of the Cyprus problem, placing it in historical context, addressing the situation as it now stands, and looking toward its possible resolution.
An annotated bilingual edition of Hölderlin’s radical and influential late poetry Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin’s late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity. Sieburth’s critical introduction discusses the poet’s career, assesses his role as the link between classicism and romanticism, and explores Hölderlin’s ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.
Vocal
More Scott Operas examines some thirty operas based on the novels and poems of Sir Walter Scott that have come to light since publication of the author's widely reviewed earlier book, The Walter Scott Operas (1977), which discussed fifty Scott operas. There are chapters on an operatic setting of a Scott poem by a little known English composer who knew Wagner; on three operatic renditions of another poem, The Lord of the Isles; on Carl Loewe's opera Emmy, based on Kenilworth, and on an opera by a twentieth century Argentine composer based on the same novel; on a forgotten Italian Fair Maid of Perth opera that would rival Bizet's; and on two chamber operas by a composer-librettist who is alive and well and at home in Charleston, South Carolina. The book concludes with an intriguing account of Scott's night at the San Carlo Opera. Mitchell's approach is again that of a literary-historian than of a music critic or musicologist. He shows what happened to Scott's original poem or novel when it is changed into an opera and how that opera compares with others based on the same poem or novel. This approach leads to a fresh slant on Scott's characters and on the structure of his works, and it leads ultimately to our greater awareness and appreciation of Scott's art and of his impact on European culture.