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"Capitola the Madcap: Part II of The Hidden Hand" is a fascinating novel written by Mrs. Emma D. E. N. Southworth, a famous nineteenth-century American author. This painting is the sequel to "The Hidden Hand" and maintains the interesting adventures of the spirited and inventive heroine, Capitola Black. Set towards the backdrop of the American South, the narrative follows Capitola as she navigates a world packed with intrigue, mystery, and romance. After surviving severa trials within the first part of the series, Capitola faces new demanding situations and discovers extra approximately her very own mysterious origins. The plot intertwines factors of melodrama, romance, and social remark as Capitola encounters a numerous array of characters, from foxy villains to steadfast allies. Mrs. Southworth's storytelling prowess shines through as she weaves a tale of suspense and excitement, exploring themes of identification, justice, and the indomitable spirit of the protagonist. Capitola's formidable and unconventional individual demanding situations the societal norms of her time, making her a memorable and empowering literary figure.
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Capitola, The Madcap: Part II Of The Hidden Hand (Sequel To The Hidden Hand) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
Originally published in London in 1857 and never before available in paperback, The Garies and Their Friends is the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and 'passing, ' and tells the story of the Garies and their friends, the Ellises, a 'highly respectable and industrious coloured family.'
Annie struggles with grief after the death of her newborn sister. Annie can always count on spending summers at her grandparents’. This summer should be even better because Mama is going to have a baby soon. Before Daddy leaves for his Air Force assignment, he gives Annie a journal for summer memories. But now Annie is grieving over the death of her newborn sister. How can she tell Daddy that ever since the baby died, Mama is slipping away? If Annie wrote those words, Mama might stay that way forever. The only comfort Annie finds is in holding a stone she calls her “rock baby.” Then Annie secretly befriends a mysterious woman who helps Annie accept her loss, while Annie hopes to draw her new friend back into the community. But all that is interrupted when a crisis reveals their unlikely alliance and leads to a surprising turn of events.
Bestsellers in Nineteenth Century America seeks to produce for students novels, poems and other printed material that sold extremely well when they first appeared in the United States. Many of the most famous American works of the nineteenth century that we know today — such as Herman Melville’s Moby-Dick — were not widely read when they first appeared. This collection seeks to offer its readers a glimpse at the literature that lit up the literary horizon when the works were first published, leading to insights on key cultural aspects of the nineteenth-century United States and its literary culture.
While American literary history has long acknowledged the profound influence of journalism on canonical male writers, Sari Edelstein argues that American women writers were also influenced by a dynamic relationship with the mainstream press. From the early republic through the turn of the twentieth century, she offers a comprehensive reassessment of writers such as Catharine Maria Sedgwick, Harriet Jacobs, and Charlotte Perkins Gilman. Drawing on slave narratives, sentimental novels, and realist fiction, Edelstein examines how advances in journalism—including the emergence of the penny press, the rise of the story-paper, and the birth of eyewitness reportage—shaped not only a female literary tradition but also gender conventions themselves. Excluded from formal politics and lacking the vote, women writers were deft analysts of the prevalent tropes and aesthetic gestures of journalism, which they alternately relied upon and resisted in their efforts to influence public opinion and to intervene in political debates. Ultimately, Between the Novel and the News is a project of recovery that transforms our understanding of the genesis and the development of American women’s writing.