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An antique book. A mysterious old photo. Emma’s curiosity and perseverance and an old mystery about Cape Hope’s royalty. Join Emma on her next adventure with the adorable Lola, Detective McHottie, and a certain photographer who’s decided to make an appearance.
Cape Hope Capers An antique book. A mysterious old photo. Emma’s curiosity and perseverance and an old mystery about Cape Hope’s royalty. Join Emma on her next adventure with the adorable Lola, Detective McHottie, and a certain photographer who’s decided to make an appearance. Conundrum in Cape Hope Online dating can be murder… Sylvia Harmon’s daughters, Emma and Darcy, have finally convinced her to join the online dating scene. Except that the women in Sylvia’s new beau’s life seem to have been dropping like flies. Can Emma keep out of this new mystery? Join Emma on her next adventure with the adorable Lola, Detective McHottie. Will a certain photographer decide to make an appearance? Detectives and Dilemmas Emma’s heading out for an assignment. One she’s been looking forward to until a phone call derails her plans and gives her a different agenda. And with it comes a dilemma. Deke’s back. Detective McHottie’s been absent. And now there’s a dead body in a portapotty. Dilemmas? That’s quite the understatement as Emma finds herself embroiled in the drama of a new murder and at the same time confuzzled by the absence of a heartthrob and the reappearance of another!
Stiff in the Sand New jobs can be murder… At least, that’s what it seems like to Emma Harmon of Cape Hope. She’s got a new job blogging about food and she’s super-thrilled to be traveling to a new resort to sample the fare and meet local celebrities. One of who is First-Kiss-Robbie. The first boy to kiss her, he’s a famous chef now. She finds out her photographer is a hot guy with a major chip on his shoulder. More like an iceberg, considering the way Deke treats her. She’s not so thrilled when she discovers a body in the sand dunes. One with a knife sticking out of him. A chef knife. Robbie’s chef knife. She’s even less thrilled when she makes the mistake of handling the knife. Now, she’s under suspicion and Detective McHottie’s got his eye on her—and not in a good way. Can she find the real killer before she becomes his target? Corpse in a Crate Emma’s got a few days off and what better way to spend them than joining her best friend Raina on trip to a bed and breakfast Raina’s former—maybe not so former?—crush is opening. Who knows, maybe she’ll get a scoop for the blog. Wouldn’t hurt to turn this into a working assignment. Too bad everything falls to pieces when a body’s discovered in a chest in the attic. Even worse, that Detective McHottie shows up in the middle of the investigation. Can Emma figure out who is in the attic before the killer finds out she’s looking into the matter? He’s got one question. How does she keep getting mixed up in these matters? Cadaver at the Con Emma’s boss has sent her to a conference. All expenses paid. How great is that? It was great until her mother’s best friends show up as attendees to make sure she doesn’t get herself into any trouble. What? It’s not like that’s their only mission. The conference is at a casino and they love their slots. Not to mention they love the keynote speaker. It was great until a mysterious shady man shows up, harassing the keynote speaker and another author. That shouldn’t really involve Emma. And it doesn’t. Until a trip to the swimming pool turns up a dead body. Of course, wouldn’t you know it, the detective in charge is Detective McHottie. And he’s got his eye on a suspect. Luckily, this time, it’s not Emma. Unfortunately, it’s a new author that Emma’s become quite a fan of. Not to mention, Emma’s convinced this debuting author did not kill the dead guy in the pool.
Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).
No other nonhuman source has served as the basis for more metaphors than animals. Speaking of Animals is a dictionary of animal metaphors that are current in American English. It is comprehensive, historical, and metaphor-based. Each entry refers to the other dictionaries that catalog that same metaphor, and the dates of first appearance in writing are supplied, where possible, for both the metaphor and the name of the source. The main text is organized alphabetically by metaphor rather than by animal or animal behavior; all the metaphors are classified according to their animal source in a list at the end of the book. An animal metaphor is a word, phrase, or sentence that expresses a resemblance or similarity between someone or something and a particular animal or animal class. True metaphors are single words, such as the noun tiger, the verb hog, and the adjective chicken. Phrasal metaphors combine true metaphors with other words, such as blind tiger, hog the road, and chicken colonel. Other animal metaphors take the form of similes, such as like rats leaving a sinking ship and prickly as a hedgehog. Still others take the form of proverbs, such as Don't count your chickens before they hatch and Let sleeping dogs lie. The horse is the animal most frequently referred to in metaphors, followed closely by the dog. The Bible is the most prolific literary source of animal metaphors, followed closely by Shakespeare.

A General History of the Dichlamydeous Plants, Comprising Complete Descriptions of the Different Orders; Together with the Characters of the Genera and Species, and an Enumeration of the Cultivated Varieties; Their Places of Growth, Time of Flowering, Mode of Culture, and Uses in Medicine and Domestic Economy; the Scientific Names Accentuated, Their Etymologies Explained, and the Classes and Orders Illustrated by Engravings, and Preceded by Introductions to the Linnaean and Natural Systems, and a Glossary of the Terms Used

George Don

Published: 1831

Total Pages: 858


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