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The 18th North Carolina Regiment has the dubious distinction of firing the volley at Chancellorsville, Virginia, that mortally wounded General Thomas "Stonewall" Jackson. This tragic accident has overshadowed the regiment's otherwise valiant service during the Civil War. One of Robert E. Lee's "fighting regiments," the 18th North Carolina was a part of two famous Confederate military machines, A.P. Hill's Light Division and Jackson's foot cavalry. This revealing history chronicles the regiment's exploits from its origins through combat with the Army of Northern Virginia at Hanover Court House, the Seven Days' Battles, Cold Harbor, Petersburg, and other battles to its surrender at Appomattox Court House as a battered, much smaller shell of its former self. A roster of those surrendering officers and enlisted men and brief biographical sketches of those who fought with the regiment for most of the war complete this enlightening account.
A detailed tactical narrative of one of the most important but least known engagements of William T. Sherman’s Carolinas Campaign during the Civil War. As General Sherman’s infantry crossed into North Carolina, Maj. Gen. Judson Kilpatrick’s veteran Federal cavalry division fanned out in front, screening the advance. When Kilpatrick learned that Confederate cavalry under Lt. Gen. Wade Hampton was hot on his trail, he decided to set a trap for the Southern horsemen near a place called Monroe’s Crossroads. Hampton, however, learned of the plan and decided to do something Kilpatrick was not expecting: attack. On March 10, 1865, Southern troopers under Hampton and Maj. Gen. Joseph Wheeler launched a savage surprise attack on Kilpatrick’s sleeping camp. After three hours of some of the toughest cavalry fighting of the entire Civil War, Hampton broke off and withdrew. His attack, however, stopped Kilpatrick’s advance and bought another precious day for Lt. Gen. William J. Hardee to evacuate his command from Fayetteville. This, in turn, permitted Hardee to join the command of Gen. Joseph E. Johnston and set the stage for the climactic Battle of Bentonville nine days later. Noted Civil War author Eric J. Wittenberg has written the first history of this important but long-forgotten battle, and places it in its proper context within the entire Carolinas Campaign. His study features twenty-eight original maps and dozens of illustrations. Finally, an author of wide experience and renown has brought to vivid life this overlooked portion of the Carolinas Campaign. Praise for The Battle of Monroe’s Crossroads “All the elements that we expect in great battle are here: high drama, command decisions good, bad, and ugly; courage and cowardice, sacrifice, and fortitude. Readers both new to the genre and veteran to the literature will find much of value in The Battle of Monroe’s Crossroads.” —Noah Andre Trudeau, author of The Last Citadel: Petersburg, June 1864–April 1865 “Features a marvelous cast of characters and a riveting story impeccably researched and judiciously interpreted. It is the definitive account of this fascinating battle.” —Mark L. Bradley, author of Last Stand in the Carolinas: The Battle of Bentonville
Examines the life of a former slave who became a radical abolitionist and Union spy, recruiting black soldiers for the North, fighting racism within the Union Army and much more.
Describes the winter 1864-1865 assault of Union forces on the Confederate stronghold of Fort Fisher, which guarded the port of Wilmington, North Carolina, detailing the men involved on both sides, the campaign, and the final Union victory
In recent years, the Confederate flag has become as much a news item as a Civil War relic. Intense public debates have erupted over Confederate flags flying atop state capitols, being incorporated into state flags, waving from dormitory windows, or adorning the T-shirts and jeans of public school children. To some, this piece of cloth is a symbol of white supremacy and enduring racial injustice; to others, it represents a rich Southern heritage and an essential link to a glorious past. Polarizing Americans, these flag wars reveal the profound--and still unhealed--schisms that have plagued the country since the Civil War. The Confederate Battle Flag is the first comprehensive history of this contested symbol. Transcending conventional partisanship, John Coski reveals the flag's origins as one of many banners unfurled on the battlefields of the Civil War. He shows how it emerged as the preeminent representation of the Confederacy and was transformed into a cultural icon from Reconstruction on, becoming an aggressively racist symbol only after World War II and during the Civil Rights movement. We gain unique insight into the fine line between the flag's use as a historical emblem and as an invocation of the Confederate nation and all it stood for. Pursuing the flag's conflicting meanings, Coski suggests how this provocative artifact, which has been viewed with pride, fear, anger, nostalgia, and disgust, might ultimately provide Americans with the common ground of a shared and complex history.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
The secession of the southern states from the Union was not merely a culmination of certain events; it was also the beginning of the trial of Confederate nationalism. The slaveholding elite which had led the South out of the Union now had to solidify its support among the nonslaveholding small farmers, a class that constituted the bulk of the white population.But Jefferson Davis and the new government were greatly hampered in their bid for widespread public support, partially because of the same force that had resulted in secession -- the strong states' rights predisposition of many southerners and their opposition to a strong central government -- and partially because of the great social and economic gap that separated the governed from the governors.In After Secession Paul Escott focuses on the challenge that the South's widespread political ideals presented to Jefferson Davis and on the way growing class resentments among citizens in the countryside affected the war effort. New material is included on Jefferson Davis and his policies, and interesting new interpretations of the Confederate government's crucial problems of decision making and failure to respond to the common people are offered. The result is both a fresh look at the pivotal role that strong leadership plays in the establishment of a new nation and a revealing study of how Jefferson Davis' frustrations increasingly affected the quality of his presidency.