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Clarence W (Cap) Wigington was a man of firsts -- the first registered African American architect in Minnesota and the first African American municipal architect in the nation. The public buildings that he designed for the city of St Paul are a continuing legacy, helping to define the city's character. And his achievements, both as an architect and as a leader in the state's African American community, are all the more significant given the limitations of the times in which he lived. Wigington's most ephemeral work may have been his most creative. From 1937 to 1947, he designed six ice palaces and a number of secondary structures for St Paul's famous Winter Carnival. These stunningly fanciful designs are Wigington's most imaginative and exuberant. Alternating chapters by Taylor and Larson examine the man, his times, his leadership in the African American community, and his architectural work. Richly illustrated with photos of Wigington's buildings and his drawings, the book also contains a list of works attributed to Wigington. His life story shows the struggles and the achievements of a talented individual facing and conquering long odds.
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
This two-volume encyclopedia presents a state-by-state history of African Americans in the 50 states and the District of Columbia. African American populations are established in every area of the United States, including Hawaii and Alaska (more than10 percent of the population of Fairbanks, Alaska, is African American). Black Americans have played an invaluable role in creating our great nation in myriad ways, including their physical contributions and labor during the slavery era; intellectually, spiritually, and politically; in service to our country in military duty; and in areas of popular culture such as music, art, sports, and entertainment. The chapters extend chronologically from the colonial period to the present. Each chapter presents a timeline of African American history in the state, a historical overview, notable African Americans and their pioneering accomplishments, and state-specific traditions or activities. This state-by-state treatment of information allows readers to take pride in what happened in their state and in the famous people who came from their state.
Winner of a Spur Award, presented by the Western Writers of America (WWA), for the Best Western Nonfiction Historical Book. Renowned historian Annette Atkins presents a fresh understanding of how a complex and modern Minnesota came into being in Creating Minnesota. Each chapter of this innovative state history focuses on a telling detail, a revealing incident, or a meaningful issue that illuminates a larger event, social trends, or politics during a period in our past. A three-act play about Minnesota's statehood vividly depicts the competing interests of Natives, traders, and politicians who lived in the same territory but moved in different worlds. Oranges are the focal point of a chapter about railroads and transportation: how did a St. Paul family manage to celebrate their 1898 Christmas with fruit that grew no closer than 1,500 miles from their home? A photo essay brings to life three communities of the 1920s, seen through the lenses of local and itinerant photographers. The much-sought state fish helps to explain the new Minnesota, where pan-fried walleye and walleye quesadillas coexist on the same north woods menu. In Creating Minnesota Atkins invites readers to experience the texture of people's lives through the decades, offering a fascinating and unparalleled approach to the history of our state.
In Voices of Rondo, real-life stories illuminate the northern urban Black experience during the first half of the twentieth century, through the memories and reflections of residents of Saint Paul’s historic Rondo community. We glimpse the challenges of racism and poverty and share the victories of a community that educated its children to become strong, to find personal pride, and to become the next generation of leaders in Saint Paul and beyond.
From the grand boulevard of Summit Avenue to the gleaming State Capitol, St. Paul's Architecture presents more than 225 notable surviving buildings and the history of several neighborhoods in the city. With historical photographs and illustrations, this engaging book is a valuable resource not only for those interested in architectural heritage but also for anyone who admires St. Paul's unique beauty and charm.
Climate engineering is a dystopian project. But as the human species hurtles ever faster towards its own extinction, geoengineering as a temporary fix, to buy time for carbon removal, is a seductive idea. We are right to fear that geoengineering will be used to maintain the status quo, but is there another possible future after geoengineering? Can these technologies and practices be used to bring carbon levels back down to pre-industrial levels? Are there possibilities for massive intentional intervention in the climate that are democratic, decentralised, or participatory? These questions are provocative, because they go against a binary that has become common sense: geoengineering is assumed to be on the side of industrial agriculture, inequality and ecomodernism, in opposition to degrowth, renewable energy, sustainable agriculture and climate justice. After Geoengineering rejects this binary, to ask: what if the people seized the means of climate production? Both critical and utopian, the book examines the possible futures after geoengineering. Rejecting the idea that geoengineering is some kind of easy work-around, Holly Buck outlines the kind of social transformation that would be necessary to enact a programme of geoengineering in the first place.
Do you belong to a legendary lineage? In less than 100 pages, the Secret Origins of Black Americans exposes a global phenomenon. Black American history cover-ups, pseudo-origin stories, and diaspora wars over music genres and Jollof rice are ended. 1. Black Americans have been a global obsession for centuries. 2. Black Americans were instrumental in winning the Civil War, stabilizing the country, and moving the country westward. The Statue of Liberty celebrates the Civil War victory and the Emancipation Proclamation, not immigration. 3. Black Americans built the foundational cities in the United States of America with architects and craftsmen, not simple laborers. 4. Jim Crow laws punished Black Americans and exempted foreigners of African descent. 5. New technology and global DNA research shows Black Americans are not Africans in America or a boat stop away from being Caribbean. The “Indian” DNA carried by Black Americans is not only Native American but Austronesian. The book explores the word "black" as an ethnic descriptor. 6. Black American culture is imitated in every country on earth, including isolated Inuit villages. 7. Black Americans broke barriers in over fifty sports and competitions, leading other groups. 8. Black Americans have been targeted by propaganda campaigns for centuries by Europeans and foreigners disguised as Black Americans. 9. Soul food is a Black American cuisine developed in the United States of America, not brought from Africa. 10. Black Americans created every relevant music genre in the United States of America, the Caribbean, and Africa. Rock solid recording dates show the architects of each music genre. 11. Patented innovations and inventions by Black Americans modernized the world. The greatest civil rights activist for Asians in America was Frederick Douglass. Humanitarianism by Black Americans has helped Asians, Oceanians, Holocaust survivors, Latin Americans, Caribbeans, Africans, and more. 12. Since the 1800s, Eurocentrists, Afrocentrists, and pan-Africanists, notably Marcus Garvey, conspired to erase history leaving Black Americans stateless. Includes a step-by-step genealogy guide with links. Contact [email protected] with comments or download issues.
Diversity among Architects presents a series of essays questioning the homogeneity of architecture practitioners, who remain overwhelmingly male and Caucasian, to help you create a field more representative of the population you serve. The book is the collected work of author Craig L. Wilkins, an African American scholar and practitioner, and discusses music, education, urban geography, social justice, community design centers, race-space identity, shared landscape, and many more topics.
A chronicle of the rich history of Blacks in the state through careful analysis of census and housing records, newspaper records, and first-person accounts.