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Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era.
In the 1980s a group of entrepreneurs in Ghana created small-scale, mobile film-distribution empires, hitting the road with videocassettes, television monitors, portable gas-powered generators and rolled-up, hand-painted, artist-signed canvas posters. This new medium created the first opportunity for some of the best young painters in Ghana to express themselves on a public scale. In the frequent absence of an original image upon which to base the work they had been commissioned to produce, the artists inevitably created cinematic paintings that were largely interpretive and imagination-driven. In the book's four major essays, author Ernie Wolfe III recounts the rise and fall of the mobile cinema tradition, while noted African art scholar Roy Sieber follows two-dimensional art in Africa from rock paintings in the Sahara to contemporary manuals, wall paintings, and barber board paintings as well as the canvas movie posters themselves; Paul Hayes Tucker compares the phenomenon to 19th century European utility-based painting; and poet and art critic John Yau contributes the perspective of an American art historian. In addition, Hollywood film notables such as horror auteur Clive Barker, actor LeVar Burton, actress Anjelica Huston, and director Gus Van Sant contribute chapter introductions.
Currently one of the most popular film and TV genres due to the success of Michael Moore, Supersize Me, and March of the Penguins, documentaries and the process of creating them are subjected to scrutiny in this guide, which comes with a bonus DVD featuring three award-winning documentaries discussed as case studies. Fans of the genre will enjoy a history of the art form and interviews with industry insiders and award-winning filmmakers who contribute their tips, tricks, and advice. Aspiring filmmakers will find advice covering the whole production process—from developing a concept to marketing and distribution. Details on the full range of current film festivals are also included.
The Russian Canvas charts the remarkable rise of Russian painting in the 18th and 19th centuries, and the nature of its relationship with other European schools. Starting with the foundation of the Imperial Academy of the Arts in 1757 and culminating with the assassination of Tsar Alexander II in 1881, it details the professionalization and wide-ranging activities of painters against a backdrop of dramatic social and political change. The Imperial Academy formalized artistic training but later became a foil for dissent, as successive generations of painters negotiated their own positions between pan-European engagement and local and national identities. Drawing on original archival research, this groundbreaking book recontextualizes the work of major artists, revives the reputations of others, and explores the complex developments that took Russian painters from provincial anonymity to international acclaim.
Playful, popular visions of ruined cities demonstrate antiquity's starring role in nineteenth-century culture, developing new models for understanding classical reception.
Although there are many works dealing with Pompeii and Herculaneum, none of them try to encompass the entire spectrum of material related to its reception in popular imagination. Pompeii’s Ashes surveys a broad variety of such works, ranging from travelogues between ca. 1740 and 2010 to 250 years of fiction, including stage works, music, and films. The first two chapters provide an in-depth analysis of the excavation history and an overview of the reflections of travelers. The six remaining chapters discuss several clearly-defined genres: historical novels with pagan tendencies, and those with Christians and Jews as protagonists, contemporary adventures, time traveling, mock manuscripts, and works dedicated to Vesuvius. “Pompeii’s Ashes” demonstrates how the eternal fascination with the oldest still-running archaeological projects in the world began, developed, and continue until now.
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.
The thrilling biography of the brilliant British inventor and daredevil war hero whose efforts saved countless lives during WWI. Though he only lived to be 33, Wing Commander Frank Brock had accomplished much in his short life. The scion of the world-famous Brock Fireworks company, he is best known as the inventor of the Brock Bullet—the explosive bullet used to destroy German Zeppelins. He also invented the Dover Flares which lit up the sea at night and forced U-boats into deep mine fields. But his exploits went far beyond the engineering lab. As a secret agent Brock dashed to France on his wedding day, snuck into Switzerland, rowed across Lake Constance into enemy territory, and orchestrated the world’s first strategic bombing raid at the zeppelin factory in Friedrichshafen, Germany. On the day of his untimely death, he led the charge in a surprise naval attack on Zeebrugge, Belgium, only made possible by the smoke screen he invented to mask their approach. Co-authored by his grandson, Gunpowder and Glory tells more than Brock’s amazing life of invention and heroism. Woven into the narrative is the dazzling history of C.T. Brock & Company Fireworks, the world-famous firm started by Frank’s five-times great-grandfather.
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.