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It will be essential reading for anyone interested in arts and culture in the city.
A beautifully designed resource that takes readers on a tour of greater Detroit's many architectural wonders and special landmarks.
In Detroit's Historic Places of Worship, authors Marla O. Collum, Barbara E. Krueger, and Dorothy Kostuch profile 37 architecturally and historically significant houses of worship that represent 8 denominations and nearly 150 years of history. The authors focus on Detroit's most prolific era of church building, the 1850s to the 1930s, in chapters that are arranged chronologically. Entries begin with each building's founding congregation and trace developments and changes to the present day. Full-color photos by Dirk Bakker bring the interiors and exteriors of these amazing buildings to life, as the authors provide thorough architectural descriptions, pointing out notable carvings, sculptures, stained glass, and other decorative and structural features. Nearly twenty years in the making, this volume includes many of Detroit's most well known churches, like Sainte Anne in Corktown, the Cathedral of the Most Blessed Sacrament in Boston-Edison, Saint Florian in Hamtramck, Mariners' Church on the riverfront, Saint Mary's in Greektown, and Central United Methodist Church downtown. But the authors also provide glimpses into stunning buildings that are less easily accessible or whose uses have changed-such as the original Temple Beth-El (now the Bonstelle Theater), First Presbyterian Church (now Ecumenical Theological Seminary), and Saint Albertus (now maintained by the Polish American Historical Site Association)-or whose future is uncertain, like Woodward Avenue Presbyterian Church (most recently Abyssinian Interdenominational Center, now closed). Appendices contain information on hundreds of architects, artisans, and crafts-people involved in the construction of the churches, and a map pinpoints their locations around the city of Detroit. Anyone interested in Detroit's architecture or religious history will be delighted by Detroit's Historic Places of Worship.
This long-awaited publication presents one of the world’s finest collections of Dutch paintings, which come together for the first time in one volume as a major addition to existing scholarship on Dutch art. The volume presents over 100 paintings in colour, many including colour details. Each painting is accompanied by an artist’s biography, a detailed commentary, technical analysis, endnotes, bibliographic references, an exhibition history and full provenance. Over 140 comparative illustrations provide vital art historical context to the featured paintings. The range and scope of the works presented in this volume is truly impressive, from sedate church interiors and conventional landscape subjects to bawdy peasant interiors and magnificent still lifes.
Catalog of an exhibition organized by the Detroit Institute of Arts, held from March 15 - July 12, 2015, celebrating the famous Mexican artist couple Diego Rivera and Frida Kahlo during the year they spent in Detroit while he completed the "Detroit Industry Murals".
A young college grad buys a house in Detroit for $500 and attempts to restore it—and his new neighborhood—to its original glory in this “deeply felt, sharply observed personal quest to create meaning and community out of the fallen…A standout” (Kirkus Reviews, starred review). Drew Philp, an idealistic college student from a working-class Michigan family, decides to live where he can make a difference. He sets his sights on Detroit, the failed metropolis of abandoned buildings, widespread poverty, and rampant crime. Arriving with no job, no friends, and no money, Philp buys a ramshackle house for five hundred dollars in the east side neighborhood known as Poletown. The roomy Queen Anne he now owns is little more than a clapboard shell on a crumbling brick foundation, missing windows, heat, water, electricity, and a functional roof. A $500 House in Detroit is Philp’s raw and earnest account of rebuilding everything but the frame of his house, nail by nail and room by room. “Philp is a great storyteller…[and his] engrossing” (Booklist) tale is also of a young man finding his footing in the city, the country, and his own generation. We witness his concept of Detroit shift, expand, and evolve as his plan to save the city gives way to a life forged from political meaning, personal connection, and collective purpose. As he assimilates into the community of Detroiters around him, Philp guides readers through the city’s vibrant history and engages in urgent conversations about gentrification, racial tensions, and class warfare. Part social history, part brash generational statement, part comeback story, A $500 House in Detroit “shines [in its depiction of] the ‘radical neighborliness’ of ordinary people in desperate circumstances” (Publishers Weekly). This is an unforgettable, intimate account of the tentative revival of an American city and a glimpse at a new way forward for generations to come.
Dave Jordano returned to his hometown of Detroit to document the people who still live in what has become one of the country's most economically challenging cities. Against a backdrop of mass abandonment through years of white flight, unemployment hovering at almost three times the national average, city services cut to the bone, a real estate collapse of massive proportions, and ultimately filing the largest municipal bankruptcy in U.S. history, Jordano searches for the hope and perseverance of those who have had to endure the hardship of living in a post-industrial city that has fallen on the hardest of times. From the lower Southeast Side where urban renewal and government programs slowly became the benchmark of civic failure, to the dwindling enclaves of neighborhoods like Delray and Poletown (onceblue-collar neighborhoods that have all but vanished),Jordano seeks to dispel the popular myth perpetrated through the media that Detroit is an empty wasteland devoid of people. He encounters resolute individuals determined to make this city a place to live,from a homeless man who decided to build his own one-room structure on an abandoned industrial lot because he was tired of sleeping on public benches, to a group of squatters who repurposed long-abandoned houses on a street called Goldengate. Jordano discovers and rebroadcastsa message of hope and endurance to an otherwise greatly misunderstood and misrepresented city.Detroit: Unbroken Downis not a document solely about what's been destroyed, but even more critically, about all that has been left behind and those who remain to cope with it.
A photographic record of almost three decades of Detroit's changing urban fabric