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Fatherlessness is a “rot that is eating away at the modern soul,” writes Douglas Wilson, and the problem goes far beyond physical absence. “Most of our families are starving for fathers, even if Dad is around, and there’s a huge cost to our children and our society because of it.” Father Hunger takes a thoughtful, timely, richly engaging excursion into our cultural chasm of absentee fatherhood. Blending leading-edge research with incisive analysis and real-life examples, Wilson: Traces a range of societal ills?from poverty and crime to joyless feminism and paternalistic government expansion?to a vacuum of mature masculinity Explains the key differences between asserting paternal authority and reestablishing true spiritual fathering Uncovers the corporate-fulfillment fallacy and other mistaken assumptions that undermine fatherhood Extols the benefits of restoring fruitful fathering, from stronger marriages to greater economic liberty Filled with practical ideas and self-evaluation tools, Father Hunger both encourages and challenges men to “embrace the high calling of fatherhood,” becoming the dads that their families and our culture so desperately need them to be. "Wilson sounds a clarion call among Christian men that is pointedly biblical, urgently relevant, humorously accessible, and practically wise." ?Richard D. Phillips, author of The Masculine Mandate: God's Calling to Men "Father Hunger illulstrates one of the greatest influences or lack thereof on the identity of a man: a father. Read a book that will strike an invisible chord in the lives of men both lost and found." ?Dr. Eric Mason, pastor of Epiphany Fellowship, Philadelphia
Introduction by Archbishop Salvatore Cordileone. The Propers of the Mass book contains English chant settings for the Entrance and Communion Antiphons given in The Roman Missal, 2010, as well as suggestions for the Offertory Antiphons, following the pattern of the Graduale Romanum,1974. For most antiphons, four levels of settings from complex to very simple are provided, : i. through-composed melismatic; ii. through-composed simple; iii. Gregorian psalm tone; iv. English psalm tone. Optional psalm verses are provided in the Gregorian psalm tone style. Thus this collection provides an option intended to suit the abilities and needs of any choir or cantor. Ordination and nuptial Masses are also included, as well as the Asperges me and Vidi aquam. The Gloria Patri is given in the eight Gregorian tones, solemn and simple.
Pastors are tasked with the incredibly demanding job of caring for the spiritual, emotional, and, at times‚ physical needs of their people. While seminary is helpful preparation for many of the challenges pastors face, there’s far more to pastoral ministry than what can be covered in the classroom. Designed as a reference guide for nearly every situation a pastor will face, this comprehensive book by seasoned pastors Kent Hughes and Doug O’Donnell is packed full of biblical wisdom and practical guidance related to the reality of pastoral ministry in the trenches. From officiating weddings to conducting funerals to visiting the sick, this book will equip pastors and church leaders with the knowledge they need to effectively minister to their flocks, both within the walls of the church and beyond.
Reconstructs the socio-political history of the heroic in music through case studies spanning the middle ages to the twenty-first century The first part of this volume reconstructs the various musical strategies that composers of medieval chant, Renaissance madrigals, and Baroque operas, cantatas or oratorios employed when referring to heroic ideas exemplifying their personal moral and political values. A second part investigating the eighteenth and nineteenth centuries expands the previous narrow focus on Beethoven's heroic middle period and the cult of the virtuoso. It demonstrates the wide spectrum of heroic positions - national, ethnic, revolutionary, bourgeois and spiritual - that filtered not only into 'classical' large-scale heroic symphonies and virtuoso solo concerts, but also into chamber music and vernacular dance music. The third part documents the forced heroization of music in twentieth-century totalitarian regimes such as Nazi-Germany and the Soviet Union and its consequences for heroic thinking and musical styles in the time thereafter. Final chapters show how recent rock-folk and avant-garde musicians in North America and Europe feature new heroic models such as the everyday hero and the scientific heroine revealing new confidence in the idea of the heroic.
The Lord's Service is a description and defense of covenant renewal worship.
Over the past several decades, Reformed theologian and biblical scholar James B. Jordan has produced a unique body of work. His electrifying commentaries and essays on Scripture, along with his penetrating writings on Trinitarian theology, liturgics, music, and culture have inspired a growing number of pastors and theologians. In this Festschrift, Jordan's friends and associates celebrate his contributions by applying his methods and insights to a range of biblical, theological, liturgical, and cultural questions. The Glory of Kings aims to bring Jordan's work to the attention of a wider audience and to introduce the work of a scholar that R. R. Reno has called "one of the most important Christian intellectuals of our day."
Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.