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Why was Cantinflas, actor Mario Moreno's film persona, the most popular movie star in Mexican history? Was it because every Mexican - rich or poor, Creole or Indian, man or woman, young or old - could identify with him?
Why was Cantinflas, actor Mario Moreno's film persona, the most popular movie star in Mexican history? Was it because virtually every Mexican--rich or poor, Creole or Indian, man or woman, young or old--could identify with him? A fast-talking, nonsensical character, Cantinflas helped Mexicans embrace their rich mestizo identity and cope with the difficulties of modernization. For thirty years he served as a "weapon of the weak, " satirizing corrupt officials and pompous elites who victimized Mexico's urban poor. Cantinflas and the Chaos of Mexican Modernity is a revealing probe into the life and times of Mario Moreno. Latin America's most famous film star from the 1940s to the 1970s.
This single volume reference resource offers students, scholars, and general readers alike an in-depth background on Mexico, from the complexity of its pre-Columbian civilizations to its social and political development in the context of Western civilization. How did modern Mexico become a nation of multicultural diversity and rich indigenous traditions? What key roles do Mexico's non-Western, pre-Columbian indigenous heritage and subsequent development as a major center in the Spanish colonial empire play the country's identity today? How is Mexico today both Western and non-Western, part Native American and part European, simultaneously traditional and modern? Modern Mexico is a thematic encyclopedia that broadly covers the nation's history, both ancient and modern; its government, politics, and economics; as well as its culture, religion traditions, philosophy, arts, and social structures. Additional topics include industry, labor, social classes and ethnicity, women, education, language, food, leisure and sport, and popular culture. Sidebars, images, and a Day in the Life feature round out the coverage in this accessible, engaging volume. Readers will come to understand how Mexico and the Mexican people today are the result of the processes of transculturation, globalization, and civilizational contact.
From the Acteal Massacre to Ernesto Zedillo Ponce de León, this exciting reference, created for a high school audience, explores the rich culture, the depth of achievement, and the creative energy of Mexico and its people.
In Masculinity and Sexuality in Modern Mexico, historians and anthropologists explain how evolving notions of the meaning and practice of manhood have shaped Mexican history. In essays that range from Texas to Oaxaca and from the 1880s to the present, contributors write about file clerks and movie stars, wealthy world travelers and ordinary people whose adventures were confined to a bar in the middle of town. The Mexicans we meet in these essays lived out their identities through extraordinary events--committing terrible crimes, writing world-famous songs, and ruling the nation--but also in everyday activities like falling in love, raising families, getting dressed, and going to the movies. Thus, these essays in the history of masculinity connect the major topics of Mexican political history since 1880 to the history of daily life.
Examines the history of celebrations of Mexican Independence Day on September 15. Describes historic celebrations in different parts of the country including Mexico City, San Luis Potosi, San Angel, and Puebla.
This volume of essays marks the fifteenth year of archival and critical work conducted under the auspices of the Recovering the U.S. Hispanic Literary Heritage Project at the University of Houston. This ongoing and comprehensive program seeks to locate, identify, preserve, and disseminate the literary contributions of U.S. Latinos from the Spanish Colonial Period to contemporary times. The contributors explore key issues and challenges in this project, such as the issue of its legitimacy and acceptance in teh academic canon, whether the basic archival phase of the Recovery Project is complete, and if teh assumption that there is widespread recognition of the existence and vitality of a centuries-long U.S. Hispanic literary tradition may be premature and perhaps imprudent. Originally presented at the biennial conferences of the Recovery project, the essays are divided in five sections: "Rethinking Latino/a Subject Positions," "Negotiating Cultural Authority and the Canon," "Orality, Performance, and the Archive," "Re-Contextualizing Maria Amparo Ruiz de Burton," and "Bibliographic Reports." Covering a wide range of topics, essays include "Bending Chicano Identity and Experience in Arturo Isla's Early Borderland Short Stories," "Recovering Mexican America in the Classroom," and "Early New Mexican Criticism: The Case of Breve Resena de la literatura hispana de Nuevo Mexico y Colorado." In their introduction, editors Kenya Dworkin y Mendez and Agnes Lugo-Ortiz give an overview of the editorial framing of the previous volumes in the series and discuss the significant research issues and agendas raised over the past fifteen years. This volume, like the ones that precede it, is bilingual, confirming the cultural politics that have animated the Recovery Project since its inception: the understanding that the U.S. is a complex multicultural and multilingual society.
This most recent of the Tamesis Companion series traces the evolution of the major creative aspects of Mexican culture from pre-Columbian times to the present. Dealing in turn with the cultures of Mesoamerica, the colonial period, the onset of independence and the modern era, the author explores Aztec arts, the role of the performing arts in the process of evangelisation, manifestations of cultural dependence, of the search for national identity, and the struggle for modernity, drawing examples from such diverse activities as architecture, painting, music, dance, literature, film and media. There is also a brief account of the distinctive characteristics of Mexican Spanish. Maps, a chronology, a bibliographical essay and a lengthy bibliography round off this comprehensive guide, making it an indispensable research tool for those seriously interested in Mexican culture. Peter Standish is Professor of Spanish at East Carolina University, a constituent institution of the University of North Carolina.
This biography of the Mexican revolutionary examines his rise from soldier to president to his continued influence as Jefe Maximo. Hailing from the border state of Sonora, Plutarco Elías Calles found his calling in the early years of the revolution, quickly rising to national prominence. As president from 1924 to 1928, Calles undertook an ambitious reform program, modernized the financial system, and defended national sovereignty against an interventionist U.S. government. Yet these reforms failed to eradicate underdevelopment, corruption, and social injustice. Moreover, his unyielding campaigns against political enemies and the Catholic Church earned him a reputation as a repressive strongman. After his term as president, Calles continued to exert broad influence as his country's foremost political figure while three weaker presidents succeeded each other in an atmosphere of constant political crisis. He played a significant role in founding a ruling party that reined in power-hungry military leaders and helped workers attain better living conditions. This dynastic party and its successors, including the present-day Partido Revolucionario Institucional (Party of the Institutional Revolution), remained in power until 2000. Through this comprehensive assessment of a quintessential Mexican politician, Buchenau opens an illuminating window into both the Mexican Revolution and contemporary Mexico.
This book examines the question of democracy in post-revolutionary Mexican society. Each chapter recuperates an event or particular historical sequence that sheds light on the relation between culture and sovereign exceptionality. Each moment or sequence stages a relation to language. In these speech scenes there is a disagreement between social actors (for example, disputes between peasants and intellectuals over words such as democracy, equality, freedom, proletariat, worker, revolution etc.). Democracy in this book is not just a type of Constitution or a form of society that politics affirms on a daily basis. It is the assumption and installation of egalitarian language. Democracy is therefore the momentary interruption or suspension of the police order.