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Hunted by the Mother of Vampires, this noble fae must find a way to fight or end up as prey… Lorelei and her companions have killed the sorcerer Zaos, but it has attracted Daan’s attention. The Mother of Vampires refuses to give up until their power is hers to consume. Determined to defeat her, Lorelei and her friends navigate a path once traveled by the fabled Empress of the Elphyne Empire in order to discover a weakness for the Mother of Vampires. Their journey is fraught with danger as Daan sends monsters after them, including a creature calling itself the Spirit of Murder. On top of it, Lorelei’s own magic is betraying her. If she doesn’t get ahold of herself, it could mean the end of Lorelei and her friends… Canticle of Magic is the action-packed continuation of the Ballad of Emerald and Iron epic fantasy series. If you like strong women, potent magic, and non-stop adventure, then you’ll love Natalya Capello’s enthralling tale. Buy Canticle of Magic to follow a noble fae into a battle today!
The epic, middle grade fantasy continues in Book Two of the Songs of Magic trilogy! Having upset the Hamelyn Piper's dastardly plan to build an army through songs of mind control, 13-year-old Piper, Patch Brightwater, must foil the escaped villain's next sinister plot: assembling a suit of immortal armor. Accompanied by Wren, a girl cursed to live as a rat, and Barver, a fire-breathing dracogriff, Patch seeks the aid of old friends, legendary heroes, and a near-dead sorcerer. Embark on another adventure with the motley trio as they clash with pirates of the Eastern Seas, uncover secrets of the griffins, and dabble with magic to undo past wrongs and forge their own offense before it's too late. S. A. Patrick’s Songs of Magic trilogy is a brilliant retelling of one of the darkest legends of all time, "The Piper of Hamelyn." Combining folklore with the very best of modern storytelling, the books will delight young fantasy fans who are hungry for perilous quests, friendships forged on the road, and an inventive magic system that thrills the imagination.
After playing a forbidden spell-song to save a village from rats, 12-year-old piper Patch Brightwater is thrown in jail. But there he meets Wren ¿ a noble girl under a rat-shaped curse ¿ and together they befriend Barver, a fearsome dracogriff, and set off on a grand adventure filled with sorcerers, dragons, bandits¿and one very deadly enemy.
Hailed at its premiere at the London Coliseum in 1986 as the most important musical and theatrical event of the decade, The Mask of Orpheus is undoubtedly a key work in Harrison Birtwistle's output. His subsequent stage and concert pieces demand to be evaluated in its light. Increasingly, it is also viewed as a key work in the development of opera since the Second World War, a work that pushed at the boundaries of what was possible in lyrical theatre. In its imaginative fusion of music, song, drama, myth, mime and electronics, it has become a beacon for many younger composers, and the object of wide critical attention. Jonathan Cross begins his detailed study of this 'lyric tragedy' by placing it in the wider context of the reception of the Orpheus myth. In particular, the significance of Orpheus for the twentieth century is discussed, and this provides the backdrop for an examination of Birtwistle's preoccupation with the story in a variety of works across his creative life. The sources and genesis of The Mask of Orpheus are explored. This is followed by a close reading of the work's three acts, analysing their structure and meaning, investigating the relationship between music, text and drama, drawing on Zinovieff's textual drafts and Birtwistle's compositional sketches. The book concludes by suggesting a range of contexts within which The Mask of Orpheus might be understood. Its central themes of time, memory and identity, loss, mourning and melancholy, touch a deep sensibility in late-modern society and culture. Interviews with the librettist and composer round off this important study.
Raziel seeks to reclaim his homeland from the Rhotian empire with the help of a speaking sword and a warchild named Alicia who hears emotions as music and has mind control powers.