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AUSTRALIAN THEATRE in the 1990s is a vigorous enterprise displaying the energies and contradictions of a multicultural society. This collection of essays by leading scholars of Australian theatre and drama surveys the emergence and directions of the new theatrical energies which have challenged or redefined the Australian 'mainstream': Aboriginal, multicultural, Asian-Australian, women's, gay and lesbian, community and young people's theatre; and charts the exciting growth of physical theatre. The contributors assess the impact of evolving funding and industrial priorities, and examine the theoretical and cultural debates surrounding Australian playwriting and theatre-making from the 1970s Vietnam dramas to the postmodern present.
To love in a language prised from my wishbone. To sing a landscape where village girls burst the moon with giggles. To dance through the fattest eye of a rice-grain -- to do all these in peace and war is the wish embodied in Merlinda Bobis' poetry. From her epic poem 'Cantala of the Warrior Woman Daragang Magayon' to lyric reflections on longing, and finally to an erotic poetry-dance-drama, Bobis traces the cartography of desire and its intimacy with death.
Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.
Alternately mythic, wistful, and quirky, this short story anthology resonates with an original and confident storytelling voice. An anomalous kiss, a white turtle ferrying the dreams of the dead, a working siesta in a five-star hotel, a woman’s 12-meter hair trawling corpses from a river, and a queue of longings in Sydney: these are some of the subjects of the 23 enigmatic tales brimming with chance and hope.
From the award-winning author of Banana Heart Summer—“[a] wonderful debut…[that] resembles Sandra Cisneros’s The House on Mango Street and is destined to be a hit among book club members”*—comes a wondrous tale of hope, secrets, and family devotion. It’s six days until Christmas, and on the bustling streets of Manila a mute ten-year-old boy sells his version of the stars: exquisite lanterns handmade with colorful paper. But everything changes for young Noland when he witnesses an American tourist injured in a drive-by shooting of a journalist and imagines he’s seen an angel falling from the sky. When Noland whisks her to the safety of the hut he shares with his mother, the magical and the real collide: shimmering lanterns and poverty, Christmas carols and loss, dreams of friendship and the global war on terror. While the story of the missing tourist grips the media, Noland and his mother care for their wounded guest, and a dark memory returns. But light sneaks in—and their lives are transformed by the power of love. *Library Journal ( starred review, “Editor’s Pick”)
Cultural Writing. Literary Criticism. Essays. PINOY POETICS is a collection of poetics essays (with sample poems) representing over 40 poets of Filipino heritage who speak onbehalf of themselves, ancestors and peers who have been historically ignored by U.S. literary, cultural, and academic institutions. These essays show what is unique to Filipino poetics, including responses to American imperialism, the postcolonial and diasporic Filipino experience, questions about historical narrative, and the uses and abuses of language imposed by colonizers. Public and academic libraries, as well as personal collections with interests in Poetry, Creative Writing, Asian American Studies, Cultural Studies, Ethnic Studies, Identity Poetics, Filipino American Literature, and Philippine Literature will find this book indispensable.
This book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world. At what price? What ethical and political conundrums does the artist/writer/reader confront when going global? This volume analyzes why difference - whether gender, sexual, racial, ethnic, or linguistic - has become such a prominent element in the contemporary cultural field, and the effects of this prevalence on the production, circulation and reception of cultural commodities in the context of globalization. At the intersection of globalization, diaspora, postcolonial and feminist studies in world literature, these essays engage critically with a wide variety of representative narratives taken from diverse cultural fields, including humanitarian fiction, multilingual poetry, painting, text-image art, performance art, film, documentary, and docu-poetry. The chapters included offer counter-readings that disrupt hegemonic representations of cultural identity within the contemporary, neoliberal and globalized landscape.
The Routledge Concise History of Southeast Asian Writing in English traces the development of literature in the region within its historical and cultural contexts, establishing connections from the colonial activity of the early modern period through to contemporary writing across nations such as Thailand, China, Malaya, Singapore and Hong Kong.