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“It is rare when a book this fine enters the world of contemporary American literature.” – The Boston Globe Two women share a Mississippi household for fifteen years, rolling out piecrusts and making conversation. Cornelia is rich, white, and pampered, the mistress of the house, who oversees a seemingly perfect world of smooth surfaces and stubborn silence. Tweet, her housekeeper, is a poor, black, world-weary woman with a ghost-ridden past. As the years go by, Cornelia and Tweet each endure moments of uncertainty and despair; each, in her time of need, is rescued by the other. In the footsteps of Southern writers like Peter Taylor, Eudora Welty, and Flannery O’Connor, Ellen Douglas celebrates the resiliency of the human spirit in this story of two women bound by transgression and guilt, memory and illusion, gratitude and love. “Ellen Douglas is not just one of our best Southern novelists. She is one of our best American novelists.” – The New York Times Book Review
Maeva The countdown to the end of summer comes to a halt when I meet David Boyd, lead singer of Zone 615. His rugged appeal, and soul stirring voice, is on the brink of superstardom, and my plans to leave town means I have to leave him also. Though our plans don’t align, and our parents don’t approve of us being together, our feelings outweigh any hurdle thrown at us. The fire between us grows hotter as summer nears its scorching end, heightening the burn of the hurdles put in place to keep us apart. I fall hard. David falls harder. And distance and time work together to kill what we share. David For some people, time is of the essence. For me, it’s the enemy. The girl I’ve seen in my dreams walks through an unlikely door, right as the band is counting on me to nail a big audition. As the lead vocalist of Zone 615, the pressure is on me, and Maeva Martin is a distraction. One I’ll happily welcome. One look at her and I know she is mine. I see a history we don’t have and a future I want to build in her eyes, and I’m determined to never lose her. But can my love win a fight against a force as powerful as fame?
One of the greats of blues music, Willie Dixon was a recording artist whose abilities extended beyond that of bass player. A singer, songwriter, arranger, and producer, Dixon's work influenced countless artists across the music spectrum. In Willie Dixon: Preacher of the Blues, Mitsutoshi Inaba examines Dixon's career, from his earliest recordings with the Five Breezes through his major work with Chess Records and Cobra Records. Focusing on Dixon's work on the Chicago blues from the 1940s to the early 1970s, this book details the development of Dixon's songwriting techniques from his early professional career to his mature period and compares the compositions he provided for different artists. This volume also explores Dixon's philosophy of songwriting and its social, historical, and cultural background. This is the first study to discuss his compositions in an African American cultural context, drawing upon interviews with his family and former band members. This volume also includes a detailed list of Dixon's session work, in which his compositions are chronologically organized.
In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers—black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts of racial violence, and interrogate both rural and urban racial dynamics. Employing a dynamic model of the relationship between text and context, Jones shows how more than thirty relevant writers—including Madison Smartt Bell, Larry Brown, Bebe Moore Campbell, Thulani Davis, Ellen Douglas, Ernest Gaines, Josephine Humphreys, Randall Kenan, Reynolds Price, Alice Walker, and Tom Wolfe—illuminate the complexities of the color line and the problems in defining racial identity today. While an earlier generation of black and white southern writers challenged the mythic unity of southern communities in order to lay bare racial divisions, Jones finds in the novels of contemporary writers a challenge to the mythic sameness within racial communities—and a broader definition of community and identity. Closely reading these stories about race in America, Race Mixing ultimately points to new ways of thinking about race relations. "We need these fictions," Jones writes, "to help us imagine our way out of the social structures and mind-sets that mythologize the past, fragment individuals, prejudge people, and divide communities."
First Published in 1999. This is the first supplement to the initial SongCite publication and serves as an index to recently published collections of popular songs. 201 music books have been included, with over 6,500 different compositions listed. The vast majority of the collections is comprised entirely of vocal music, although, on occasion, instrumental works have been included.
Robert Plant: The Voice That Sailed the Zeppelin follows the iconic singer through his heights of fame with classic rock giant Led Zeppelin, his second life as a multimillion-selling solo artist, and his more idiosyncratic pursuits. A wealth of former associates lend their voices and recollections to an account that steps far beyond the tried and tested tales of Zeppelin's life and times. This all-new biography details Plant's early years as an unknown in Birmingham, England, with fresh depth and insight. It likewise tells the Zeppelin story from new and unexpected angles, focusing on Plant's contributions to the band's success and on the toll/effect of that success on him as a performer and an individual. After drummer John Bonham died in 1980 and Zeppelin broke up, Plant went solo two years later, in time becoming the only former band member to maintain an unbroken career to this day. His single-mindedness in meeting this challenge might well be his greatest personal attribute, enabling him to push forward without regard for his past or any related expectations. Dave Thompson shows how it is Plant's determination alone that ensured Zeppelin reunions would not become a routine part of the classic rock furniture, as he created a body of work that in so many ways artistically rivals what he recorded with the band.
The Chicago Tribune's Bill Dahl praised Robert Pruter's Doowop for "vividly describ ing] an enchanting time on the local music scene, when a handful of teenagers could taste rock 'n' roll stardom with harmonies they cooked up on a street corner." Pruter foraged sources from fanzines to the Chicago Defender and conducted extensive interviews in cooking up Doowop, which chronicles the careers of such legendary 1950s groups as the Flamingos, the Moonglows, the Spaniels, and the El Dorados, along with virtually every other Chicago doowop group that contributed to that era.
This volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more.
Mark Anthony Jarman is one of Canada’s most original and compelling writers of short fiction. My White Planet is his latest collection of fourteen new stories, many of which have previously won or been short-listed for literary magazine awards. Jarman’s use of language and metaphor is unique in the Canadian literary pantheon. With extraordinary linguistic energy, he pushes the boundaries of fiction and story-telling. Every sentence reverberates with subtle meaning and every reading of a Jarman story brings out ever deeper layers of complexity and nuance. Here is a protean writer who bends form and enters into worlds and people with panache and a verve that is breath-taking. The range of his fiction is stunning: troops undertake a nightmarish march following Custer’s last stand; a father’s dogs tear apart his son and he is accused of cowardice and neglect; seven marooned men at a remote polar station save the life of a naked young woman; domestic squabbles and infidelity abound amidst west coast chainsaws and floatplanes; a dropout skateboarder falls off a railway bridge and drowns in the river; a city bus ride ends up crossing the entire country; a time traveler witnesses Louis Riel’s botched execution of Thomas Scott; a young woman removes her bra from under her shirt and her male friend is paralysed by possible meanings; an outsider plays old timer hockey in the wilds of New Brunswick; Victorian fashion is mixed up with the violent deaths of Custer, Louis Riel and Sitting Bull; a flight attendant is able to read passengers’ minds. A master of literary conceit and a hewer of breakneck language, Mark Anthony Jarman defies categorization and offers us instead a narrative freshness that surprises and offers up a world of wonders.
Between 1968 - 1980 Led Zeppelin performed over 500 concerts in every corner of the world, establishing themselves as the most popular live rock attraction of their era. This book explores in great detail the in-concert history of one of the most successful bands of all time.