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A history of a systematic anti-Japanese movement in Hawaii from the time migrant workers were brought to the sugar cane fields until the end of World War II.
In the tradition of Melissa Faye Greene and her award-winning Praying for Sheetrock, extraordinarily talented debut author Laura Wexler tells the story of the Moore's Ford Lynching in Walton County, Georgia in 1946—the last mass lynching in America, fully explored here for the first time. July 25, 1946. In Walton County, Georgia, a mob of white men commit one of the most heinous racial crimes in America's history: the shotgun murder of four black sharecroppers—two men and two women—at Moore's Ford Bridge. Fire in a Canebrake, the term locals used to describe the sound of the fatal gunshots, is the story of our nation's last mass lynching on record. More than a half century later, the lynchers' identities still remain unknown. Drawing from interviews, archival sources, and uncensored FBI reports, acclaimed journalist and author Laura Wexler takes readers deep into the heart of Walton County, bringing to life the characters who inhabited that infamous landscape—from sheriffs to white supremacists to the victims themselves—including a white man who claims to have been a secret witness to the crime. By turns a powerful historical document, a murder mystery, and a cautionary tale, Fire in a Canebrake ignites a powerful contemplation on race, humanity, history, and the epic struggle for truth.
My mother was an Anglican My father was a priest Together they prayed real hard When spring came (and the Pitch Lake overflowed) They reaped the smoothest stones you've ever seen From internationally celebrated writer and visual artist Shani Mootoo comes Cane | Fire, an immersive and vivid collection that marks a long-awaited return to poetry. Akin to a poetic memoir, past and present are in conversation with each other throughout this evocative, sensual collection as the narrator moves from Ireland to San Fernando, and finally to Canada. The reinterpretations and translation of this journey and associated family history give the present meaning. Through these deeply personal poems, and Mootoo's own artwork, we begin to understand how a life can not only be shaped, but even reimagined.
In the time after World War II when the Hawaiian islands were still blanketed with fields of sugar cane and pineapple, the myriad of ethnic races living in plantation camps have only just begun to inter-marry in greater numbers. In the midst of these turbulent times on the island of Maui, a hapa-haole family struggles with their infidelities, ambitions, and passions as a child learns about betrayal, a young war bride struggles to fit into the rigid plantation system, and the past continues to haunt the present. With long-held social and political norms about to crash around them and their way of life disappear forever, the people of the Hawaiian sugar plantations struggle to preserve what matters most.
Sugar was Cuba’s principal export from the late eighteenth century throughout much of the twentieth, and during that time, the majority of the island’s population depended on sugar production for its livelihood. In Blazing Cane, Gillian McGillivray examines the development of social classes linked to sugar production, and their contribution to the formation and transformation of the state, from the first Cuban Revolution for Independence in 1868 through the Cuban Revolution of 1959. She describes how cane burning became a powerful way for farmers, workers, and revolutionaries to commit sabotage, take control of the harvest season, improve working conditions, protest political repression, attack colonialism and imperialism, nationalize sugarmills, and, ultimately, acquire greater political and economic power. Focusing on sugar communities in eastern and central Cuba, McGillivray recounts how farmers and workers pushed the Cuban government to move from exclusive to inclusive politics and back again. The revolutionary caudillo networks that formed between 1895 and 1898, the farmer alliances that coalesced in the 1920s, and the working-class groups of the 1930s affected both day-to-day local politics and larger state-building efforts. Not limiting her analysis to the island, McGillivray shows that twentieth-century Cuban history reflected broader trends in the Western Hemisphere, from modernity to popular nationalism to Cold War repression.
Beginning with the spasms of secession in the Pelican State, Donald Frazier weaves a stirring tale of bravado, reaction and war as he describes the consequences of disunion for the hapless citizens of Louisiana and Texas.
"Vivid characters, terrifying monsters, and world building as deep and dark as the ocean." --Victoria Aveyard, #1 New York Times bestselling author of Red Queen I am Henrietta Howel. The first female sorcerer in hundreds of years. The prophesied one. Or am I? Henrietta Howel can burst into flames. Forced to reveal her power to save a friend, she's shocked when instead of being executed, she's invited to train as one of Her Majesty's royal sorcerers. Thrust into the glamour of Victorian London, Henrietta is declared the chosen one, the girl who will defeat the Ancients, bloodthirsty demons terrorizing humanity. She also meets her fellow sorcerer trainees, handsome young men eager to test her power and her heart. One will challenge her. One will fight for her. One will betray her. But Henrietta Howel is not the chosen one. As she plays a dangerous game of deception, she discovers that the sorcerers have their own secrets to protect. With battle looming, what does it mean to not be the one? And how much will she risk to save the city—and the one she loves? Exhilarating and gripping, Jessica Cluess's spellbinding fantasy introduces a powerful, unforgettably heroine, and a world filled with magic, romance, and betrayal. Hand to fans of Libba Bray, Sarah J. Maas, and Cassandra Clare. "The magic! The intrigue! The guys! We were sucked into this monster-ridden, alternative England from page one. Henrietta is literally a 'girl on fire' and this team of sorcerers training for battle had a pinch of Potter blended with a drop of [Cassandra Clare's] Infernal Devices." --Justine Magazine "Cluess gamely turns the chosen-one trope upside down in this smashing dark fantasy." --Publishers Weekly, Starred Review "Unputdownable. I loved the monsters, the magic, and the teen warriors who are their world's best hope! Jessica Cluess is an awesome storyteller!" --Tamora Pierce, #1 New York Times bestselling author "A fun, inventive fantasy. I totally have a book crush on Rook." --Sarah Rees Brennan, New York Times bestselling author "Pure enchantment. I love how Cluess turned the 'chosen one' archetype on its head. With the emotional intensity of my favorite fantasy books, this is the kind of story that makes you forget yourself." --Roshani Chokshi, New York Times bestselling author of The Star-Touched Queen "A glorious, fast-paced romp of an adventure. Jessica Cluess has built her story out of my favorite ingredients: sorcery, demons, romance, and danger." --Kelly Link, author of Pretty Monsters
This volume is intended for reference by the commercial sugar cane grower. Disciplines are covered for the successful production of a sugar cane crop. A number of good books exist on field practices related to the growing of sugar cane. Two examples are R.P. Humbert's The Growing of Sugar Cane and Alex G. Alexander's Sugarcane Physiology. Volumes of technical papers, produced regularly by the International Society of Sugar Cane Technologists, are also a source of reference. Perhaps foremost, local associations, such as the South African Sugar Technologists' Association, do excellent work in this regard. In my forty-five years of experience with the day-to-day problems of producing a satisfactory crop of sugar cane, deciding what should be done to produce such a crop was not straightforward. Although the literature dealing with specific subjects is extensive, I tried to consolidate some of the material to provide the man in the field with information, or an overview of the subject matter.
A powerful and sweeping historical novel of love, loss, and hope, set against Australia’s vast sugarcane fields in the turbulent days after World War II. 1948: Change has come to every corner of the globe—and Rosie Stanton, returning home to northern Queensland after serving the war effort in Brisbane, plans to rescue her family’s foundering sugarcane farm with her unstoppable can-do spirit. Coming up against her father’s old-world views, a farm worker undermining her success, and constant reminders of Rosie’s brothers lost in the war, Rosie realizes she wants more from life and love—but at what cost? Italian immigrant Tomas Conti arrives at a neighboring farm, and sparks fly as Rosie draws close to this enigmatic newcomer. When an enemy appears with evidence of Tomas’s shocking past, long-held wartime hatreds rekindle . . . and an astounding family secret sets Rosie’s world ablaze. At the dawn of a new era, Rosie must make her own destiny amid the ashes of yesterday—by following her heart. This ebook contains bonus content about the author’s inspiration for the story! “More than just another war story. With themes of sexism, misogyny, racial discrimination and archaic family traditions, Burning Fields is a multi-layered and beautiful work of fiction.”—Surf Coast Times “A poignant book about wars fought far away in other countries, and those set right in our back yards between families, neighbors and even friends. It’s beautifully written, and packs one hell of a punch.”—The Never Ending Bookshelf “This is absolutely a must-read.”—AusRom Today
Unlike the earthquakes and hurricanes that have influenced Caribbean history, the region's fires have almost always been caused by humans. Geographer Bonham C. Richardson explores the effects of fire in the social and ecological history of the British Lesser Antilles, from the British Virgin Islands south to Trinidad. Focusing on the late nineteenth century, leading to the 1905 withdrawal of British military forces from the region, Richardson shows how fire-lit social upheavals served as forerunners of political independence movements. Drawing on Caribbean and London archives as well as years of fieldwork, Richardson examines how villagers used, modified, and contemplated fire in part to vent their frustrations with a savage economic depression and social and political inequities imposed from afar. He examines fire in all its forms, from protest torches to sugarcane fires that threatened the islands' economic staple. Richardson illuminates a neglected period in Caribbean history by showing how local uses of fire have been catalysts and even causes of important changes in the region.