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Reporter Onoe and photographer Kaburagi constantly bicker and argue on their stakeouts, but will their antagonistic behavior paradoxically evolve into something sweeter? Satoshi Onoe, a reporter for a weekly magazine, has a new stakeout partner, and he’s anything but thrilled about it. Photographer Motoharu Kaburagi’s unconventional reporting methods and overall bad attitude are enough to drive Onoe insane. But the more the two work together, the closer they get. Satoshi Onoe takes pride in the good writing and ethical reporting he does in his job at a weekly magazine. But when the stakeout teams are shuffled around, he ends up being paired up with Motoharu Kaburagi, an ill-mannered photographer who is nothing but trouble. Onoe despises Kaburagi’s haphazard and unethical reporting methods, and the two bicker constantly. But Onoe’s annoyance begins to shift as he spends more time with Kaburagi, and his feelings turn a bit sweeter…
Satoshi Onoe takes pride in the good writing and ethical reporting he does in his job at a weekly magazine. But when the stakeout teams are shuffled around, he ends up being paired up with Motoharu Kaburagi, an ill-mannered photographer who is nothing but trouble. Onoe despises Kaburagi’s haphazard and unethical reporting methods, and the two bicker constantly. But Onoe’s annoyance begins to shift as he spends more time with Kaburagi, and his feelings turn a bit sweeter... -- VIZ Media
Kaburagi and Onoe still bicker constantly, but at the end of the day they’re firmly in love. But suddenly, Kaburagi’s sister Noriko shows up! Apparently, the two of them don’t get along very well...or at all, really. But Noriko does manage to hit it off with Onoe, and the two start hatching plots to knock Kaburagi’s ego down a peg or three... -- VIZ Media
It’s been nearly a year since Onoe and Kaburagi began dating, and their office has just hired a new recruit—Kasai. Onoe is thrilled to have a junior to mentor, but Kasai seems to see Onoe only as a rival. And when Kasai discovers Onoe gets most of his scoops through Kaburagi, he throws down the gauntlet and declares that he will make Kaburagi his! -- VIZ Media
Reporter Onoe and photographer Kaburagi constantly bicker and argue on their stakeouts, but will their antagonistic behavior paradoxically evolve into something sweeter? Satoshi Onoe, a reporter for a weekly magazine, has a new stakeout partner, and he’s anything but thrilled about it. Photographer Motoharu Kaburagi’s unconventional reporting methods and overall bad attitude are enough to drive Onoe insane. But the more the two work together, the closer they get. Both work and love are going pretty great for both Onoe and Kaburagi! But one day Kaburagi bumps into Sanjo, an old high school buddy who happens to be the heir to a hotel chain. While Sanjo looks ecstatic to see Kaburagi again, Kaburagi himself seems a little awkward about it. Seeing this, Onoe starts to wonder if maybe the two of them were more than just friends once upon a time…
Ever since the yakuza incident and Onoe’s daring rescue, rookie reporter Kasai has gone from viewing Onoe as a rival to admiring him to a fault! And Kaburagi is not pleased—at all. While chasing a story about a famous actor having an affair, Onoe and Kaburagi run into Kasai. In a fit of jealousy, Kaburagi blurts out that he and Onoe are a couple. Overhearing this, the devious Inami decides to target Onoe. -- VIZ Media
Inusaki, a detective and unwitting jack-of-all-trades for his neighborhood, has the ability to communicate with birds...and hates it. Yet when he runs into a crow that knows his name, he can’t help but befriend him, naming him "Kuro." Later, when Inusaki seems to hear Kuro’s voice, he finds only the landlord’s son. Why do they sound so similar, and why can’t Inusaki stop blushing whenever Kuro the crow crosses his mind?! -- VIZ Media
Popular phys-ed teacher Toshimitsu Sugaya has been given the assignment of keeping an eye on a gang of thugs in the school, particularly their leader Tatsumi Yoshino, the “Devil of Nami High.” However, he soon finds out that not only is Yoshino a decent guy, but he’s been idolizing Sugaya for over a year! It doesn’t take long for Yoshino to win over the reluctant teacher, and the two start a secret love affair. Can a teacher/student relationship really work—and how long can these two hide their secret? -- VIZ Media
The latest series from the author of fan favorite Devil’s Honey. Although they were best friends in high school, Nakano and Tsuda haven't talked in ten years. Which may have a little something to do with the fact that not only were they more than best friends, but also that Tsuda broke Nakano's heart, leaving him to pick up the pieces. Now that they’ve been thrown back together thanks to a work project, Nakano is determined to put the past behind him, and both men decide to keep their relationship strictly professional. The question is, can they?
Whether we're buying a pair of jeans, ordering a cup of coffee, selecting a long-distance carrier, applying to college, choosing a doctor, or setting up a 401(k), everyday decisions—both big and small—have become increasingly complex due to the overwhelming abundance of choice with which we are presented. As Americans, we assume that more choice means better options and greater satisfaction. But beware of excessive choice: choice overload can make you question the decisions you make before you even make them, it can set you up for unrealistically high expectations, and it can make you blame yourself for any and all failures. In the long run, this can lead to decision-making paralysis, anxiety, and perpetual stress. And, in a culture that tells us that there is no excuse for falling short of perfection when your options are limitless, too much choice can lead to clinical depression. In The Paradox of Choice, Barry Schwartz explains at what point choice—the hallmark of individual freedom and self-determination that we so cherish—becomes detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz shows how the dramatic explosion in choice—from the mundane to the profound challenges of balancing career, family, and individual needs—has paradoxically become a problem instead of a solution. Schwartz also shows how our obsession with choice encourages us to seek that which makes us feel worse. By synthesizing current research in the social sciences, Schwartz makes the counter intuitive case that eliminating choices can greatly reduce the stress, anxiety, and busyness of our lives. He offers eleven practical steps on how to limit choices to a manageable number, have the discipline to focus on those that are important and ignore the rest, and ultimately derive greater satisfaction from the choices you have to make.