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The supreme addresses of choice in New York are on Park Avenue and on Fifth Avenue, but merely living on either of these famous boulevards is not enough. The ultimate aspiration is to dwell in a suite of rooms designed by one of the two masters of apartm
Since 1997, the Structural Engineers Association of New York has hosted a lecture series in honour of the structural engineer Felix Candela. This book presents all eight lectures in written form for the first time. The lectures cover varying topics related to structural engineering, and have been given by some of the most prominent structural engineers working and teaching today. Each essay is fully illustrated.
The early migration of Cuban refugees to the United States after the ascent to power of the Cuban Revolution in 1959, was made up in disproportionate numbers by white (or lighter skin) Cubans. As part of that migration, Operación Pedro Pan reflected the racial make-up of those seeking to leave the island. In Black Pedro Pan, the author recounts his childhood and major family influences that gave shape to his life. As he entered his teenage years, his life is abruptly interrupted by his participation in Operacion Pedro Pan, a program that saw the mass exodus of over 14,000 unaccompanied Cuban minors ages 6 to 18 to the United States, where the vast majority were received and sheltered by the Catholic Welfare Bureau. He then briefly describes his participation in the program, his personal experiences and observations after his reunification with his exiled parents at age 17. As he continues his life's journey, he offers, through a series of vignettes and anecdotes, his outlook on racial issues in general, his insights into the Cuban exile and African-American communities and the relationship between the two, and, from a distance, his impressions on the state of his native country, all from the perspective of a Black Cuban (or perhaps as appropriate, a Cuban Black).
This book is about a man lost in God's love, and the result of it how that love sculpted a rough and tough rock into a beautiful diamond. From the "author's statement" to the last page of this book reveals a vividly a deep relationship between God and this man. It is a testimony of a man who has been in prison for the last twenty-four years, who received a very harsh sentence, who has been separated from his three children, his wife who passed away, and his country. Yet these tragedies seem not to affect him, as they would others facing similar situations. Since that fateful day in the county jail when he heard that tiny little voice whispering in head, "Son you haven't asked me anything yet." This book is living proof of God's redeeming love through a man who surrendered all to His Will. Each page, paragraph and line are full of undeniable truths, evidences of a fulfilled life, a life filled with love, hope, peace and joy God promises. This book is a display of treasures in poetic form that shows what's "to be and not to be" in God. Finally, this book will give you the answer to the most intriguing, puzzling question that has captured the world for over four centuries. In very simplistic language, this reveals the motives of God and finally answers Shakespare's famous question, "to be or not to be".
When you look through the porthole of your berth aboard the ship, what do you see? The raging ocean? A lone iceberg? The world as it once was, now receding into the distance? Likewise, when you peer through your telescope at the distant boat, what do you see? An approaching storm? A drowning man? The future, drifting forever out of reach? In their latest book, Doctor Falke's Oraculum, Kahn & Selesnick invite you to look through the peep hole where you shall find scenes of people trying to parse that which is to come, speak with those departed, or just finding their pleasure amid the florid decay of a world in decline. For when personal and societal mythologies supersede facts, when the promise of virtual realities threaten to supersede the real thing, what better way to approach an uncertain future than through the arcane method of augury-after all, is not prophecy the original fake news?The Oraculum continues the adventures of the Truppe Fledermaus, a cabaret troupe of anxious mummers and would-be mystics who catalogue their absurdist attempts to augur a future that seems increasingly in peril due to environmental pressures and global turmoil. Presented as an unbound collection of photographs and text, the Oraculum is by turns a travelogue, an oracle, an art book, a box of prints, a meditation on the future, and an instruction manual of interpretative dance moves. The loose nature of the pages allow the viewer to treat this volume as a bibliomancy oracle where pages can be shuffled and selected at random to receive messages and prophecy, much as one uses the tarot and other cartomancy decks.The artists also examine the notion of the carnivalesque-traditionally the carnival was a time when the normal order of society was upended and reversed, so that at least for a day the fool might become king, men and women might cross dress, and sacred ceremonies and normal mores were spoofed. The Truppe ask you to consider: is it the carnival that is upside-down, or perhaps the real world that it purports to burlesque?
CANDELA. Its the name Caridad hears called out at night. Candela. Her own nickname, Fire, for the fire that destroyed her family home at the time of her birth. But now Caridad is 48. Her marriage has fallen apart. Her career in pharmacy has hit a wall. And shes haunted by her roots, literally. Though born in Cuba, she and her brother were raised in the US, in rural Washington State. Their entire Cuban family had tried to escape by sea, but had been wiped out by the Cuban Coast Guard. The brother remembers. But Caridad has to re-discover it all. Including her own sexuality. When Chachi, an exciting Cuban lesbian, turns up in Caridads life, everything she has always assumed is up for grabs. And the constant undercurrent, the constant drumbeat, is the voice calling to her from thin air, Candela. Its her own mysterious spiritual life coming to the fore, a life that stretches from the Native American guardians of her childhood, to the exotic rituals of the Afro-Cuban religion, Lukumi. Her birth right. For Caridad to finally confront being Cuban, she must return to Cuba to embrace her past and throw open the doors to a new future. Its a story of truth, love, and absolute courage.
Spanish-born F�lix Candela (1910-1997) is acknowledged as a master builder who designed and built innovative thin shell concrete roof structures in Mexico. This book goes further, however, hailing Candela as a structural engineer whose elegant forms should be considered works of art. This handsomely designed volume begins by presenting the lineage of master builders and structural artists who preceded him, including those from the period of the Industrial Revolution. The authors then examine Candela’s life, studies, and experiences, and analyze his early thin shell designs. They focus on the geometric form that Candela eventually used to create his most important works, examine several of the structures in detail, compare them to the works of other contemporary structural artists, and discuss the most important features of his legacy: the conservation of natural resources by minimizing materials; the reduction of cost by intimately connecting design to construction, and the creation of beautiful forms.
The photographs of Chris McCaw (born 1971) are produced with various hand-built view cameras as big as 30 by 40 inches, which are equipped with large aerial lenses designed to allow a maximum amount of light to pass through. Using large paper negatives, McCaw makes very long exposures ranging from several hours to a full day, which result in solarized final images. Besides the attractive neo-primitive qualities of his landscape imagery, the concentrated sunlight passing through the large optical elements actually scorches an etched path across the surface of the paper, rending open the charred skies to hint at a brighter light behind our sun. Sunburn brings together more than 60 of these landscapes, cooked visions in which blackened suns move stroboscopically through veiled skies that hang like curtains over vistas reduced to shadow. The violent shearing or destruction of each image contests the traditionally mellow aesthetic of the landscape photography tradition, and the marks left behind are a physical testament to the power of the sun, which is both subject and collaborator in this chance meeting of creator and destroyer. The excitement of discovering such a remarkable and untapped property of these particular lenses and expired gelatin silver papers is a testament to McCaw's openness to the photographic process, and his continued experimentation over the past eight years has created an equally indelible mark on the tradition of landscape photography. -- Amazon.com.
In the early 1900s, artist Paul Thulin's great-grandfather settled on an island off the coast of Maine because it resembled his homeland of Sweden. As a result, his family has returned to Gray's Point each summer for over a century. Throughout his life, his great-grandfather shared exquisitely detailed accounts of the early settlers of the New England apple orchard that included such characters as a one-legged ship cook, a widowed schoolteacher, and an ingenious Native American blacksmith. The tales were an intricate mix of facts and lore that fueled imagination and often had the power to transform daily floorboard creaks and shadows into enduring ancestral spirits. "Pine Tree Ballads" is a poetic memoir that embraces this spirit of magic realism. This deeply personal photographic sequence is a family generated folktale of place and origins; a story infused with both imagination and reality which, in most instances, are the true ingredients of history.This book adopts a unique"docu-literary" structure that celebrates and fully exploits the duplicitous nature of photography/text to be simultaneously interpreted as both fact and fiction. The project explores the emotive, contextual, and material constructs of history, culture, personal identity, memory, and folklore. The images are made with a variety of photo-based processes including both large format b/w and color film, and hi-resolution digital capture. An "aura aesthetic" purposely exposes the formal beauty and conceptual profundity of analog-based photographic material disruptions, such as film light leaks, dust and scratches, lens distortion, chemical stains, loss of color integrity, film grain, mold, and the multitude of ways paper stains, rips, and deteriorates over time.
Despite the growing importance of contemporary art from Latin America in the last two decades, no book exists that thoroughly explores this phenomenon. Art in Latin America aims to fill that gap and to offer the reader an interpretative frame with which to understand the importance of contemporary art in this complex and diverse region. The book covers the vibrant Latin American art scene since 1990 through a detailed study of new and unconventional art practices. It offers an original and in-depth interpretation of more than a hundred works in the fields of sculpture, installation, performance, video and public art. The author focuses particularly on disruptive and politically committed art works that challenge the traditional forms of 20th-century art and recognise the need to strengthen freedom of expression and processes of democratisation in Latin America.