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A search for the sense of identity in the works of fourteen Canadian women writers
A timely and relevant collection of stories about groundbreaking Canadian women, present and past. Canadian women have long been trailblazers, often battling incredible odds and discrimination in the process. Here are biographies of more than one hundred of these remarkable women, from the famous to the lesser known. There are activists and architects, engineers and explorers, poets and politicians and so many more. Each category pairs a historical groundbreaker with a present-day woman making her mark in that same field. Together, these women tell the story of Canada. And together, they offer a vision of what’s possible. A unique look at Canadian history sure to inspire all children to blaze trails of their own.
Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.
Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, poetry, song-writing, drama, and non-fiction reveals the tensions of colonial society at the same time as it transforms cultural life in Canada. Women’s Writing in Canada resurrects foremothers who were active before and after the mid-century – Ethel Wilson, Gabrielle Roy, Gwen Pharis Ringwood, Dorothy Livesay, and P.K. Page – as well as such forgotten writers as Grace Irwin, Patricia Blondal, and Edna Jaques. Its breadth extends to the contemporary voices and influences of novelists Tracey Lindberg and Heather O’Neill, poets Marilyn Dumont and Leanne Betasamosake Simpson, playwrights Hannah Moscovitch and Anna Chatterton, and filmmakers Sarah Polley and Mina Shum. Writing for children as well as memoirs, autobiographies, comic books, and cookbooks illustrate the wide and impressive range of women’s talents.
This book charts the significant changes in contemporary Canada's literary profile since the mid-1990s, within a context of the new national rhetoric of multiculturalism. By looking closely at a representative range of fictions in English by women from a variety of ethnocultural backgrounds, Howells examines the complexities embedded within Canadian identity. What does 'Refiguring Identities' mean for these writers, given their individual agendas and the multiple affiliation of any woman's identity construction? All these writers are engaged in rewriting history across generation, and Howells argues that woman's fiction negotiates new possibilities for cultural change, introducing more heterogeneous narratives of identity in multi-cultural Canada.
Collection of essays focusing on issues of ethnicity, race, and gender.
Over the past one hundred and fifty years, and most especially since the late 1960s, Canadian women have made a remarkable contribution to world literature. Carol Shields won the Pulitzer Prize; Margaret Atwood, Janette Turner Hospital, Anne Michaels, and Carol Shields were short listed forthe Booker Award; Atwood and Michaels were nominated for the Orange. This anthology enocmpasses over a century and a half of writing by Canadian women. The stories collected here represent a cross-section of the best writing by women in the genre and demonstrate a wide range of styles from therealistic to the post-modern and experimental. All the stories are about women: in childhood, adolescence, maturity, old age; in relationships such as daughters, sisters, lovers, mothers; in a variety of social and political contexts. Though all authors are Canadian by birth or choice, nationalityand gender have different meanings for each of them. But all write confidently and eloquently of their experience as women. At the end of the last century, no one could have predicted such wealth in women's writing. Now we have only to celebrate it.This collection of highly readable stories is ideal for the trade market while at the same time Rosemary Sullivan establishes a canon of stories for the university/college market. These are writers engaging with many different genres, including historical fiction, domestic drama and more abstractintrospection. No reader will fail to be amused, enthralled, intrigued, or invigorated.
This volume takes up the challenge of Canadian women's writing in its diversity, in order to examine the terms on which subjectivity, in its social, political and literary dimensions, emerges as discourse. Work from writers as diverse as Dionne Brand, Hiromi Goto and Margaret Atwood, among others, are studied both in their specific dimensions and through the collective focus of cultural and textual revision which characterizes Canadian writing in the feminine. Current theorizing on the postcolonial imaginary is brought to bear in the interests of forging or unpacking those links which tie the Self to culture. As such, Redefining the Subject sets out to discover the limits of the aesthetic in its encounter with the political: the figures and designs which envisage textual reimaginings as statements of a contemporary Canadian reality.
In Impact, 21 women writers consider the effects of concussion on their personal and professional lives. The anthology bears witness to the painstaking work that goes into redefining identity and regaining creative practice after a traumatic event. By sharing their complex and sometimes incomplete healing journeys, these women convey the magnitude of a disability which is often doubted, overlooked, and trivialized, in part because of its invisibility. Impact offers compassion and empathy to all readers and families healing from concussion and other types of trauma. Contributors: Adèle Barclay, Jane Cawthorne, Tracy Wai de Boer, Stephanie Everett, Mary-Jo Fetterly, Rayanne Haines, Jane Harris, Kyla Jamieson, Alexis Kienlen, Claire Lacey, E. D. Morin, Julia Nunes, Shelley Pacholok, Chiedza Pasipanodya, Judy Rebick, Julie Sedivy, Dianah Smith, Carrie Snyder, Kinnie Starr, Amy Stuart, Anna Swanson