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A playful introduction for Canadian youngsters to the wealth of experiences to be discovered in their home and native land.
A respected author and scholar, Paul A. Johnsgard has spent a lifetime observing the natural delights of Nebraska’s woodlands, grasslands, and wetlands. Seasons of the Tallgrass Prairie collects his musings on Nebraska’s natural history and the issues of conservation facing our future. Johnsgard crafts essays featuring snow geese, owls, hummingbirds, and other creatures against the backdrop of Great Plains landscapes. He describes prairie chickens courting during predawn hours and the calls of sandhill cranes; he evokes the magic of lying upon the prairie, hearing only the sounds of insects and the wind through the grasses. From reflections following a visit to a Pawnee sacred site to meditations on the perils facing the state’s finite natural resources, Seasons of the Tallgrass Prairie celebrates the gifts of a half century spent roaming Nebraska’s back roads, trails, and sometimes-forgotten places.
Horseback wrestling, catch-as-catch-can, glima; long before the advent of today’s WWE, forms of wrestling were practised by virtually every cultural group. C. Nathan Hatton’s Thrashing Seasons tells the story of wrestling in Manitoba from its earliest documented origins in the eighteenth century to the Great Depression. Wrestling was never merely a sport: residents of Manitoba found meaning beyond the simple act of two people struggling for physical advantage on a mat, in a ring, or on a grassy field. Frequently controversial and often divisive, wrestling was nevertheless a popular and resilient cultural practice that proved adaptable to the rapidly changing social conditions in western Canada during its early boom period. In addition to chronicling the colourful exploits of the many athletes who shaped wrestling’s early years, Hatton explores wrestling as a social phenomenon intimately bound up with debates around respectability, ethnicity, race, class, and idealized conceptions of masculinity. In doing so, Thrashing Seasons illuminates wrestling as a complex and socially significant cultural activity, one that has been virtually unexamined by Canadian historians looking at the nineteenth and early twentieth centuries.