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The Canadian Pop Music Encyclopedia - Volume 1 (A thru K) is a 400 page reference music book featuring biographies, discographies, and photos indexed alphabetically for nearly 1200 Canadian Popular Music recording artists from 1949 to 2011 inclusive. 400 pages. Written by Jaimie Vernon, a 30 year veteran of the Canadian music industry.
The Canadian Pop Music Encyclopedia - Volume 2 (L thru Z) is part two of the Canadian Pop Music Encyclopedia reference music book series featuring biographies, discographies, and photos indexed alphabetically for nearly 1200 Canadian Popular Music recording artists from 1949 to 2011 inclusive. 440 pages.Written by Jaimie Vernon, a 30 year veteran of the Canadian music industry.
The Canadian Pop Music Encyclopedia - Deluxe Edition is a 628 page abridged omnibus reference music book of the 2012 two volume Canadian Pop Music Encyclopedias - A thru K and L thru Z - featuring biographies, discographies, and photos indexed alphabetically for nearly 2000 Canadian Popular Music recording artists from 1949 to 2011 inclusive. 628 pages.Written by Jaimie Vernon, a 30 year veteran of the Canadian music industry.
The history of Canadian Pop Music covering over 60 years of vinyl releases - 1931 through 1996
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
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