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Excerpt from Canadian Poems of the Great War More and more are the poets realizing that the quality of beauty is universal; and hence that there is nothing in this subjective-objective world, outside the pale of artistic expression. More and more are they seeking themes of intense human interest, and striving for climaxes of spiritual beauty. To me, the spirit and content of an inspired poem is potential form; and in its natural verbal expression, of necessity organic. The inspiration shapes and perfects the form. This is why I regard the actual form as only, at most, equal in importance to what is expressed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.
DIVRich selection of powerful, moving verse includes Brooke's "The Soldier," Owen's "Anthem for Doomed Youth," "In Flanders Fields," by Lieut. Col. McCrae, more by Hardy, Kipling, many others. /div
The complete edition of Wilfred Owen's, War Poems and Others. " What passing-bells for those who die as castle? — Only the monstrous anger of the guns.'' This edition contains all Wilfred Owen's war poetry with an Introduction and Notes on Owen as a poet by Dominic Hibberd. It also includes an Historical Introduction & Study Guide written for Australian students by William Hovey, formerly History Co-ordinator at Santa Sabina College, Strathfield NSW. Mr Hovey provides an Historical Introduction to the western front and relates Owen's poetry to the Australian troops in the trenches and to the factors that motivated them to enlist. The Study Guide has a full list of books and other resources relevant to the study of the Australian experience of World War One and a selection of assignments and activities for student use.
This volume contains all of Owen's best known work, only four of which were published in his lifetime. His war poems were based on his acute observations of the soldiers with whom he served on the Western front, and reflect the horror and waste of World War One.
Drawing on educational materials, textbooks, adventure tales, plays, and Sunday-school papers, Boys and Girls in No Man's Land explores the role of children in the nation's war effort.
“The very content of Owen’s poems was, and still is, pertinent to the feelings of young men facing death and the terrors of war.” —The New York Times Book Review Wilfred Owen was twenty-two when he enlisted in the Artists’ Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen’s papers in the British Museum and other archives.